The Quiet Game. Greg Iles

plants himself in the corner, his arms folded.

      The story opens like a true-crime novel.

       On May 14, 1968, Frank Jones, a scheduling clerk at the Triton Battery plant, walked out to his car in the middle of the third shift to run an errand. Before he could start his engine, he heard a boom “like an artillery piece,” and a blackwall tire slammed into his windshield. Thirty yards away, a black man named Delano Payton sat burning to death. Jones was the sole eyewitness to the worst race crime in the history of this city, in which a combat veteran of the Korean War was murdered to prevent his being promoted to a “white-only” job. No one was ever arrested for the crime, and many in the black community believe that law enforcement officials of the period gave less than their full efforts to the case. Best-selling author and Natchez native Penn Cage characterized the killers of Delano Payton as “racist cowards,” and stated that justice should be better served than it was in Natchez in 1968.

       Former police chief Hiram Wilkes contended that leads were nonexistent at the time, and said that despite exhaustive efforts by law enforcement, and a $15,000 reward offered by Payton’s national labor union, no suspects were turned up. The FBI was called in to work the case but had no more success than local police. Former Natchez police officer Ray Presley, who assisted on the case in the spring of 1968, stated, “It was a tough murder case, and the FBI got in the way more than they helped, which was par for them in those days—”

      I reread the last sentence, my heartbeat accelerating. I had no idea Ray Presley was involved in the Payton case. I want to ask my father about him, but with the blackmail issue—and my mother’s suspicions about Presley—hanging like a cloud between us, I don’t.

      “You’ve been dealing with the media for twelve years,” Dad grumbles. “That publisher must have shown you a little leg and puréed your brain. I’ve seen her around town. Face like a model, tits like two puppies in a sack. I know what happened. It took her about five seconds to get Penn Cage at his most sanctimonious.” He grabs the newspaper out of my hands and wads it into a ball. “Did you have to dredge up the goddamn Payton case?”

      “I just mentioned it, for God’s sake. I thought we were off the record.”

      “She obviously didn’t.”

      I try to remember the point at which I asked to go off the record. I can check my tape, of course, but I already know what Caitlin Masters will say: she thought I wanted the Jungian analysis and the comparison between Germany and the South off the record, but not the Del Payton remarks, which were an extension of our earlier conversation on racism. At least she honored my request not to mention the Hanratty execution.

      “What about that Klan rally stuff?” Dad mutters.

      “You took me to that rally!”

      “I know, I know … damn it. I just wanted you to see that wasn’t any way to be. But you didn’t have to drag it all back up now, did you?”

      “I made it clear that stuff was all in the past. And she printed my qualifications, I’ll give her that.”

      “God almighty, what a mess. Do you think—”

      The front doorbell rings, cutting him off.

      “Who the hell could that be?” he asks. “It’s only eight-thirty.”

      He walks out of the bedroom, taking the wadded-up newspapers with him.

      My thoughts return to Caitlin Masters. Despite her assurances, I was foolish to say anything to her that I didn’t want printed. Maybe she did show me a little leg and lull my usually vigilant defenses. Am I that easy to manipulate?

      “Get some clothes on,” my father says from the door, his face grave. “You’ve got visitors.”

      “Who? You look almost scared.”

      He nods slowly. “I think I am.”

      Uncertain what to expect, I hover in the hall outside my mother’s living room. The hushed sibilance of gracious women making polite conversation drifts from the wide doorway. I walk through the door and stop in my tracks. Two black women sit primly on the sofa, delicate Wedgwood cups steaming before them on the coffee table. One is in her eighties, if not older, and dressed in an ensemble the like of which I have not seen since the Sundays I drove past black churches as a teenager. The skirt is purple, the blouse green, the shoes a gleaming patent black. Her hat is a flowered concoction of black straw and varicolored silk. Beneath the hat is a shining black wig, beneath the wig a raisin of a face with watery eyes that glisten amid the wrinkles.

      The woman beside her looks thirty years younger and wears a much more subdued outfit, a pleated navy skirt with a periwinkle blouse. She looks up, and her gaze disconcerts me. Most black people I grew up with rarely made direct eye contact, locking their feelings behind a veneer of humility. But this woman’s gaze is unveiled, direct, and self-confident.

      “You keep a fine house, Mrs. Cage,” the older woman says in a cracked voice. “A fine house.”

      “You’re so kind to say so,” my mother replies from a wing chair on the other side of the coffee table. She wears a house-coat and no makeup, yet even in this state radiates a quiet, stately beauty. She turns to me and smiles.

      “Son, this is Mrs. Payton.” She gestures toward the elderly woman, then nods at her younger companion. “And this is Mrs. Payton also. They’ve come to thank you for what you said in this morning’s paper.”

      I flush from my neck to the crown of my head. I can only be looking at the widow and mother of Delano Payton, the man bombed and burned to death in 1968. Barefoot and unshaven, I make a vain attempt to straighten my hair, then advance into the living room. Without rising, the elder Mrs. Payton enfolds my right hand in both of hers like a dowager empress. Her palms feel like fine sandpaper. The younger Mrs. Payton stands and shakes my hand with exaggerated formality. Her hand is moist and warm. Up close, she looks older than I first guessed, perhaps sixty-five. Because she has not gone to fat, she projects an aura of youth that her eyes cannot match.

      “Althea works in the nursery at St. Catherine’s Hospital,” Dad informs me from the door. “I see her all the time. And I’ve treated Miss Georgia for thirty-five years now.”

      “Yo’ daddy a good doctor,” the elder Mrs. Payton says from the sofa, pointing a bony finger at me. “A good doctor.”

      My father has heard this ten thousand times, but he smiles graciously. “Thank you, Miss Georgia.”

      “I remember you makin’ house calls late at night,” Georgia Payton goes on, her voice reedy and difficult to follow as it jumps up and down the scale. “Givin’ shots and deliverin’ babies. Had you a spotlight back then to see the house numbers.”

      “And a pistol in my black bag,” Dad adds, chuckling.

      “Sho’ did. I seen it once. You ever have to use it?”

      “No, ma’am, thank God.”

      “Might have to one of these days, with all this crack in the streets. I told the pastor last Sunday, you want to find Satan, just pull up to one of them crack houses. Sheriff ought to burn ever’ one to the ground.”

      We all nod with enthusiasm, doing our best to foster a casual atmosphere. Blacks visiting socially in white homes—and vice versa—is still as rare as snowfall in Natchez, but this is not the reason for the general discomfort.

      “Mr. Cage,” Althea says, focusing her liquid brown eyes on me, “we really appreciate you speaking out like you did in the paper.”

      “Please call me Penn,” I implore her, embarrassed by thanks for a few lines tossed off without any real feeling for the victims of the crime.

      “Mr. Penn,” says Georgia Payton, “ain’t no white man in thirty years said what you said in the paper today. My boy was kilt outside his job in nineteen hundred and sixty-eight, and all the po-lices did was