The Big House: The Story of a Country House and its Family. Christopher Sykes Simon

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Название The Big House: The Story of a Country House and its Family
Автор произведения Christopher Sykes Simon
Жанр Историческая литература
Серия
Издательство Историческая литература
Год выпуска 0
isbn 9780007374359



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veritable orgy of planting, covering 130 acres in the 1778–1779 season, the largest area planted in the whole of the forty years it was to take to complete the landscape. His ‘account of Trees planted at Sledmere’, given to the local agriculture society, listed all the species used – ‘forty Wild Cherry, sixty Mountain Ash, 300 Yews, 358 Silver Fir, 500 Weymouth Pine, 600 Birch, 1,540 Oak, 6,400 Holly, 12,000 Beech, 25,260 Spruce, 33,600 Ash, 42,122 Scotch Fir and 54,430 Larch’.48 In recognition of his ‘having planted the greatest quantity of Larch Trees’, the secretary, William Ellis, wrote to tell him that ‘you are entitled to make choice of any Book or set of Books not exceeding the price of Five Guineas’.49

      When John Bigland toured Yorkshire at the end of the first decade of the nineteenth century, his description of Sledmere showed precisely how great a transformation of the landscape had taken place in the relatively short time that Christopher Sykes had lived there.

      

      Sledmere is situated in a spacious vale, in the centre of the Yorkshire Wolds, and may be considered as the ornament of that bleak and hilly district. All the surrounding scenery displays the judicious taste of the late and present proprietors: the circumjacent hills are adorned with elegant farm houses covered with blue slate, and resembling villas erected for the purpose of rural retirement. The farms are in as high a state of cultivation as the soil will admit; and in the summer the waving crops in the fields, the houses of the tenantry elegantly constructed, and judiciously dispersed, the numerous and extensive plantations skirting the slopes of the hills, and the superb mansion with its ornamented grounds, in the centre of the vale, form a magnificent and luxuriant assemblage, little to be expected in a country like the Wolds; and to a stranger on his sudden approach, the coup d’oeil is singularly novel and striking.50

      It was a fitting tribute to Christopher’s great vision.

       CHAPTER III The Architect

      In February, 1783, the month in which the American War of Independence finally drew to a close, Christopher received a letter from his brother-in-law, William. ‘My Sister mentioned in her last’,’ he wrote, ‘that you were looking for a House, I hope you have heard of one by this time that will be comfortable for you at the present, I can’t help wishing very much that the Doctor wou’d give up Sledmere to you, but I conclude that is out of the question.’1 If only for one reason, this was true: Parson was now an old man in his seventies and suffered from poor health. He had seen little of his son in the previous few years, who, as a result of the war, had taken up a commission as a Captain in Colonel Henry Maister’s Regiment, the East Yorkshire Militia, though while away from home, Christopher had been kept informed as to his father’s condition from regular letters sent to him by the Sledmere butler, John Hopper. Parson suffered constantly from pains in his chest, regular spasms and dreadful gout. ‘He is very Low Spirited and Eats very little,’2 Hopper wrote in April, 1782, though there were the occasional good days. ‘I have the pleasure to acquaint you,’ wrote Hopper on 15 August, ‘that your Father got out an Airing last Saturday and has continued it every day since, he was at Church on Sunday.’ In a memoir written by my grandfather, he recalled meeting, when he was a child, an old lady who remembered seeing Parson at church, ‘a little old man with a powdered wig carried into Sledmere Church on his footman’s back’.3

      Parson did not recover from his illness, and his death the following year solved Christopher’s housing problem. He survived long enough, however, to be the beneficiary of a great honour bestowed upon him by the King. Writing to Christopher early in February, 1783, Richard Beaumont, his friend and fellow plantsman, told him that he had heard ‘that a Baronet will shortly be created in the East Riding, so saith a Friend connected with the Rulers of the Nation’.4 The Baronetcy to which he referred was to be offered to Christopher as a reward for his contribution to the reclamation of the Wolds. The high esteem in which he held his father is evident from the fact that he chose to turn down the title, insisting that it was conferred upon Parson instead. On 25 February, 1783, the Secretary of State for Foreign Affairs, the Rt Hon. Thomas Townshend, signed a patent on behalf of King George III: ‘Our will & pleasure is that you prepare a Bill for our Royal Signature to pass our Great Seal containing the Grant of the Dignity of a Baronet of this our Kingdom of Great Britain unto our trusty and well beloved Mark Sykes, Doctor in Divinity, of Sledmire in our County of York.’5 So Parson became the Revd Sir Mark Sykes, 1st Baronet of Sledmere.

      Amongst the hundreds of letters of congratulation that came pouring in for both the new Baronet and his son was one from Uncle Joseph, who lamented that ‘his poor state of Health will afford him so little enjoyment of this or of almost any earthly Comfort’.6 They were prophetic words. On 9 September Christopher recorded in his diary, ‘My father taken ill’, and the following Sunday, 14 September, ‘My Dear Father died at 4½ this morning. I got to Sledmere at 8½ not knowing of his illness till the night time at Hull Bank.’ He was buried on 19 September. ‘The Remains of my Dear Father,’ noted Christopher, ‘was taken from Sledmere at 8½ o’clock and was buried at Roos at 6 o’clock in the evening.’7 His coffin was attended only by his servants, a stipulation he had made in his will. ‘The very painful & lingering life which My Uncle led,’ wrote Parson’s nephew, Nicholas, to Christopher, ‘may make his death be looked upon as a happy release by all his Friends.’8

      By the end of 1783, Christopher, Bessy and the five children had moved into the big house, unfortunately for them in the middle of an exceptionally cold winter. In an age when most of us live in over-heated houses, it is easy to forget how uncomfortable it must have been to live in a large draughty house in periods of harsh and freezing weather. It was still a number of years before the advent of any kind of central heating, and the inhabitants had to rely on individual fires as their only source of warmth. ‘I hope you all keep well & have plenty of Coals,’ wrote Henry Maister to Christopher in January, 1784, ‘for around a good fire is the only comfortable place’,9 though the truth is that most fireplaces usually produced more smoke than heat, and the only guaranteed way to keep warm was to wear more clothes. On 3 January, Christopher recorded ‘a heavy storm of snow’ in his diary, and throughout January and February there are regular entries for ‘deep snow’ and sometimes ‘extremely deep snow’. Things finally began to improve on 22 February, when Christopher was able to write ‘began this day to thaw’.10

      No doubt inspired by the Arctic conditions they had been experiencing, Christopher also set about a new piece of building work at Sledmere, the creation of an ice-house. These buildings, which were de rigueur in most big houses of the day, were an advanced version of a ‘snow-well’ built for the Duke of York at St James’s Palace in 1666. While that had been little more than a pit dug into the ground and thatched with straw, the new models were often architect-designed and vaulted in brick or stone.11 They were situated close to the nearest large stretch of water – in the case of Sledmere, it would have been the Mere – so that during the winter the ice could be cut and placed in the ice-house, carefully insulated between layers of straw, for use the following summer, when it would have been used primarily for the refrigeration of food as well as for the occasional iced dessert. The design for the Sledmere ice-house came in the form of a working drawing, showing a detailed and carefully labelled section, sent to Christopher in February, 1784 by John Carr, the architect