Taking Liberties. Diana Norman

the pumps, all of them shouting. Weekday conversations in Newcastle-upon-Tyne had to be conducted at a pitch which suggested deafness on the part of those conversing. A lot of them were deaf, especially those (the majority) who spent their working lives in its foundries, metal yards and factories with their eardrums pounded by machinery that roared day and night. Consequently, they shouted.

      Clamour reached its climax at the river, Newcastle’s artery. Cranes, coal rattling into the cargo holds of keels, ironworks, shipyards, anchor-makers … But, as he walked along the Quay, the cacophony assaulting Oliver’s ears was overridden by his stepmother’s high, feminine, gull-like squawk twisting through it like a Valkyrie swerving through battling soldiers to reach the dead.

      There was always something. Today a careless wherry carrying pottery upriver had knocked into one of Makepeace’s keels and caused damage – luckily above its waterline.

      She was staving off the wherryman’s murder at the hands of the keel’s skipper by holding back the keelman with his belt and remonstrating with the offender at the same time.

      ‘Whaat d’ye think ye’re playin’ at, ye beggor, tig ’n’ chasey? Ah’ll have ye bornt alive, so ah wull. Howay ta gaffor an’ explain yeself, ye bluddy gobmek. Hold still, ye buggor’ – this was to the keelman – ‘divvn’t Master Reed telt ye ‘bout tuen the kittle?’

      Oliver shook his head in wonder. Tyne watermen were renowned for their ferocity; this skinny little woman was dealing with savages in their own language and subduing them. While a new spirit of philanthropy was bringing charity, education and Sunday schools to Newcastle it had seemed impossible that such enlightenment could touch the dark souls of those who worked on its river. His stepmother, however, had forced the men who shipped her coal to join a benefit society, the Good Intent, where godliness, rules and, in the last resort, fines were having a favourable effect on their swearing, drinking and fighting. The popular Newcastle maxim that keelmen feared nothing except a lee shore had been altered to: ‘Nowt but a lee shore – and Makepeace Hedley.’

      The wherryman having been dispatched to the Quay to report to her rivermaster, and the keelman, sulkily, to his repairs, Makepeace waved to her stepson and came ashore to kiss him.

      Possibly the richest woman in Northumberland, she resembled what her mine manager called ‘an ambulatin’ sceercraa’. Her long black coat was old and the tricorn into which she bundled her red hair even older. She’d told Oliver once that femininity was a handicap in a masculine world; to be accepted by other coal-owners as well as by her subordinates she had to play a character. Men liked to make a mystery of business, she said, and the fact that any woman of intelligence could master it maddened them. But as long as she seemed an oddity, she said, men didn’t resent her intrusion, or no more than they would resent a male competitor; she was merely a quirk of nature, an act of God, to be accepted with a resigned shrug. Eccentricity, she said, was sexless.

      He supposed she was right. Newcastle had a surprising number of successful female entrepreneurs – the printer from whom he’d just bought his newspaper among them – and he wouldn’t want to bed any of them.

      Nevertheless, Oliver appreciated beauty and was offended by his stepmother’s aesthetic crime. Not that Makepeace was beautiful; she was approaching forty and her red hair was beginning to sprout the occasional strand of grey, but, dressed up and with a prevailing wind, she could look extremely presentable. Her smile, when she used it – and she was using it now as she came towards him – was better than beautiful, it was astounding.

      He owed a great deal to this woman, not just his father’s happiness in marriage but the wealth brought to them all by her accidental ownership of the land on which coal was now being mined on a vast scale.

      For Makepeace and Andra Hedley, their unsought meeting was the stuff of legend, to be recalled again and again: she, a benighted American-born widow with only a title deed won at the gaming tables to her name, asking for shelter at the moorland house of Andra Hedley, a widower, equally impoverished but with the knowledge to capitalize on her one asset.

      Together they’d exploited the rich seam of coal that lay beneath her land. Thanks to her, Andra, a former miner himself, had been able to build a village for miners that was a model of decent living.

      Thanks also to her, the Hedley shipping office here on the Quay was a new and graceful building, employing clerks who worked in the light of a great oriel window that ran three storeys from roof to ground. And thanks to her, he, Oliver, had been raised from the position of a young lawyer with few clients to the directorship of one of the biggest mining companies in Newcastle, able to own a fine house and fill it with fine things.

      More than that, this stepmother had been prepared to love him from the first, and he’d come to love her.

      Lately, though, he’d begun to fear that her means were becoming her ends. The difficulties and setbacks she’d faced in a crowded life had given Makepeace the right to admire herself for overcoming them but now the determination that had enabled her to do so was becoming overbearing. Her boast that she spoke her mind was more often than not a euphemism for rudeness. She expressed an opinion on everything and showed little respect for anyone else’s. She was in danger of becoming an autocratic besom.

      Missing Dada, Oliver thought. The harshness he’d noticed in Makepeace had become prevalent in the three months since Andra Hedley had taken himself off to France to work with the chemist Lavoisier on investigating the properties of air.

      Oliver knew himself to be more than capable of running the shipping end of the Hedley enterprise – very much wanted to – and his uncle Jamie, Andra’s brother, was equally capable of overseeing the mining operation up at Raby. Makepeace, however, refused to give up control of either and was exhausting herself and everybody else in the process.

      His father and only his father, as Oliver knew, could have made her take a holiday – nobody else would dare – but since Andra was not there and she missed him badly, his absence merely added to her self-imposed burdens and her tendency towards despotism was compounded.

      Her smile faded as she closed in. ‘What?’

      ‘It’s war, Missus. The French have declared.’ He took her hands and she clutched them for support.

      ‘And no word from your dada, I suppose.’

      ‘No. At least, I don’t think so …’ He was, he realized, holding an unexplored bundle of the day’s mail under his arm and together they hurried into the office and up to her room to riffle through it.

      There was no letter from France. And now there wouldn’t be; the ports were closed for the duration of the war.

      Makepeace began striding up and down the room. ‘I told him. Didn’t I write that mule-headed goober? Come home, I said. There’ll be war, I said. You’ll get fixed like a bug in molasses. You wait ’til he gets back, I’ll larrup that damn man ’til he squawks …’

      When she wasn’t scolding her employees in broad Northumbrian, Makepeace could speak English without an accent but in times of distress she reverted to pure American.

      Oliver sat down while she tried, through rage, to dissipate a worry he considered needless; it was inconvenient that Andra Hedley should be in Paris at such a time but he was in no danger. The position held by the people he was with would ensure nothing happened to him.

      Sun coming in through the great window provided the rare luxury of warmth to a spartan office, its new oak panelling still undarkened by the Newcastle air. Apart from an escritoire with its pigeon-holes neatly docketed, there was a table, only one chair – it was to his stepmother’s advantage to make her visitors stand while she sat – and a good, but worn, Isfahan rug on the floor.

      Oliver started sorting through the letters while Makepeace raved on: ‘I’ll go fetch him myself, that’s for sure. I’ll get one of the colliers to take me over to … to … where’s somewhere neutral? Flushing, I’ll go to Flushing and get a coach to Paris and drag him home. I’ll give that goddam Frenchman … what’s the name of the bugger? Lavabo?’

      ‘Lavoisier.’