Название | River of Stars |
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Автор произведения | Guy Gavriel Kay |
Жанр | Историческая литература |
Серия | |
Издательство | Историческая литература |
Год выпуска | 0 |
isbn | 9780007521920 |
Poetry, essays, letters, memoranda to the court. A habitation built in the mind. He had some books with him, damaged by the damp after several years now. He had the Cho classics committed pretty much to memory, however, and a great deal of poetry. He had written once, long ago, that he truly believed he could find contentment anywhere. That belief was being tested. Along with his ability to laugh, or make others laugh.
Paper was hard to come by. There was one temple housing six clerics of the Path at the edge of the village, and the current elder admired Lu Chen, knew his poetry. Chen walked over there most days, watchful on the muddy path near the forest. They drank the harsh, yellow-tinted island wine and talked. He liked to talk to intelligent men. He liked to talk to anyone.
At intervals, one of the clerics would make the crossing—dangerous in the rainy season—to the mainland for news and supplies, and arrange to obtain paper for him. Thus far the administrators here (the new one was very young, very unhappy, not surprisingly) had not stopped this, though they were aware of it, of course.
They’d had, to this point, no instructions in the matter. Those might yet come. The hatreds of the faction years could reach this far. He was here, wasn’t he? He was proof of hatred. He did think (though never said) that it might have been a woman who had wanted him sent here to die. No way to be sure, but the thought was there. He had decided, from the start, to be difficult about dying.
The clerics took his letters across the strait as well, entrusted them to others journeying over the mountain barrier, through narrow, crumbling passes above chasms, amid the shrieking of gibbons. That was how letters travelled back into the world from this far away.
In exchange for their kindnesses he had written a poem on a wall of their temple.
He was so well known that when word reached the mainland people might come, even to Lingzhou, to see Lu Chen’s writing here. They’d make offerings at the temple. Stay a night or two, pay for that. That was how such matters tended to unfold. He had done wall poems before. His presence here might be a benefit to some.
The brush strokes of the poem, written last spring, were already disappearing in the dampness, though. They hadn’t survived a single summer’s rains. There was a lesson in that, he supposed, about the aspirations of men to do something that would endure. He tried to find it amusing. He was usually able to find amusement in the world.
He had written on the wall about the human spirit, resilience, friendship, red and yellow flowers at the forest’s edge, and ghosts.
There was a ghost lingering by their cabin.
He had seen her twice for certain on the roof: once at sunrise as he walked out, once as he returned at twilight. It did not seem malevolent. It was not a personal ghost, he was sure of that, not one that had followed them here. It was a ghost of the village, the island, of this cottage. No one he asked knew anything about her. There was no name given him.
He’d seen her hair, unbound. It hid her face. There was a phrase, often used in poetry, about the cloud of a courtesan’s hair. The ghost’s was more like smoke, he thought.
He added a candle for her on their altar. They spoke the prayers and made offerings, invoking rest for her unquiet soul. It was likely she had never been buried. That could happen to a person, or to thousands on a battlefield.
He was worried about his son. Beginning this past summer, Lu Mah coughed at night when he lay down, and through the night hours. It seemed to be easing as the dry season finally came, but he was aware this might be his hope as a father, not the truth of things.
It was early morning now, not raining and not yet too hot. Time, soon, to rise from bed. He and Mah were doing exercises each morning whenever it was possible—to the amusement of the villagers, who often gathered to watch them. Twirling and stretching, they used staffs to mock-fight in front of the cottage, holding them like swords at times. “I will be a bandit yet!” he’d cry (and had written of this to his brother, mocking himself). “I will bring back the memory of young Sima Zian!”
His son laughed. That was good.
It was interesting, Lu Chen thought, how many of the references a man made reached specifically to the Ninth. It was as if they were all marked (scarred? diminished?) by glory achieved four hundred years ago, and by the rebellion and the fall.
Sima Zian, one of the master poets, had lived (mostly) before the rebellion. A chasm in the world, another poet had called the civil war that had ensued. The world, Lu Chen thought, exiled on Lingzhou Isle, confronted you with chasms—or jagged peaks—all the time.
He was trying to decide how to persuade Mah to leave. He was the one exiled. Children might have their lives undone by a father’s disgrace but there were precedents for rising above that, given the passage of time and changes at court.
Problem was, he was certain the boy would not go. For one thing, he wasn’t a boy any more. Lu Mah was of an age to take the jinshi examinations (he wouldn’t be allowed to now) and certainly to make his own decisions. He would never defy a direct order from his father, but Chen wasn’t ready to break his son’s heart that way, instructing him to leave.
He could remember travelling to the capital with his own father (long gone, dearly missed) and his brother. He’d been twenty-three years old. Three months’ journey to Hanjin, to prepare for and take the examinations. He had come first in their year; Chao, two years younger, had come third. They launched you into life like an arrow, results like that—and sometimes you landed in strange places. Arrows could go astray.
There came a time, he thought, lying in his cot-bed, when the years you had lived, your memories, stretched too much further behind than the years you could imagine in front of you.
He lay there a little longer, thinking of his dead wife and his living one, and women he had loved. There was a girl here who tended to their cottage. He did not lie with her. His son did, when Chen was with the clerics at the temple. It was better that way. His thoughts drifted to another girl, the one in Wengao’s home in Yenling. His last visit there.
She had offered herself to him, a spring night during the Peony Festival, standing in the corridor outside her room in a spill of light. He had looked back (vivid memory!) at the youngness of her. And had realized what she was doing. An illumination, like a lamp.
He had bowed to her, and shaken his head. “My everlasting thanks,” he’d said. “But I cannot accept such a gift.”
She’d be married now, for years. Perhaps with children. She’d been offering him her innocence that night, in sorrow: for strength on a terrible journey, and on Lingzhou.
She had been remarkably clever, Chen remembered, for someone so young. Over and above the fact that this had been a woman, a girl. He had encountered clever women, after all.
Too great a gift she’d been offering. He was, he thought, a man easier with giving gifts than accepting them. Nor did he follow Arcane Path teachings in the matter of lovemaking. (The emperor did, everyone knew.) You did not spend a night with a woman, Lu Chen had always believed, for whatever mystical strength you might gain from her.
You did it for pleasures you could share.
He wasn’t a good observer of doctrines. He would admit to that. He’d said it to the clerics here, his first visit, when they rang their one tall bell and prayed. He offered prayers with them, sincerely, but after his own fashion. His own doctrines were about compassion, the brush strokes of words, painting, conversation, enduring friendship, family. Laughter. Music. Service to the empire. Wine. The beauty of women and of rivers under stars. Even if you thought you were at the Red Cliffs of legend and you weren’t.
You needed to be able to laugh at yourself, too.
Watching