The Atlantic Monthly, Volume 01, No. 02, December, 1857. Various

after the fatal battle of Evesham, kept up a vigorous guerilla warfare against the officers of the tyrant Henry the Third, and of his successor,4 we must regard these representations, which were conjectural three or four centuries ago, as conjectures still, and even as arbitrary conjectures, unless one or the other can be proved from the only authorities we have, the ballads, to have a peculiar intrinsic probability. That neither of them possesses this intrinsic probability may easily be shown; but first it will be advisable to notice another theory, which is more plausibly founded on internal evidence, and claims to be confirmed by documents of unimpeachable validity.

      This theory has been propounded by the Rev. John Hunter, in one of his "Critical and Historical Tracts."5 Mr. Hunter admits that Robin Hood "lives only as a hero of song"; that he is not found in authentic contemporary chronicles; and that, when we find him mentioned in history, "the information was derived from the ballads, and is not independent of them or correlative with them." While making these admissions, he accords a considerable degree of credibility to the ballads, and particularly to the "Lytell Geste," the last two fits of which he regards as giving a tolerably accurate account of real occurrences.

      In this part of the story King Edward is represented as coming to Nottingham to take Robin Hood. He traverses Lancashire and a part of Yorkshire, and finds his forests nearly stripped of their deer, but can get no trace of the author of these extensive depredations. At last, by the advice of one of his foresters, assuming with several of his knights the dress of a monk, he proceeds from Nottingham to Sherwood, and there soon encounters the object of his search. He submits to plunder as a matter of course, and then announces himself as a messenger sent to invite Robin Hood to the royal presence. The outlaw receives this message with great respect. There is no man in the world, he says, whom he loves so much as his king. The monk is invited to remain and dine; and after the repast an exhibition of archery is ordered, in which a bad shot is to be punished by a buffet from the hand of the chieftain. Robin, having himself once failed of the mark, requests the monk to administer the penalty. He receives a staggering blow, which rouses his suspicions, recognizes the king on an attentive consideration of his countenance, entreats grace for himself and his followers, and is freely pardoned on condition that he and they shall enter into the king's service. To this he agrees, and for fifteen months resides at court. At the end of this time he has lost all his followers but two, and spent all his money, and feels that he shall pine to death with sorrow in such a life. He returns accordingly to the greenwood, collects his old followers around him, and for twenty-two years maintains his independence in defiance of the power of Edward.

      Without asserting the literal verity of all the particulars of this narrative, Mr. Hunter attempts to show that it contains a substratum of fact. Edward the First, he informs us, was never in Lancashire after he became king; and if Edward the Third was ever there at all, it was not in the early years of his reign. But Edward the Second did make one single progress in Lancashire, and this in the year 1323. During this progress the king spent some time at Nottingham, and took particular note of the condition of his forests, and among these of the forest of Sherwood. Supposing now that the incidents detailed in the "Lytell Geste" really took place at this time, Robin Hood must have entered into the royal service before the end of the year 1353. It is a singular, and in the opinion of Mr. Hunter a very pregnant coincidence, that in certain Exchequer documents, containing accounts of expenses in the king's household, the name of Robyn Hode (or Robert Hood) is found several times, beginning with the 24th of March, 1324, among the "porters of the chamber" of the king. He received, with Simon Hood and others, the wages of three pence a day. In August of the following year Robin Hood suffers deduction from his pay for non-attendance, his absences grow frequent, and on the 22d of November he is discharged with a present of five shillings, "poar cas qil ne poait pluis travailler."6

      It remains still for Mr. Hunter to account for the existence of a band of seven score of outlaws in the reign of Edward the Second, in or about Yorkshire. The stormy and troublous reigns of the Plantagenets make this a matter of no difficulty. Running his finger down the long list of rebellions and commotions, he finds that early in 1322 England was convulsed by the insurrection of Thomas, Earl of Lancaster, the king's near relation, supported by many powerful noblemen. The Earl's chief seat was the castle of Pontefract, in the West Riding of Yorkshire. He is said to have been popular, and it would be a fair inference that many of his troops were raised in this part of England. King Edward easily got the better of the rebels, and took exemplary vengeance upon them. Many of the leaders were at once put to death, and the lives of all their partisans were in danger. Is it impossible, then, asks Mr. Hunter, that some who had been in the army of the Earl secreted themselves in the woods, and turned their skill in archery against the king's subjects or the king's deer? "that these were the men who for so long a time haunted Barnsdale and Sherwood, and that Robin Hood was one of them, a chief amongst them, being really of a rank originally somewhat superior to the rest?"

      We have, then, three different hypotheses concerning Robin Hood: one placing him in the reign of Richard the First, another in that of Henry the Third, and the last under Edward the Second, and all describing him as a political foe to the established government. To all of these hypotheses there are two very obvious and decisive objections. The first is, that Robin Hood, as already remarked, is not so much as named in contemporary history. Whether as the unsubdued leader of the Saxon peasantry, or insurgent against the tyranny of Henry or Edward, it is inconceivable that we should not hear something of him from the chroniclers. If, as Thierry says, "he had chosen Hereward for his model," it is unexplained and inexplicable why his historical fate has been so different from that of Hereward. The hero of the Camp of Refuge fills an ample place in the annals of his day; his achievements are also handed down in a prose romance, which presents many points of resemblance to the ballads of Robin Hood. It would have been no wonder, if the vulgar legends about Hereward had utterly perished; but it is altogether anomalous that a popular champion7 who attained so extraordinary a notoriety in song, a man living from one hundred to two hundred and fifty years later than Hereward, should be passed over without one word of notice from any authoritative historian.8 That this would not be so we are most fortunately able to demonstrate by reference to a real case which furnishes a singularly exact parallel to the present,—that of the famous outlaw, Adam Gordon. In the year 1267, says the continuator of Matthew Paris, a soldier by the name of Adam Gordon, who had lost his estates with other adherents of Simon de Montfort, and refused to seek the mercy of the king, established himself with others in like circumstances near a woody and tortuous road between the village of Wilton and the castle of Farnham, from which position he made forays into the country round about, directing his attacks especially against those who were of the king's party. Prince Edward had heard much of the prowess and honorable character of this man, and desired to have some personal knowledge of him. He succeeded in surprising Gordon with a superior force, and engaged him in single combat, forbidding any of his own followers to interfere. They fought a long time, and the prince was so filled with admiration of the courage and spirit of his antagonist, that he promised him life and fortune on condition of his surrendering. To these terms Gordon acceded, his estates were restored, and Edward found him ever after an attached and faithful servant.9 The story is romantic, and yet Adam Gordon was not made the subject of ballads. Caruit vate sacro. The contemporary historians, however, all have a paragraph for him. He is celebrated by Wikes, the Chronicle of Dunstaple, the Waverley Annals, and we know not where else besides.

4

London, and Westminster Review, vol. xxxiii. p. 424.

5

No 4. The Ballad Hero, Robin Hood. June, 1852.

6

Hunter, pp. 28, 35-38

7

Mr. Hunter thinks it necessary to prove that it was formerly a usage in England to celebrate real events in popular song. We submit that it has been still more customary to celebrate them in history, when they were of public importance. The case of private and domestic stories is different.

8

Most remarkable of all would this be, should we adopt the views of Mr. Hunter, because we know, from the incidental testimony of Piers Ploughman, that only forty years after the date fixed upon for the outlaw's submission "rhymes of Robin Hood" were in the mouth of every tavern lounger; and yet no chronicler can spare him a word.

9

Matthew Paris, London, 1640, p. 1002