The Orange Girl. Walter Besant

in, listening, for at such moments he heard nothing. There was another door opposite leading to the kitchen, where his wife was engaged in some domestic work. Presently, she lifted her head and saw me. 'Father,' she cried. 'Here is Will!'

      He heard that: brought his fingers down with a splendid chord and sprang to his feet. 'Will? In the morning? What is the meaning – why this box?'

      'I have come away, Tom. I have left the counting-house for good.'

      'What? You have deserted the money bags? You have run away for the sake of music?'

      'My father has turned me out.'

      'And you have chosen music. Good – good – what could you have done better? Wife, hear this. Will has run away. He will play the fiddle in the orchestra rather than become an Alderman and Lord Mayor.'

      'I want to live as you live, Tom.'

      'If you can, boy, you shall.' Now it was the humour of Tom to speak of his own cottage and his manner of life as if both were stately and sumptuous. 'Very few,' he added proudly, 'can live as we live.' He looked proudly round. The room was about ten feet square: low, painted drab, without ornament, without curtains: there were a few shelves: a cupboard: a small table: two brass candlesticks, a brass pair of snuffers: four rush-bottomed chairs, and nothing more.

      Tom was dressed in an old brown coat with patches on the elbows, the wrists frayed and the buttons gone. To be sure he had a finer coat for the orchestra. His stockings were of worsted, darned in many places: a woollen wrapper was round his neck. Everything proclaimed poverty: of course people who are not poor do not live in the Rules. 'Few,' he repeated, 'are privileged to live as I live.' I have never known whether this was a craze or his humour to pretend that he fared sumptuously: was lodged like a prince: and received the wages of an ambassador. Perhaps it was mere habit; a way of presenting his own life to himself by exaggeration and pretence which he had somehow grown to believe.

      'You ask, Will, a thing difficult of achievement.'

      'But gradually – little by little. One would never expect it all at once.'

      'Ay, there we talk sense. But first, why hath Sir Peter behaved with this (apparent) harshness? I would not judge him hastily. Therefore I say, apparent.'

      'Because he found out at last – my cousin Matthew told him – that I came here to play the fiddle. So he gave me the choice – either to give up the counting-house or to give up the music. And I gave up the counting-house, Tom. I don't care what happens so that I get out of the counting-house.'

      'Good – lad – good.'

      'And I drubbed my cousin – I paid him with his own stick. And here I am.'

      He took my hand, his honest face beaming with satisfaction. At that moment, his sister Alice came back from making some purchases in the Borough High Street. 'Alice my dear,' he said, 'Will has been turned out of house and home by his father – sent out into the streets without a penny.'

      Alice burst into tears.

      When I think of Alice at that moment, my heart swells, my eyes grow humid. She was then fifteen, an age when the child and the woman meet, and one knows not whether to expect the one or the other. When Alice burst into tears it was the child who wept: she had always loved me with a childish unconsciousness: she was only beginning to understand that I was not her brother.

      You know how sweet a flower will sometimes spring up in the most unlovely spot. Well: in this place, close to the Dog and Duck, with prodigals and rakes and painted Jezebels always before her eyes, this child grew up sweet and tender and white as the snow. I have never known any girl upon whom the continual sight – not to be concealed – of gross vice produced so little effect: it was as if the eyes of her soul involuntarily closed to the meaning of such things. Such sweetness, such purity, was stamped upon her face then as afterwards. Never, surely, was there a face that showed so plain and clear to read that the thoughts behind it were not earthly or common.

      'It is the soul of music that possesses her,' said her brother once. 'She has imbibed that soul day by day. Will, 'tis a saintly child. Sometimes I fear that she may be carried away like Elijah.'

      Well, when I saw those tears, I was seized with a kind of joyful compassion and, so to speak, happy shame, to think that those tears were for me. I drew her gently and kissed her.

      'Why, nothing better could have happened to him. Thou little simpleton,' said her brother. Warming up with his subject, he became eloquent. 'He shall do much better – far better – than if he had stayed in the counting-house. He shall not be weighed down with a load of riches: he shall have to work in order to live – believe me, Will, Art must be forced by necessity: where there is no necessity there is no Art: when riches creep in, Art becomes a toy. Because he must work, therefore he will be stimulated to do great things. He shall never set his mind upon growing rich: he shall remain poor.'

      'Not too poor,' said his wife gently. Indeed her poor shabby dress showed what she meant.

      'Peace, woman. He shall be poor, I say. Happy lad! He shall be poor. He shall never have money in a stocking, and he shall never want any. He shall live like the sparrows, from day to day, fed by the bounty of the Lord.'

      'Who loveth the Dog and Duck,' said his wife.

      The husband frowned. 'To sum up, Will, thy lot shall be the happiest that the world can give. What?' He lifted his hand and his eyes grew brighter. 'For the musician the curse of labour is remitted: for him there is no longing after riches: for him there is no flattery of great men: for him there is no meanness; for him there are no base arts: for him there is no wriggling: for him there are no back stairs: for him there is no patron. – In a word, Will, the musician is the only free man in the world.'

      'In the Rules, you mean, my dear.' This was his wife's correction.

      'Will,' said Alice, 'shall you really become like Tom?'

      'Truly, Alice, if I can.'

      'Wife,' said Tom. 'Will shall stay with us. He can sleep in the garret. We must find a mattress somewhere.'

      'Nay, but I must pay my footing. See, Tom. I have five guineas.' I showed this mine of wealth. He took one and gave it to his wife.

      'Aha!' he laughed. 'Buy him a mattress and a blanket, wife. And this evening we will have a bowl of punch. Will, we shall fare like Kings and like the Great ones of the Earth.'

      CHAPTER III

      A WAY TO LIVE

      I think that Tom Shirley was the most good-natured man in the whole world: the most ready to do anything he could for anybody: always cheerful: always happy: partly, I suppose, because he looked at everything through spectacles of imagination. He joined, however, to his passion for music another which belonged to a lower world: namely, for punch. Yet he was not an intemperate man: he showed neither purple cheeks, nor a double chin, nor a swollen neck, nor a rubicund nose – all of which were common sights on Change and in the streets of London. The reason why he displayed no signs of drink was that he could seldom gratify his passion for punch by reason of his poverty, and that in eating, which, I believe, also contributes its share to the puffing out of the neck and the painting of the nose, such as may be seen on Change, he was always as moderate, although he thought every meal a feast, as became his slender means.

      I do not know how he got into the King's Bench, but the thing is so easy that one marvels that so many are able to keep out. They put him in and kept him there for a time, when he was enabled to obtain the privilege of the Rules. He was, as he boasted, always rich, because he thought he was rich. His wife took from him, every week, the whole of his wages, otherwise he would have given them away.

      At one o'clock Alice laid the cloth and we had dinner. Tom lifted the knife and fork and held it over the cold boiled beef as if fearing to mar that delicate dish by a false or clumsy cut. 'Is there anything,' he said, 'more delicious to the palate than cold boiled beef? It must be cut delicately and with judgment – with judgment, Will.' He proceeded to exercise judgment. There was a cabbage on the table. 'This delicacy,' he said, 'is actually grown for us – for us – in the gardens of Lambeth Marsh. Remark the crispness of it: there is a solid heart for you: there is colour: there is flavour.'