Silent on the Moor. Deanna Raybourn

Amos?”

      “Ladies and a gennelman to stay wit’ Mr. Brisbane,” he called over his shoulder as he stalked to the cart and began flinging out baggage. There were a few protesting barks from the dogs and Grim, the raven, made an ominous noise in the back of his throat, but the pets were the least of my worries. I moved forward, inclining my head.

      “Good evening. I am terribly sorry to descend upon you without warning. I am Lady Julia Grey. This is my sister, Lady Bettiscombe. Our brother, Mr. Valerius March.” Val and Portia both nodded to the little winter apple who instantly stepped back into the hall.

      “Oh, ye must come in out of the wind,” she said, her expression one of profound bemusement. “Visitors indeed! We’ve not had so much excitement since the day the new schoolmaster came to Howlett Magna. Of course we must offer you shelter. Ye might be angels unaware, as the Bible does tell us! Come in, come in!”

      We did, and I noticed she wore a mob cap on her fluffy little white curls and a wide pinafore over her striped gown. The entrance hall itself was as old-fashioned as its inhabitant—all heavy oak panelling and great paving stones. A dark carved staircase stood at the back of the hall, its shadows pierced by a single candle on the landing.

      “I am Mrs. Butters, the cook-housekeeper,” she began, but before she could finish her introduction, I was aware of a presence on the staircase. Mrs. Butters must have seen my glance over her shoulder, for she paused and turned as the vision descended the stairs.

      And a vision she was. In spite of the severity of her hairstyle and the plainness of her clothes, she was the most beautiful woman I had ever seen. She was graceful, with a light, dignified step as she descended the staircase slowly. She moved into the light of the hall and I realised she was both older and poorer than I had first thought. She was well over thirty, with a gown that was twenty years out of fashion, its full skirts sweeping the stones of the hall as she walked. Even in the fitful light I could see the faint lines at the corners of her eyes, and at the seams of her dress where it had been turned more than once. But her gaze was calm and level and she looked at us as equals do, her chin high and her expression one of gentle reproof, perhaps at the lateness of the hour.

      Mrs. Butters drew back another step. “Guests at Grimsgrave, Miss Ailith. Lady Julia Grey and Lady Bettiscombe and Mr. Valerius March. They are friends of the master’s.”

      The cool, appraising look rested briefly on me, then my sister, lastly Valerius. She stared a long moment, as inscrutable as the Mona Lisa and just as arresting. Her features were beautifully sculpted; no Renaissance master could have fashioned her better. The skin was luminous as alabaster; the eyes wide and impossibly blue. Her brow was high and unmarked, and her corn-gold hair was parted severely in the centre, plaited, and wound round her head like a coronet. Upon a lesser woman, it might have seemed fussy, silly even. On her, it was a Madonna crown, light enough for that lily-neck to bear. Only her hands were unpleasant, red and rough as any laundress’, the nails bitten to the quick.

      “Welcome to Grimsgrave Hall,” she said at last. Her voice was beautifully modulated, with none of the Yorkshire brogue that marked the local folk. “I am sorry we have not prepared a proper welcome for you. We did not expect you,” she commented.

      “I am certain accommodation can be arranged quickly enough,” I returned with a smile. “If you would be so good to tell Mr. Brisbane we’ve come. And you are?”

      Her expression remained sweetly serene as she dipped a suggestion of a curtsey. “I am Ailith Allenby, my lady. Welcome to my home.”

      I stared at her in confusion. The innkeeper’s daughter had told us that Mr. Godwin was the last of the Allenbys, had she not? Then I recalled her words, the last of the Allenby men, she had said. No mention of a daughter of the house, I thought with a touch of exasperation.

      Portia moved forward, extending her hand as coolly as a duchess. “Miss Allenby,” she said, extending a hand. Miss Allenby shook hers gravely, and mine as well. She nodded demurely to Valerius, then motioned for us to follow her. “Amos, leave the baggage in the hall and mind your way back to the village.”

      Before I could think better of it, I spoke. “It is so late, and it is so far across the moor to the village. Surely a bed could be found for Amos here.” I finished with a winsome smile, but I knew at once I had overstepped myself. There was a sudden stillness in the room, and I heard the sharp intake of breath from Mrs. Butters.

      Miss Allenby regarded me steadily for a moment, as if she had not quite understood my words, and I half wondered if I ought to offer her Portia’s phrasebook.

      “There be no proper barn here,” Amos put in quietly. “And ‘twould not be fit for me to sleep in the house.” His tone was edged with harshness, but as he turned away, he gave me a quick nod and I knew he would not forget.

      For her part, Miss Allenby seemed determined to pretend I had not spoken. She turned to the rest of us. “If you would care to step into the kitchen, there is a fire kindled. Mrs. Butters, something warming for our guests. Then we must see to their rooms.”

      Amos took his leave and shut the door behind him as Portia raised a brow at me. We had seldom been entertained in kitchens. But before we could move, the door opened again, flung hard on its hinges. The moor wind gusted inside, flaring the candles as a man strode over the threshold.

      “Brisbane,” I said, my voice catching. He saw me then, and I think his expression could not have been more surprised if he had seen a ghost. In fact, he stopped a moment and put out his hand, as if to prove to himself I was no wraith.

      “You cannot be here,” he said finally. His hair was the longest I had ever seen it, witch-black and tumbled to his shoulders. His eyes, black as his hair, were fixed on mine, and he had gone pale under the olive of his skin. His black greatcoat hung carelessly from his shoulders, and as we stood, staring at one another, it slid unheeded to the floor. He wore neither neckcloth nor waistcoat. His white shirt was open at the neck and tucked loosely into his trousers, but it was not the unseemliness of his attire that made me gasp. His shirt and his bare forearms were streaked with blood.

      “Brisbane!” I darted forward. “You are hurt.”

      He shied, stepping aside sharply. I did not touch him. “It is not mine.” His voice was hoarse and strange, and for the space of a heartbeat he seemed utterly unknown to me, a stranger in a familiar person. We were inches apart, yet we did not touch, did not speak for a long moment. He was struggling to say something, or perhaps not to say it. His lips parted, but he held his silence. He snapped his mouth closed again, grinding his teeth hard against each other. Unlike the Brisbane of old, whose emotions had been so carefully in check, this man’s face wore a thousand of them, warring with each other until I could not tell if he wished to kiss me or throttle me.

      “Will you not bid me welcome?” I asked quietly, lightly, forcing a smile. I put out my hand.

      He looked down at it, then at my face, and I saw that the mask had settled into place again. The emotions I had seen, or thought I had seen, were mastered once more.

      “Welcome,” he said coolly, shaking my hand as a stranger might, barely touching my fingertips. “I hope you enjoy your stay at Grimsgrave.”

      He nodded formally at Portia and Valerius, but said nothing. He brushed past me, stalking toward the staircase. He did not ascend. There was a door underneath it I had not seen in the dim light. He slammed it behind him as he left me standing in the hall, unwanted as a discarded toy.

      I smoothed my skirts and turned to follow Portia, averting my eyes from Valerius’. They had heard, of course, as had Miss Allenby. Our hostess did not look at me as we moved into the kitchen, but I knew from the pained expression of her lovely features she pitied me, and in spite of her elegant manner and her beauty, I decided then, quite deliberately, to dislike her.

      THE THIRD CHAPTER

      

      Two women placed together makes cold weather.

      —William Shakespeare