My 20+ Years In America. Tatiana Shymanova

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Название My 20+ Years In America
Автор произведения Tatiana Shymanova
Жанр Драматургия
Серия
Издательство Драматургия
Год выпуска 0
isbn 9785447438449



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man? We were going the opposite way,” and Stepan replied, “When you lie for something good, it is not a sin. I did not want that man to feel obligated to repay me or feel badly that I went out of my way.”

      Years later, when Tonya was married and living in a house with her own family, she learned that her neighbor was a coworker of her father’s. In one of their conversations, he told Tonya, “Your father was a fool. Everyone who worked with him was able to buy their own car, but he never was able to collect enough money even for a motorcycle.” She did not answer, but came to the conclusion that if the world were filled with “fools” like her father, the world would be a much better place to live in.

      Sometimes Tonya wondered how her father could still be so kind, particularly after experiencing the horrors of World War II. Every day during the war, he had been sure that he would lose his life, either today or tomorrow. He had always imagined that each day might be his last. In short breaks between the fighting, he never dreamed or made plans for the future when the war would be over. He witnessed several comrades who would speak of their dreams during one moment and then be killed the very same day. He did not focus on the future, but rather lived his days in the present, fully expecting to be killed. The only wish that he would allow himself before entertaining thoughts of death was to sleep on his own bed, on clean sheets and in clean pajamas.

      At night during relocation, he and his comrades devised a method to sleep while walking, with two people in the middle and two others on the sides, linked arm in arm at the elbows. The two people on the sides acted as guides so the two in the middle could continue their march with closed eyes. They could change places every thirty to forty minutes. It was not a perfect method, but it was the only way that they could get any rest.

      Tonya’s father lost five brothers during World War II. Three of them were killed, and two were declared MIA. Their neighbor, who had been serving in the same battalion as one of his brothers, was captured, sent to a concentration camp and later escaped. He witnessed how Stepan’s brother, Nicholas, was killed. When he returned home, Stepan’s mother relentlessly pursued this information until he gave in and told her how it had occurred.

      Her son had been badly wounded and lay on the ground motionless when the German soldiers came around to check the bodies for signs of life. When they reached Nicholas, they saw that he was still breathing and moaning from pain, so they stuck the ends of their bayonets into each of his eyes. Then they pierced his heart with the sharp end to ensure that he was indeed dead.

      This information proved to be much more than Stepan’s mother could handle, and she collapsed after hearing of how her son had suffered. After the loss of her children, she lost pieces of her life along with them, paralyzed by grief. It was not long after that she died.

      Since childhood, Tonya remembered her father often talking of his brothers, recalling the things they liked to do and his favorite memory of each of them.

      Every family in Russia had experienced the loss of loved ones during the war, and people everywhere worked hard to overcome their grief and rebuild what remained of their lives. They looked forward to happier times in their lives and regained their dreams of building families and their hopes of a better future for their children.

* * *

      When Ludmila was born, Frola still continued to work as a cashier at a convenience store. At the end of the day, it was her responsibility to report to her manager and give him the key and the profits for the day. One day she left Ludmila home sick with the neighbor girl. She worried about her child’s well-being, making her anxious all day. All she could think about was how to get home to her faster. After her job was complete, she could not find the manager who was supposed to be on duty at this time. She waited for him another 40 minutes after closing, but she still could not find him. Unable to locate him, she closed and locked the store, taking the responsibility upon herself in order to return home to her child.

      Ironically, the store was robbed that night, and Frola was blamed for what happened. Frola was positive that the manager who was supposed to close the store that evening was behind the robbery because he never showed up at his designated time. He knew her child was sick because she had informed him of her predicament at the start of the day, so he presumed that she would be in a hurry to get home, making her the perfect scapegoat for his crime. Nevertheless, the authorities needed someone to blame, so Frola was accused of robbing the store. She was found guilty, so her only options were to go to prison or pay for the stolen items.

      Everything of value in Frola and Stepan’s home was sold, along with all the goods that Stepan had brought home from Berlin after the war ended on May 9, 1945. With Berlin completely occupied, each soldier had been allowed to take anything they liked back to their home in a carriage. Stepan had amassed a sizeable amount of goods from this event. Stepan and Frola were lucky to be able to pay off her debt, and Stepan never allowed her to work again.

      All of Stepan’s happiness rested in his daughter, Ludmila, but he longed for a boy. When Frola learned that she would be having another child, she wanted to have an abortion, but he insisted that she continue with the pregnancy in hopes that she would bear a son. Frola felt that it was too soon to have another child because she would not be able to give them each the attention that they needed. It was difficult to bring up children in the severe Siberian climate, especially in a house without any modern conveniences. Nevertheless, Tonya was born 1 year and 9 months after Ludmila.

      When Tonya was born, her father was so upset that she wasn’t a boy that for the first time he drank himself to the point where he could hardly walk. He wanted nothing to do with the baby and ignored Tonya for 9 months. One day when he was ready to pick her up with his hands, she was so scared that she started screaming. She did not want him to come close to her. It took some time for him to earn Tonya’s trust and for her to accept him.

      As Tonya grew, she became her father’s “boy.” She did all kinds of work outside with him, and he taught her many skills that usually only boys would learn. He taught her to be a survivor, and she tried her best to be who her father wanted her to be. It was total affection between her father and his daughters, and he lived and breathed for them.

* * *

      When Tonya was ten years old and in the fourth grade, she first learned about the nearby school of music. One of her classmates was enrolled in the school, and he often talked about his experiences there. Being the curious child that she was, Tonya dreamed of attending herself. She begged her parents to let her enroll, but her dreams were soon dashed with her mother’s talks of money. Nevertheless, Tonya’s father, who always stood up for his daughter, won this battle, and she was allowed to audition. Her mother relented, thinking she would not be accepted and talk of the school would soon be forgotten.

      The school of music was a small structure, housing only three practice rooms and a director’s office. Three talented musicians who were in exile during Stalin’s repression, all from the Moscow Conservatory, founded the school. Pianist Georgi Georgievich Struve and violinists Saryan Nicholas Kaprelovich and Anna Vasilevna Dizendor all played a role in the beginnings of the school. After serving time in labor camps under Stalin, they were not allowed to return to their original home regions, but were restricted to living in Siberia.

      The school offered classes in piano, violin, and accordion, as well as classes in musical theory. The director’s office also doubled as a classroom for the violinists. Despite its small size, the school of music was exceptionally well regarded and extremely exclusive in its selection of students. Every year, over one hundred children applied, yet only eight to ten of the brightest students were accepted due to its small size.

      In spite of these daunting prospects, Tonya was chosen along with seven other children who had been accepted. She was eleven years old at that time and had been accepted only for the accordion class. After completing two years of study, the students begin to learn piano; however, the lessons were only for twenty minutes a week as they were designed to only cover general knowledge.

      One Sunday when Tonya was walking downtown, she heard the first