Название | The Last Runaway |
---|---|
Автор произведения | Tracy Chevalier |
Жанр | Историческая литература |
Серия | |
Издательство | Историческая литература |
Год выпуска | 0 |
isbn | 9780007517466 |
May 30, 1850
Dear Mr. Cox,
I got your fiancée’s sister, Honor Bright, here with me. Sorry to tell you your intended passed. Yellow fever.
Honor needs to rest up here a few days, so could you come pick her up this Sunday afternoon, please.
Yours ever faithful,
Belle Mills
HONOR HAD SLEPT IN so many beds by the time she got to Wellington that when she woke she did not remember where she was. Her dress and shawl were hanging over a chair, but she could not recall undressing or putting them there. She sat up, certain that it was not early morning, when she usually rose. She was wearing an unfamiliar cotton nightgown that was too long for her, and covered with a light quilt.
Wherever she was, there was no doubt that this was America. The quality of the sunlight was different – yellower and fiercer, biting through the air to warm her. Indeed, it was going to be a hot day, though at the moment it was fresh enough for her to be grateful for the quilt. She ran her hand over it: unlike most American quilts she had seen so far, this one was not appliquéd or pieced squares, but proper English patchwork, well made, so that while the cloth was faded, there were no tears or loose seams. The design was of orange and yellow and red diamonds that made up a star in the centre of the quilt – a Star of Bethlehem like Biddy’s quilt, and what Donovan had described his mother making. Recalling her encounter with him the day before, Honor shuddered.
Though of a good size, and containing the bed she had slept in, the room was not a bedroom so much as a storeroom. Bolts of cloth leaned against the walls, many of them white but also solid colours, plaids and floral prints. Spilling out of open chests of drawers were gloves, ribbons, wire, lace and feathers dyed in bright colours. In one corner, dominating the room, smooth blocks of wood in oval and cylindrical shapes were precariously stacked, as well as peculiar oval and circular bands like wheels or doughnuts, some of wood, others made of a hard white material Honor did not recognise. She leaned forward to study them more closely. The blocks reminded her of heads. When Thomas had left her off late the evening before, she’d entered a shop of some kind. While at the time she had been too tired to take note of it, now she understood: she was in a milliner’s storeroom.
Quaker women did not wear hats, but plain caps and bonnets, and usually made their own. Honor had only been into the milliner’s in Bridport a few times to buy ribbon. She had often peeked in the window, however, to admire the latest creations displayed on their stands. It had been a tidy, feminine space, with floorboards painted duck-egg blue and long shelves along the walls filled with hats.
On top of the dresser full of trimmings was a china jug decorated with pink roses sitting in a matching basin, the same Honor had seen in homes all across Pennsylvania. She used them now to wash, then dressed and smoothed her dark hair, noting as she put on her cap that her bonnet was missing. Before she went down, she glanced out of the window, which overlooked a street busy with pedestrians and horses and wagons. It was a relief to see people again after a day on the empty road through the woods.
Honor crept down the stairs and entered a small kitchen with a fire and range, a table and chairs, and a sideboard sparse with dishes. The room felt underused, as if little food were prepared there. The back door was open, bringing in a breeze that passed through the kitchen and into the front room. Honor followed it to the heart of the house.
In many respects the shop was like the Bridport milliner’s: hats on shelves lining the walls, hats and bonnets on stands on tables around the room, glass cases along the sides displaying gloves and combs and hat pins. A large mirror hung on one wall, and two front windows made the room light and airy. The floorboards were not painted but worn smooth and shiny from customers’ feet. In one corner on a work table were hats in various stages of construction: layers of straw moulded around carved wood hat blocks, drying into shape; brims sewn into ovals and awaiting their crowns; hats banded with ribbon, a pile of silk flowers waiting to be attached among a tangle of ribbons and wire. There was little order on the table; the order lay in the finished hats.
In another way the room was completely different, as so many things about America felt to Honor. Where the Bridport shop was orderly by design, the Wellington milliner’s felt as if it had come about its order by accident. Some of the shelves were crammed with hats while others were bare. The room was bright but the windows dusty. Though the floor looked as if it had been swept clean, Honor suspected the corners housed dustballs. It felt as if the shop had sprung up suddenly, whereas Honor knew that her great-grandmother would have bought plain ribbons from the Bridport milliner’s.
The hats and bonnets too were peculiar. Though no expert in trimmings since she wore none herself, Honor was startled by some of the things she saw. A straw hat with a shallow crown pinned with a huge bunch of plaid roses. Another flat hat rimmed with a cascade of coloured ribbons bound together with lace. A cottage bonnet with a deep crown much like Honor’s own, but with white feathers lining the inside rim rather than the usual white ruffles. Honor could wear none of them, for Quakers followed rules of simplicity in dress as well as in conduct. Even if she could she was not sure she would want to.
Yet these hats must sell, as the shop was full of women and girls, gathered around the tables, sorting through frilly caps and sun bonnets, plucking at baskets of pre-cut ribbons and cloth flowers, laughing and chattering and calling out.
After a moment she noticed a woman standing behind the back counter, surveying the room with an experienced air. This was the proprietress, whom Honor had met briefly the night before. She caught Honor’s eye and nodded. She was not at all what you would expect of a milliner. Tall and thin, she had a bony face and a sceptical air. Her hazel eyes bulged slightly, the whites tinged with yellow. For a milliner she wore a surprisingly simple white cap, with a burst of scrubby fair hair hanging on her forehead. Her tan dress hung from her shoulders and exposed a ridge of collarbone. She reminded Honor of the scarecrows hanging on wooden frames in Dorset gardens. The contrast between her angular plainness and the frilly wares she sold made Honor want to smile.
‘What you grinnin’ at, Honor Bright?’
Honor started. Donovan had entered the shop, his heavy tread among the customers causing them to fall silent and take a collective step back.
Honor remained still. She did not want to cause a fuss, so she simply said, ‘I wish thee good day, Mr Donovan.’
Donovan rested his eyes on her. ‘I was passing and saw you in here. And I thought to myself, “Why in hell did Old Thomas leave a Quaker girl at Belle Mills’s when she can’t wear none of the hats?”’
‘Donovan, don’t be so rude to our guest, or she’ll go right back to England and tell everyone what bad manners American men have.’ Belle Mills had come out from behind the counter, and turned her attention to Honor. ‘You’re English, ain’t you, Miss Bright? I could tell from the stitching ’round your neckline. Looks like something only an Englishwoman would think up. I never seen such a striking detail, certainly not on a Quaker woman’s dress. Very fine, that. Simple. Effective. Did you design it or copy it from something?’
‘I made it up myself.’ Honor glanced down at the white V of cloth edging the neckline of her dark green dress. It was not the crisp white it had been when she left England. But then, nothing was quite as clean in America as it had been back home.
‘Hey, you bring any English magazines with you? Ladies’ Cabinet of Fashion or Illustrated London News?’
Honor shook her head.
‘Shame. I like to copy hats from ’em. By the way,