Lord John in New York. Williamson Charles Norris

between the cases, foul play was suspected. But it seemed that the brothers had no enemies and, so far as could be learned, no serious rivals with Miss Callender. The girl and her aunt clung to the belief that Perry and Ned had died natural deaths, and that the ghastly coincidence was no more than a coincidence. Miss Marian Callender's theory was that Ned had fallen a victim to his love for his brother, a too sensitive conviction of guilt in taking Perry's place, and an unhappy superstition which he had confided to her – though, naturally, not to her niece. He believed himself to be haunted by his brother's spirit, which influenced him to do things he did not wish. He said one day that he doubted if Perry would ever let him marry Grace, but would contrive to break off the engagement in some way, even if all went well until the last moment. Miss Marian Callender suggested that the apparently mysterious keys were the same keys which Perry had possessed, they having been given, with other souvenirs of the dead man, to his brother; that it was characteristic of Ned to keep them by him, as well as the watch, in a kind of remorseful loyalty to the brother he had superseded; and that the same half-affectionate, half-fearful superstition had led him that night into the street where Perry had fallen. Once there – at an hour the same as that of Perry's death a week before his appointed marriage – in all probability Ned had imagined himself confronted by his brother's accusing ghost. The two were known to be temperamentally as well as physically alike, though Ned was undoubtedly stronger physically. It was not strange if Perry had a peculiar weakness of the heart that Ned should have the same; and the shock of a fancied meeting with Perry's spirit at such a time and such a place might easily have been too great for a man already at high nervous tension. Others than Miss Marian Callender talked freely with reporters and detectives, repeating her story that Ned Callender-Graham had felt oppressed with a sense of guilt, that he had worried himself into an emotional state which he had tried to hide, and that he had attended spiritualistic séances. All this, together with the fact that there was no evidence of murder, caused the second verdict to be the same as the first. But Grace Callender found herself so stared at and pointed at, and gossiped about wherever she went, that her life became a burden. She knew that terrible nicknames were fastened upon her, that she was called "Belladonna" and "The Poison Flower," as if her promise to marry had brought death upon her lovers. She heard women whispering behind her back, "If I were a man I simply shouldn't dare be engaged to her in spite of her millions"; and what she did not hear she imagined. She in her turn grew superstitious, or so it was said. She began to feel that there must be something fatal about her; that a curse which the father of Perry and Ned was said to have pronounced on her parents in his first fury at losing a fortune had been visited on her. Though she had twice come near her wedding she had never yet deeply loved a man; nevertheless, because of the "curse" and in fear of it, she resolved to give up all hope of happiness in love, never to marry, nor even engage herself again.

      All this I remembered distinctly, not alone because my memory is a blotting-pad for such cases, but because the story had captured my imagination, and because I had used the detail of the keys for my own book, only substituting one for two.

      "By Jove!" I said. "The key! Now, can that be the clue to Roger Odell's veto?"

      I set myself deliberately to think the matter over from this new point of view. Evidently he was desperately in love with Grace Callender. Could the mere fact that I had named a book of mine The Key, and turned my plot upon a mysterious key found in a dead man's pocket, have inspired Odell with revengeful rage? Except for the title, and the key in the pocket, there was nothing in my book or in Carr Price's play which bore even the vaguest likeness to the Callender-Graham tragedy. I didn't see how the most loyal lover could feel that I had "butted in" upon what to him was sacred; still, the new idea had some substance in it. Not only had I hit on a possible clue to the man's enmity, but into my mind from another direction suddenly flashed so astounding a ray of light that I was almost blinded. I could hardly wait to try weapons with Odell.

      How to get at him and hold him, so to speak, at my mercy was the next difficulty. I had to think that out too, and I did it by process of deduction. For reasons of my own, I had not yet secured a seat in the dining-saloon, but now I limped down below with my inspiration. Others had made their arrangements and gone, but I managed to catch the head steward.

      "I suppose you're assigning seats for people who want to sit alone at these small tables?" I began.

      "We have assigned only one such, sir," he cautiously admitted. "All we're able to give."

      "Why all?" I wanted to know. "There are plenty of tables and only a few passengers."

      "Yes, sir, that's true. But also, there's only a few stewards. We haven't enough to spare for scattering around."

      "Is Mr. Roger Odell the one fortunate person to whom you've been able to give a table to himself?" I threw out this question like a lasso.

      "Why, yes, sir, as a matter of fact he is," the caught steward confessed. "We've several tables with parties of two or three, but for one alone – "

      "I may wish to be alone just as much as Mr. Odell does," I argued. "But the next best thing to being alone is to sit with another man who wants to be alone. Then there's no fear of too much conversation. Put me at Mr. Odell's table." As I spoke I slipped a five-pound note into a surprised but unresisting hand. (I had to bribe high to outbribe a millionaire.) Even as his fingers closed mechanically on the paper the steward's tongue began to stammer, "I – I'm afraid he may object, sir."

      "He may at first; but not after three minutes. All I ask is to be put at the table when Mr. Odell is seated, and without his knowing beforehand that he's obliged to have a companion. If he still objects after three minutes of my company I've had my money's worth. I'll leave him in possession of the table; you can put me where you like."

      It was a bargain. The steward pointed out the table selected by Odell.

      I was dressed and ready for dinner before the bugle sounded, but did not go down until I thought that most of the passengers would be already seated. Hovering in the doorway, I saw that Odell was already in his place. Then I made straight for the table and sat down in the chair opposite his.

      He had been gloomily eating his soup, and looked up from it with a glare.

      "I think you must be making a mistake," he remarked with an effort at civility. "I asked to be alone."

      "So did I," I said.

      "But not at this table."

      "At this very table."

      "Then I'll leave it to you."

      "Please don't," I said. "If one of us goes, I'll be the one, as I'm the last comer. But will you meanwhile be kind enough to answer two easy questions? First, are you Mr. Roger Odell of New York?"

      "Yes, to question number one. If the next's as easy, perhaps I'll answer that too."

      (He looked faintly amused. The space between his straight black eyebrows was growing visible again. I had still two minutes and a half out of the three.)

      "Thank you," I said. "The next should be even easier. Why have you warned Julius Felborn that if he brings out Carr Price's play, The Key, you'll quash it?"

      The man's face changed. From half-amused boredom it expressed white rage. "You are that fellow John Hasle," he said. His voice was low and in control, but his look was vitriolic. All the same, I liked him. He was a man, and I had a man's chance with him.

      "Yes, I'm that fellow John Hasle. Let me introduce myself," I replied.

      "You've hunted me down. You said you wanted to sit alone. That was not true."

      "I said, 'I asked to sit alone.' I wanted to sit with you. It was my way of getting to do it. I took not only the table and the opportunity, but my ticket to New York with the same object. I think I have the right to inquire what's your motive for wishing to injure me and to expect that you'll answer. If you think differently, I'll get up at once and go. But I believe I shall have succeeded in spoiling your appetite."

      "You're a cool hand," he said, with no softening of the eyes which gave me look for look. "Sit still. If you get up and hobble away on those crutches you'll have the whole room gaping at us." (Not for the first time were my crutches a blessing in disguise:) "Whether you've a right to question me or not, I don't mind telling you