Red Money. Hume Fergus

talked, they had looked, in a conventionally light-hearted way, but both were relieved when circumstances parted them. The strain was too great.

      Pine arranged the circumstances, for hearing here, there, and everywhere, that his wife had been practically engaged to her cousin before he became her husband, he looked with jealous eyes upon their chance meetings. Neither to Agnes nor Lambert did he say a single word, since he had no reason to utter it, so scrupulously correct was their behavior, but his eyes were sufficiently eloquent to reveal his jealousy. He took his wife for an American tour, and when he brought her back to London, Lambert, knowing only too truly the reason for that tour, had gone away in his turn to shoot big game in Africa. An attack of malaria contracted in the Congo marshes had driven him back to England, and it was then that he had begged Garvington to give him The Abbot's Wood Cottage. For six months he had been shut up here, occasionally going to London, or for a week's walking tour, and during that time he had done his best to banish the image of Agnes from his heart. Doubtless she was attempting the same conquest, for she never even wrote to him. And now these two sorely-tried people were within speaking distance of one another, and strange results might be looked for unless honor held them sufficiently true. Seeing that the cottage was near the family seat, and that Agnes sooner or later would arrive to stay with her brother and sister-in-law, Lambert might have expected that such a situation would come about in the natural course of things. Perhaps he did, and perhaps – as some busybodies said – he took the cottage for that purpose; but so far, he had refrained from seeking the society of Pine's wife. He would not even dine at The Manor, nor would he join the shooting-party, although Garvington, with a singular blindness, urged him to do so. While daylight lasted, the artist painted desperately hard, and after dark wandered round the lanes and roads and across the fields, haunting almost unconsciously the Manor Park, if only to see in moonlight and twilight the casket which held the rich jewel he had lost. This was foolish, and Lambert acknowledged that it was foolish, but at the same time he added inwardly that he was a man and not an angel, a sinner and not a saint, so that there were limits, etc., etc., etc., using impossible arguments to quieten a lively conscience that did not approve of this dangerous philandering.

      The visit of Miss Greeby awoke him positively to a sense of danger, for if she talked – and talk she did – other people would talk also. Lambert asked himself if it would be better to visit The Manor and behave like a man who has got over his passion, or to leave the cottage and betake himself to London. While turning over this problem in his mind, he painted feverishly, and for three days after Miss Greeby had come to stir up muddy water, he remained as much as possible in his studio. Chaldea visited him, as usual, to be painted, and brought Kara with his green coat and beloved violin and hairy looks. The girl chatted, Kara played, and Lambert painted, and all three pretended to be very happy and careless. This was merely on the surface, however, for the artist was desperately wretched, because the other half of himself was married to another man, while Chaldea, getting neither love-look nor caress, felt savagely discontented. As for Kara, he had long since loved Chaldea, who treated him like a dog, and he could not help seeing that she adored the Gentile artist – a knowledge which almost broke his heart. But it was some satisfaction for him to note that Lambert would have nothing to do with the siren, and that she could not charm him to her feet, sang she ever so tenderly. It was an unhappy trio at the best.

      The gypsies usually came in the morning, since the light was then better for artistic purposes, but they always departed at one o'clock, so that Lambert had the afternoon to himself. Chaldea would fain have lingered in order to charm the man she loved into subjection; but he never gave her the least encouragement, so she was obliged to stay away. All the same, she often haunted the woods near the cottage, and when Lambert came out for a stroll, which he usually did when it became too dark to paint, he was bound to run across her. Since he had not the slightest desire to make love to her, and did not fathom the depth of her passion, he never suspected that she purposely contrived the meetings which he looked upon as accidental.

      Since Chaldea hung round the house, like a moth round a candle, she saw every one who came and went from the woodland cottage. On the afternoon of the third day since Pine's arrival at the camp in the character of Ishmael Hearne, the gypsy saw Lady Agnes coming through the wood. Chaldea knew her at once, having often seen her when she had come to visit Mother Cockleshell a few months previously. With characteristic cunning, the girl dived into the undergrowth, and there remained concealed for the purpose of spying on the Gentile lady whom she regarded as a rival. Immediately, Chaldea guessed that Lady Agnes was on her way to the cottage, and, as Lambert was alone as usual for the afternoon, the two would probably have a private conversation. The girl swiftly determined to listen, so that she might learn exactly how matters stood between them. It might be that she would discover something which Pine – Chaldea now thought of him as Pine – might like to know. So having arranged this in her own unscrupulous mind, the girl behind a juniper bush jealously watched the unsuspecting lady. What she saw did not please her overmuch, as Lady Agnes was rather too beautiful for her unknown rival's peace of mind.

      Sir Hubert's wife was not really the exquisitely lovely creature Chaldea took her to be, but her fair skin and brown hair were such a contrast to the gypsy's swarthy face and raven locks, that she really looked like an angel of light compared with the dark child of Nature. Agnes was tall and slender, and moved with a great air of dignity and calm self-possession, and this to the uncontrolled Chaldea was also a matter of offence. She inwardly tried to belittle her rival by thinking what a milk-and-water useless person she was, but the steady and resolute look in the lady's brown eyes gave the lie to this mental assertion. Lady Agnes had an air of breeding and command, which, with all her beauty, Chaldea lacked, and as she passed along like a cold, stately goddess, the gypsy rolled on the grass in an ecstasy of rage. She could never be what her rival was, and what her rival was, as she suspected, formed Lambert's ideal of womanhood. When she again peered through the bush, Lady Agnes had disappeared. But there was no need for Chaldea to ask her jealous heart where she had gone. With the stealth and cunning of a Red Indian, the gypsy took up the trail, and saw the woman she followed enter the cottage. For a single moment she had it in her mind to run to the camp and bring Pine, but reflecting that in a moment of rage the man might kill Lambert, Chaldea checked her first impulse, and bent all her energies towards getting sufficiently near to listen to a conversation which was not meant for her ears.

      Meanwhile, Agnes had been admitted by Mrs. Tribb, a dried-up little woman with the rosy face of a winter apple, and a continual smile of satisfaction with herself and with her limited world. This consisted of the cottage, in the wood, and of the near villages, where she repaired on occasions to buy food. Sometimes, indeed, she went to The Manor, for, born and bred on the Garvington estates, Mrs. Tribb knew all the servants at the big house. She had married a gamekeeper, who had died, and unwilling to leave the country she knew best, had gladly accepted the offer of Lord Garvington to look after the woodland cottage. In this way Lambert became possessed of an exceedingly clean housekeeper, and a wonderfully good cook. In fact so excellent a cook was Mrs. Tribb, that Garvington had frequently suggested she should come to The Manor. But, so far, Lambert had managed to keep the little woman to himself. Mrs. Tribb adored him, since she had known him from babyhood, and declined to leave him under any circumstances. She thought Lambert the best man in the world, and challenged the universe to find another so handsome and clever, and so considerate.

      "Dear me, my lady, is it yourself?" said Mrs. Tribb, throwing up her dry little hands and dropping a dignified curtsey. "Well, I do call it good of you to come and see Master Noel. He don't go out enough, and don't take enough interest in his stomach, if your ladyship will pardon my mentioning that part of him. But you don't know, my lady, what it is to be a cook, and to see the dishes get cold, while he as should eat them goes on painting, not but what Master Noel don't paint like an angel, as I've said dozens of times."

      While Mrs. Tribb ran on in this manner her lively black eyes twinkled anxiously. She knew that her master and Lady Agnes had been, as she said herself, "next door to engaged," and knew also that Lambert was fretting over the match which had been brought about for the glorification of the family. The housekeeper, therefore, wondered why Lady Agnes had come, and asked herself whether it would not be wise to say that Master Noel – from old associations, she always called Lambert by this juvenile title – was not at home. But she banished the thought as unworthy, the moment it entered her active brain, and with another curtsey