The Map of Time and The Turn of the Screw. Felix J. Palma

life had toughened Tremanquai and he had survived. He roamed the jungle for weeks, wounded and feverish, arrows still stuck in his flesh, using his rifle as a crutch, until his pitiful wanderings brought him to a small native village encircled by a palisade. Exhausted, he collapsed before the narrow entrance to the fence, like a piece of flotsam washed up by the sea.

      He awoke several days later completely naked, stretched out on an uncomfortable straw mattress with repulsive poultices on his wounds. He was unable to identify the features of the young girl applying the sticky greenish dressings as belonging to any of the tribes he knew. Her body was long and supple, her hips extremely narrow and her chest almost as flat as a board. Her dark skin gave off a faint, dusky glow. He soon discovered that the men possessed the same slender build, their delicate bone structure almost visible beneath their slight musculature. Not knowing what tribe they belonged to, Tremanquai decided to invent a name for them. He called them the Reed People, because they were as slim and supple as reeds.

      Tremanquai was an excellent shot, but he had little imagination. The Reed People’s otherworldly physique, as well as the big black eyes in their exquisite doll-like faces, was a source of astonishment, but as his convalescence progressed, he discovered further reasons to be amazed: the impossible language they used to communicate with each other, a series of guttural noises he found impossible to reproduce, even though he was accustomed to imitating the most outlandish dialects; the fact that they all looked the same age; and the absence in the village of the most essential everyday implements. It was as though the life of these savages took place elsewhere, or as if they had succeeded in reducing it to a single act: breathing.

      But one question above all preyed insistently on Tremanquai’s mind: how did the Reed People resist the neighbouring tribes’ repeated attacks? They were few in number, they looked neither strong nor fierce, and apparently his rifle was the only weapon in the village.

      He soon discovered the answer. One night, a lookout warned that ferocious Masai tribesmen had surrounded the village. From his hut, with his carer, Tremanquai watched his saviours form a group in the centre of the village facing the narrow entrance, which curiously had no door. Standing in a fragile line as though offering themselves up for sacrifice, the Reed People linked hands and began to chant an intricate tune. Recovering from his astonishment, Tremanquai reached for his rifle and dragged himself back to the window with the intention of defending his hosts as best he could. Scarcely any torches were lit in the village, but the moon cast sufficient light for an experienced hunter like himself to take aim. He set his sights on the gap in the stockade, hoping that if he managed to pick off a few Masai the others might think the village was defended by white men and flee.

      To his surprise, the girl gently lowered his weapon, indicating to him that his intervention was unnecessary. Tremanquai bridled, but the Reed girl’s serene gaze made him think again. From his window, he watched with trepidation and bewilderment as the savage horde of Masai spilled through the entrance and his hosts carried on their discordant incantation while the spears came ever closer. The explorer steeled himself to witness the passive slaughter.

      Then something happened, which Tremanquai had described in a quavering, incredulous voice, as though he found it hard to believe the words he himself was uttering. The air had split open. He could think of no better way to describe it. It was like tearing off a strip of wallpaper, he said, leaving the wall bare. Except in this case it was not a wall but another world. A world the explorer was at first unable to see into from where he was standing, but which gave off a pale glow, lighting the surrounding darkness. Astonished, he watched the first of the Masai tumble into the hole that had opened between them and their intended victims and vanish from reality from the world Tremanquai was in, as though they had dissolved into thin air. On seeing their brothers swallowed up by the night, the rest of the Masai fled in panic. The explorer shook his head slowly, stunned by what he had seen.

      He had lurched out of his hut and approached the hole that his hosts had opened in the very fabric of reality with their chanting. As he stood facing the opening, which napped like a curtain, he realised it was bigger than he had first thought. It rose from the ground, reaching above his head, and was easily wide enough for a carriage to pass through. The edges billowed over the landscape, concealing then exposing it, like waves breaking on the shore. Fascinated, Tremanquai peered through it as if it were a window. On the other side, there was a very different world from ours, a sort of plain of pinkish rock, swept by a harsh wind that blew sand up from the surface: in the distance, blurred by the swirling dust, he was able to make out a range of sinister mountains. Disoriented and unable to see, the Masai floundered in the other world, gibbering and running each other through with their spears. Those left standing fell one by one. Tremanquai watched the macabre dance of death, transfixed: the Masais’ bodies were caressed by a wind not of his world, like the strange dust clogging their nostrils.

      The Reed People, still lined up in the middle of the village, resumed their ghostly chanting, and the hole began to close, slowly narrowing before Tremanquai’s eyes until it had disappeared. The explorer moved his hand stupidly across the space where the air had split open. Suddenly it seemed as if there had never been anything between him and the choir of Reed People, which now broke up, its members wandering to different corners of the village, as though nothing out of the ordinary had occurred.

      For Tremanquai, the world as he had known it would never be the same. He realised he now had only two choices. One was to see the world, which he had hitherto believed to be the only world, as one of many, superimposed like the pages of a book, so that all you had to do was thrust a dagger into it to open a pathway through all of them. The other was simpler: he could lose his mind.

      That night, understandably, the explorer was unable to sleep. He lay on his straw mattress, eyes wide open, body tense, alert to the slightest noise coming from the darkness. The knowledge that he was surrounded by witches, against whom his rifle and his God were useless, filled him with dread. As soon as he was able to walk more than one step without feeling dizzy, he fled the Reed People’s village. It took him several weeks to reach the port of Zanzibar, where he survived as best he could until he was able to stow away on a ship bound for London. He was back ten months after he had set out, but his experiences had changed him utterly.

      It had been a disastrous voyage and, naturally enough, Sebastian Murray, Gilliam’s father, did not believe a word of his story. He had no idea what had happened to his most experienced explorer during the months he had gone missing, but he was clearly unwilling to accept Tremanquai’s tales of Reed People and their ridiculous holes in the air, which he considered the ravings of a lunatic. And his suspicions were borne out as Tremanquai proved incapable of living a normal life with his ‘widow’ and their two daughters. His wife would doubtless have preferred to carry on taking flowers to his grave than to live with the haunted misfit Africa had returned to her.

      Tremanquai veered between apathy and random fits of madness, which swiftly turned the hitherto harmonious family home upside down. His accesses of insanity, which occasionally drove him to run naked through the streets or shoot at the hats of passers-by from his window, were a constant menace to the otherwise peaceful neighbourhood, and he was eventually carted off to the asylum at Guy’s Hospital, where he was locked away.

      Yet he was not entirely abandoned. Unbeknown to his father, Gilliam Murray went to see him in hospital as often as he could, moved by the grief he felt that one of his family’s best men should be reduced to such a wretched state, but also thrilled to hear him narrate that incredible story. The young man of barely twenty, as Murray then was, visited the explorer with the eagerness of a child at a puppet show, and Tremanquai never disappointed him. Sitting on the edge of his camp-bed, his gaze straying towards the damp patches on the walls, he needed no encouragement to retell the tale of the Reed People, embellishing it with new and extraordinary details each time, grateful for the audience and for being given time to inflate his fantasy.

      For a while, Murray believed he would regain his sanity, but after four years of incarceration, Tremanquai hanged himself in his cell. He left a note on a grubby piece of paper. In a spidery scrawl that could just as well have been his normal writing as distorted by his inner torment, he stated ironically that he was departing this world for another, which was only one of the many that existed.

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