Little Exiles. Robert Dinsdale

bound to a different journey. Below deck, the boys sleep three to a cabin. After the dormitory, it is a luxury to which none of the boys are accustomed.

      After lights out on the first night, there comes a gentle rat-a-tat at the cabin door. Peter swings out of bed and whips the portal open. Still clinging to the cardboard suitcase they have each been issued with, there stands George.

      ‘Can I sleep in here, Peter?’

      There are three bunks in the cabin, Jon curled up in one, no doubt pretending to sleep; some other boy in the other. Peter shakes him until he stirs. ‘Hop it, Harry,’ he says. ‘We need the bed.’

      Muttering some incomprehensible complaint, the boy trudges out of the room.

      As he goes, George creeps through the door and finds the bunk warm and inviting. ‘Thanks Peter.’

      ‘Don’t thank me,’ Peter says. ‘Just go to sleep.’

      There is only a moment’s silence. Between them, Jon hears George begin to speak. Then, thinking better of it, he holds his tongue. Two more times he tries to be still, but it will not last long.

      ‘What is it, George?’

      ‘I didn’t like the way the ship was moving. It feels like we could tip right over.’

      Jon hears Peter’s sharp intake of breath, decides Peter is about to admonish George, and scrambles upright in bed. ‘I don’t like it either …’

      ‘You can hardly walk,’ George goes on. ‘One minute you’re in the middle of the hall, the next you’re up against the wall. Nothing looks right.’

      Peter rolls over, drawing the bedsheets over his head.

      ‘It’s only Judah Reed can walk without stumbling,’ George says. ‘Why can Judah Reed walk like that, Peter?’

      There comes another rat-a-tat at the door. George instinctively shrinks into his covers, while Jon dives back into bed. Only when he hears Peter pulling the door back does he open an eye to watch.

      There are two boys standing in the doorway. The smaller, Harry, is still trailing his blanket; a taller boy looms above.

      ‘We don’t want this one in our bunk, Peter. Some of us want to sleep. There’s enough little ones down the way, without throwing this one in with us.’

      Peter throws a look back at George, now nothing but a bundle beneath the bedclothes.

      ‘If we let you sleep in here, you’ll sleep on the floor?’

      Harry nods, eager as a dog waiting for its bone.

      ‘You can take a pillow,’ Peter adds. ‘But it’ll take Judah Reed to stop me pounding on you if you piss everywhere tonight.’

      Peter slumps back into his bunk, rucking up his blankets to make up for his missing pillow, and snuffs the light. Moments later, George bleats out. At first, Peter thinks he is being a scaredy-cat yet again – but, when he tugs at the cord, he sees George sitting up in bed with wide, apologetic eyes.

      ‘It’s no good, Peter,’ he says. ‘Just the mention of it makes me want to …’

      ‘What the hell,’ Peter mutters. ‘I wasn’t going to sleep tonight anyway …’

      Jon follows them out of the cabin, leaving the fourth boy to crawl, eagerly, into one of their beds. The corridor outside is narrow, lit by buzzing electric lanterns. The ship is a labyrinth, but Peter seems to know his way better than most. Jon and George trail after him like rats behind some piper.

      They are not the only boys on board. There are others, boys in prim school uniforms – and, so the whisperers would have it, girls in smart pinafore dresses too. Nor are Judah Reed and the other men in black the only adults travelling south. Jon has already seen a group of swarthy men, speaking in some guttural language of their own.

      Peter leads George up a small flight of wooden stairs, and fumbles with a clasp to kick open the portal above. When the doors fly open, sea spray whips at George’s face.

      ‘Isn’t there another way, Peter?’

      ‘I don’t know, George …’

      ‘I don’t think I can go overboard, Peter.’

      They venture up. There are still adults milling about the deck, keeping windward of the great hall that sits there.

      Jon closes the trapdoor and, hand in hand, they scuttle towards the great hall. Creeping downwind of it, they search for the way in. The boys have never seen luxury like this: waiters are pushing trolleys, men with skin as dark as those who came to live in Leeds, while a chandelier dangles above. At last, they find an unlocked door and push inside. From here, Peter remembers the route. He leaves George at the toilet doors, and tells him to hurry.

      ‘He’ll only be at pissing again by the time we get back,’ Peter whispers. ‘That boy could not drink a drop for three days and still find water to piss.’

      When George reappears, he is shaking. As they go back on the deck, the ship rises up on a deep wave and then rolls. Hanging lanterns throw light onto George’s face, and Jon sees that he has been sick.

      ‘Wipe it off,’ says Peter, slapping him on the back. ‘You’ll get used to it.’

      ‘I’m feeling it too,’ says Jon.

      ‘Yeah, well, don’t you two go turning it into a competition …’

      Peter pauses. He has been denying it to himself, but even he can feel a sickly stirring in the pit of his stomach. He looks up. The half-moon, beached there in white cloud, is the only thing that doesn’t seem to be trembling in the whole wide world. ‘You see that?’ he says, putting an arm around George’s shoulder. ‘Even the moon’s closer than Leeds is now. At least we can still see the moon.’

      ‘It’s the same moon, though, isn’t it, Peter?’ George marvels, as if he has uncovered some unfathomable secret. ‘And the stars – they’re the same stars?’

      Peter turns and strides towards the edge of the ship. The starlight sparkles in the water, so that it seems there are silvery orbs bobbing just beneath the surface.

      ‘I wouldn’t swear on it,’ he says.

      The seas are rough that night. In his bunk, Jon cannot sleep. When he scrunches up his eyes, he can almost pretend that the cabin is not rolling with the waves – but then the lump starts forming in the back of his throat, and then he has to curl up like a baby to stop himself from throwing up. In the bed beside him, George has retched himself into uneasy unconsciousness while, beyond that, Peter gives a fitful snore.

      Some time in the smallest hours, there comes a lull, as if the sea has flattened out to allow him some rest – but, cruelly, Jon is no longer tired. Careful not to tread on the younger boy Harry, he stands up and creeps to the door. As he steps out, the corridor pitches and lanterns throw long, dancing shadows on the wall.

      The belly of the boat moans, long and mournful, but when the sound dies down, he can hear something else: another whimpering, not of the boat, but of a boy. Steadying himself with a palm against each wall, he shuffles along the corridor, until he finds a cabin door left ajar. With each wave, the door opens inches and then closes again, allowing Jon to peep within. In one bed, a bigger boy has his head buried under a pillow while, on another, a much younger boy, perhaps only four years old, has his sheets pulled up around him.

      Jon curls his fingers around the edge of the door, stopping it from swinging, and suddenly the boy’s eyes shoot at him.

      ‘What happened?’ Jon whispers.

      The little one will not answer, but suddenly the bigger boy rears from his pillow and lets loose an exasperated groan. ‘Get it to shut up, would you? It’s keeping me up with its wailing …’

      ‘Is he hurt?’

      ‘Judah Reed came round,’ the bigger boy says. ‘Told