Gilchrist on Blake: The Life of William Blake by Alexander Gilchrist. Richard Holmes

more mature than any he had before realized; at once grand, lovely, comprehensible, was in course of production. It must have been during the years 1784-88, the Songs and Designs sprang from his creative brain, of which another chanter must sneak.

       NINE Poems of Manhood 1788-89 [ÆT. 31-32]

      Though Blake’s brother Robert had ceased to be with him in the body, he was seldom far absent from the faithful visionary in spirit. Down to late age the survivor talked much and often of that dear brother; and in hours of solitude and inspiration his form would appear and speak to the poet in consolatory dream, in warning or helpful vision. By the end of 1788, the first portion of that singularly original and significant series of Poems, by which of themselves, Blake established a claim, however unrecognized, on the attention of his own and after generations, had been written; and the illustrative designs in colour, to which he wedded them in inseparable loveliness, had been executed. The Songs of Innocence form the first section of the series he afterwards, when grouping the two together, suggestively named Songs of Innocence and of Experience: But how publish? for standing with the public, or credit with the trade, he had none. Friendly Flaxman was in Italy, the good offices of patronizing blue-stockings were exhausted. He had not the wherewithal to publish on his own account; and though he could be his own engraver, he could scarcely be his own compositor. Long and deeply he meditated. How solve this difficulty with his own industrious hands? How be his own