Weeds by the Wall: Verses. Cawein Madison Julius

witless wit of outcast Edgar there

      In the wild night; or, wan with all despair,

      The mirthless laughter of the Fool in Lear.

      THE CHIPMUNK

      He makes a roadway of the crumbling fence,

      Or on the fallen tree, – brown as a leaf

      Fall stripes with russet, – gambols down the dense

      Green twilight of the woods. We see not whence

      He comes, nor whither – 'tis a time too brief! —

      He vanishes; – swift carrier of some Fay,

      Some pixy steed that haunts our child-belief —

      A goblin glimpse from woodland way to way.

      What harlequin mood of nature qualified

      Him so with happiness? and limbed him with

      Such young activity as winds, that ride

      The ripples, have, that dance on every side?

      As sunbeams know, that urge the sap and pith

      Through hearts of trees? yet made him to delight,

      Gnome-like, in darkness, – like a moonlight myth, —

      Lairing in labyrinths of the under night.

      Here, by a rock, beneath the moss, a hole

      Leads to his home, the den wherein he sleeps;

      Lulled by near noises of the cautious mole

      Tunnelling its mine – like some ungainly Troll —

      Or by the tireless cricket there that keeps

      Picking its drowsy and monotonous lute;

      Or slower sounds of grass that creeps and creeps,

      And trees unrolling mighty root on root.

      Such is the music of his sleeping hours.

      Day hath another – 'tis a melody

      He trips to, made by the assembled flowers,

      And light and fragrance laughing 'mid the bowers,

      And ripeness busy with the acorn-tree.

      Such strains, perhaps, as filled with mute amaze —

      The silent music of Earth's ecstasy —

      The Satyr's soul, the Faun of classic days.

      LOVE AND A DAY

I

      In girandoles of gladioles

      The day had kindled flame;

      And Heaven a door of gold and pearl

      Unclosed when Morning, – like a girl,

      A red rose twisted in a curl, —

      Down sapphire stairways came.

      Said I to Love: "What must I do?

      What shall I do? what can I do?"

      Said I to Love: "What must I do?

      All on a summer's morning."

      Said Love to me: "Go woo, go woo."

      Said Love to me: "Go woo.

      If she be milking, follow, O!

      And in the clover hollow, O!

      While through the dew the bells clang clear,

      Just whisper it into her ear,

      All on a summer's morning."

II

      Of honey and heat and weed and wheat

      The day had made perfume;

      And Heaven a tower of turquoise raised,

      Whence Noon, like some wan woman, gazed —

      A sunflower withering at her waist —

      Within a crystal room.

      Said I to Love: "What must I do?

      What shall I do? what can I do?"

      Said I to Love: "What must I do,

      All in the summer nooning?"

      Said Love to me: "Go woo, go woo."

      Said Love to me: "Go woo.

      If she be 'mid the rakers, O!

      Among the harvest acres, O!

      While every breeze brings scents of hay,

      Just hold her hand and not take 'nay,'

      All in the summer nooning."

III

      With song and sigh and cricket cry

      The day had mingled rest;

      And Heaven a casement opened wide

      Of opal, whence, like some young bride,

      The Twilight leaned, all starry-eyed,

      A moonflower on her breast.

      Said I to Love: "What must I do?

      What shall I do? what can I do?"

      Said I to Love: "What must I do,

      All in the summer gloaming?"

      Said Love to me: "Go woo, go woo."

      Said Love to me: "Go woo.

      Go meet her at the trysting, O!

      And, 'spite of her resisting, O!

      Beneath the stars and afterglow,

      Just clasp her close and kiss her so,

      All in the summer gloaming."

      DROUTH

I

      The hot sunflowers by the glaring pike

      Lift shields of sultry brass; the teasel tops,

      Pink-thorned, advance with bristling spike on spike

      Against the furious sunlight. Field and copse

      Are sick with summer: now, with breathless stops,

      The locusts cymbal; now grasshoppers beat

      Their castanets: and rolled in dust, a team, —

      Like some mean life wrapped in its sorry dream, —

      An empty wagon rattles through the heat.

II

      Where now the blue, blue flags? the flow'rs whose mouths

      Are moist and musky? Where the sweet-breathed mint,

      That made the brook-bank herby? Where the South's

      Wild morning-glories, rich in hues, that hint

      At coming showers that the rainbows tint?

      Where all the blossoms that the wildwood knows? —

      The frail oxalis hidden in its leaves;

      The Indian-pipe, pale as a soul that grieves;

      The freckled touch-me-not and forest-rose.

III

      Dead! dead! all dead besides the drouth-burnt brook,

      Shrouded in moss or in the shriveled grass.

      Where waved their bells, – from which the wild-bee shook

      The dew-drop once, – gaunt, in a nightmare mass,

      The rank weeds crowd; through which the cattle pass,

      Thirsty and lean, seeking some meagre spring,

      Closed in with thorns, on which stray bits of wool

      The panting sheep have left, that sought the cool,

      From