The Ethics of the Dust. Ruskin John

the affectionate discourtesy of some reminiscence of personal character; for which I must hope to be forgiven by my old pupils and their friends, as I could not otherwise have written the book at all. But only two sentences in all the dialogues, and the anecdote of "Dotty," are literally "historical."]

      It will be at once seen that these Lectures were not intended for an introduction to mineralogy. Their purpose was merely to awaken in the minds of young girls, who were ready to work earnestly and systematically, a vital interest in the subject of their study. No science can be learned in play; but it is often possible, in play, to bring good fruit out of past labor, or show sufficient reasons for the labor of the future.

      The narrowness of this aim does not, indeed, justify the absence of all reference to many important principles of structure, and many of the most interesting orders of minerals; but I felt it impossible to go far into detail without illustrations; and if readers find this book useful, I may, perhaps, endeavor to supplement it by illustrated notes of the more interesting phenomena in separate groups of familiar minerals;—flints of the chalk;—agates of the basalts;—and the fantastic and exquisitely beautiful varieties of the vein-ores of the two commonest metals, lead and iron. But I have always found that the less we speak of our intentions, the more chance there is of our realizing them; and this poor little book will sufficiently have done its work, for the present, if it engages any of its young readers in study which may enable them to despise it for its shortcomings.

      DENMARK HILL: Christmas, 1865.

      LECTURE 1.

      THE VALLEY OF DIAMONDS

      A very idle talk, by the dining-room fire, after raisin-and-almond time.

      OLD LECTURER; FLORRIE, ISABEL, MAY, LILY, and SIBYL.

      OLD LECTURER (L.). Come here, Isabel, and tell me what the make- believe was, this afternoon.

      ISABEL (arranging herself very primly on the foot-stool). Such a dreadful one! Florrie and I were lost in the Valley of Diamonds.

      L. What! Sindbad's, which nobody could get out of? ISABEL. Yes; but Florrie and I got out of it.

      L. So I see. At least, I see you did; but are you sure Florrie did?

      ISABEL. Quite sure.

      FLORRIE (putting her head round from behind L.'s sofa-cushion). Quite sure. (Disappears again.)

      L. I think I could be made to feel surer about it.

      (FLORRIE reappears, gives L. a kiss, and again exit.)

      L. I suppose it's all right; but how did you manage it?

      ISABEL. Well, you know, the eagle that took up Sindbad was very large—very, very large—the largest of all the eagles.

      L. How large were the others?

      ISABEL. I don't quite know—they were so far off. But this one was, oh, so big! and it had great wings, as wide as—twice over the ceiling. So, when it was picking up Sindbad, Florrie and I thought it wouldn't know if we got on its back too: so I got up first, and then I pulled up Florrie, and we put our arms round its neck, and away it flew.

      L. But why did you want to get out of the valley? and why haven't you brought me some diamonds?

      ISABEL. It was because of the serpents. I couldn't pick up even the least little bit of a diamond, I was so frightened.

      L. You should not have minded the serpents.

      ISABEL. Oh, but suppose that they had minded me?

      L. We all of us mind you a little too much, Isabel, I'm afraid.

      ISABEL. No—no—no, indeed.

      L. I tell you what, Isabel—I don't believe either Sindbad, or

      Florrie, or you, ever were in the Valley of Diamonds.

      ISABEL. You naughty! when I tell you we were!

      L. Because you say you were frightened at the serpents.

      ISABEL. And wouldn't you have been?

      L. Not at those serpents. Nobody who really goes into the valley is ever frightened at them—they are so beautiful.

      ISABEL (suddenly serious). But there's no real Valley of Diamonds, is there?

      L. Yes, Isabel; very real indeed.

      FLORRIE (reappearing). Oh, where? Tell me about it.

      L. I cannot tell you a great deal about it; only I know it is very different from Sindbad's. In his valley, there was only a diamond lying here and there; but, in the real valley, there are diamonds covering the grass in showers every morning, instead of dew: and there are clusters of trees, which look like lilac trees; but, in spring, all their blossoms are of amethyst.

      FLORRIE. But there can't be any serpents there, then?

      L. Why not?

      FLORRIE. Because they don't come into such beautiful places.

      L. I never said it was a beautiful place.

      FLORRIE. What! not with diamonds strewed about it like dew?

      L. That's according to your fancy, Florrie. For myself, I like dew better.

      ISABEL. Oh, but the dew won't stay; it all dries!

      L. Yes; and it would be much nicer if the diamonds dried too, for the people in the valley have to sweep them off the grass, in heaps, whenever they want to walk on it; and then the heaps glitter so, they hurt one's eyes.

      FLORRIE. Now you're just playing, you know.

      L. So are you, you know.

      FLORRIE. Yes, but you mustn't play.

      L. That's very hard, Florrie; why mustn't I, if you may?

      FLORRIE. Oh, I may, because I'm little, but you mustn't, because you're—(hesitates for a delicate expression of magnitude).

      L. (rudely taking the first that comes). Because I'm big? No; that's not the way of it at all, Florrie. Because you're little, you should have very little play; and because I'm big I should have a great deal.

      ISABEL and FLORRIE (both). No—no—no—no. That isn't it at all. (ISABEL sola, quoting Miss Ingelow.) "The lambs play always—they know no better." (Putting her head very much on one side.) Ah, now —please—please—tell us true; we want to know.

      L. But why do you want me to tell you true, any more than the man who wrote the "Arabian Nights"?

      ISABEL. Because—because we like to know about real things; and you can tell us, and we can't ask the man who wrote the stories.

      L. What do you call real things?

      ISABEL. Now, you know! Things that really are.

      L. Whether you can see them or not?

      ISABEL. Yes, if somebody else saw them.

      L. But if nobody has ever seen them?

      ISABEL. (evading the point). Well, but, you know, if there were a real Valley of Diamonds, somebody MUST have seen it.

      L. You cannot be so sure of that, Isabel. Many people go to real places, and never see them; and many people pass through this valley, and never see it.

      FLORRIE. What stupid people they must be!

      L. No, Florrie. They are much wiser than the people who do see it.

      MAY. I think I know where it is.

      ISABEL. Tell us more about it, and then we'll guess.

      L. Well. There's a great broad road, by a river-side, leading up into it.

      MAY (gravely cunning, with emphasis on the last word). Does the road really go UP?

      L. You think it should go down into a valley? No, it goes up; this is a valley among the hills, and it is as high as the clouds, and is often full of them; so that even the people who most want to see it, cannot, always.

      ISABEL. And what is the river beside the road like?

      L. It ought to be very beautiful, because it flows over diamond sand—only