Зарубежная драматургия

Различные книги в жанре Зарубежная драматургия

Chronicles of Long Kesh

Martin Lynch

Written by one of Northern Ireland’s most celebrated playwrights Martin Lynch, this is the painful, shocking and hilarious story of Northern Ireland’s infamous prison – Long Kesh – told through the eyes of prison officers, Republicans and Loyalists, a rich assortment of patriots, chancers, leaders, wives, escapers and hypochondriacs!Fierce and gripping, direct from Belfast and dripping with the sound, fury and black humour of that city…’ – The Times

Rapunzel

Annie Siddons

After a happy childhood picking herbs, making potions, healing the sick and helping the local villagers, Rapunzel grows into a beautiful young woman – and suddenly finds herself locked in a tower. But this is Rapunzel as you’ve never seen her before – tough, sassy, a survivor, a lover, a fighter – and life has a whole lot more in store for her yet… Set in Italy, the home of this ancient folk tale, Rapunzel is a lively, funny, passionate story of abandonment and loyalty, love and betrayal, complete with mafia bosses, magic bushes, evil princes and a wonderfully helpful pig.

Fry: Plays Two (Venus Observed; The Dark Is Light Enough; Curtmantle)

Christopher Fry

Includes the plays Venus Observed, The Dark is Light Enough and CurtmantleThis volume of Christopher Fry's original stage work concludes his 'Season Plays' with Venus Observed ('Autumn') and The Dark is Light Enough ('Winter').In the first of these, commissioned by Laurence Olivier, a confident but ageing duke asks his grown-up son to choose a new wife for him. Written with a superbly light touch, this is a surprisingly reflective play about love, power and forgiveness. The Dark is Light Enough , set during Hungary's revolt against Austria in the 1850s, concerns an imperious, inscrutable aristocrat who seems prepared to sacrifice family and household for the sake of her daughter's scapegrace ex-husband.Also included is Fry's biographical play about King Henry II, Curtmantle . Working with the 'epic' theatrical style of the time and utilising a new, leaner verse language, Fry captures Henry's energy, quick wit and quick temper, his relationship with Thomas Becket – Chancellor and friend, Archbishop and enemy – and his ultimately tragic struggles with his four ambitious sons

Golgotha

Nirjay Mahindru

The past is a very dangerous place' Two people, united by blood and separated by time, weave the tapestry of their lives. Loretta arrives in Victorian England as a wide-eyed young Ayah for two children. Her dream is to earn enough money to pay for a ticket back to her beloved Indian homeland. However fate intervenes leaving her destined to a controversial, colourful life in Victorian London. A century later, Loretta's great great grandson Kalil leaves his East African homeland to start a life in England. He dreams of respect and the good life for his family but, as it did for his ancestor, fate intervenes.

Faust: Parts One and Two

Robert David MacDonald

The power and magic of the Faust story, the man who, in a pact with the Devil, trades his soul in return for a period of total knowledge and absolute power, is one of the most potent of all European myths. Johann Wolfgang von Goethe (1749-1832) worked on this poetic drama in burst from his twenties until the end of his life. He reshaped the perpetually fascinating legend, probing the nature and process of human striving and questioning the assumed divisions between the forces of good and evil. His Faust has become a landmark in world literature.Robert David MacDonald's translation of Faust , used in acclaimed productions in Scotland (Glasgow Citizens) and England (Lyric Hammersmith), offers access to the play in the English language for readers and playgoers alike and opens up the extraordinary range and pace of Goethe's language, rhythms, imagery and ideas, without sacrificing any of the play's humour. The Open University has adopted the translation as a set book for the course entitled 'From Enlightenment to Romanticism'

A Walk in the Woods

Lee Blessing

Set in the midst of the Cold War, Lee Blessing’s powerful and startling play dramatises a stand-off between U.S. and Soviet arms negotiators as they battle for supremacy. Full of tension and humour A Walk in the Woods shows how the relationship between the two experts evolves as they stroll in the woods above Geneva, away from the glare of the negotiating table. But will this escape lead to a true breakthrough or just more posturing?In this revised version of the play, originally performed at Northern Stage, Vermont, and directed by Nicholas Kent, a woman plays the role of the U.S. negotiator.

Wondrous Flitting

Mark Thomson

Sam needed a miracle. For his sins he got one! In Loreto there's a Holy House – a divine and wondrously flitting house. A vessel for the holy. Now it's in Sam's house. And Sam can't figure it. It's not every day a miracle happens and your house becomes the vessel that contains the vessel that contained Mary (as in Mary, the vessel that contained our Lord). This symbol of faith and transformation comes crashing into contemporary Scotland as Sam races through 24 hours of trapped parents, girlfriends and dentists to find meaning in this darkly comic odyssey. A black comedy about a clash of worlds, Wondrous Flitting is inspired by a chapter in Ed Hollis's The Secret Lives of Buildings .

Cyrano de Bergerac

Edmond Rostand

Comic poet and dazzling swordsman, Cyrano is hopelessly in love with Roxane.But Roxane loves the dashing Christian. Cyrano, in a selfless act of love, woosRoxane on Christian’s behalf, writing his love letters, feeding him his lines.Romance. Tragedy. Comedy. Excitement. A universal, action-packed love storywhich has been a popular hit on the stage for over a century and the inspirationfor countless films.‘Thanks to Ranjit Bolt’s cracking new verse translation…this renditionof Cyrano is thrilling to listen to, line by line, word by word, and there isno resisting its pace, humour and charm.’ Guardian on the Bristol Old Vic production

The Yiddish Queen Lear: AND Woman on the Moon

Julia Pascal

The Yiddish Queen LearNew York in the late 1930s: a once-famous Yiddish actress gives her theatre business over to her three daughters. The Yiddish Queen Lear is a story of love, infedelity, betrayal and exile, which examines the moment when Jewish East European and American cultures mix, on the eve of the Holocaust. Both a free reworking of Shakespeare’s King Lear and a homage to the lost world of Yiddish theatre, The Yiddish Queen Lear is a vibrant, funny and tragic study of the clashes and connections between two very different worlds."This play is an affecting and electic treat." Evening Standard (The Yiddish Queen Lear)Woman In The MoonSet in the United States, England and Germany, between 1920 and 2001, Woman In The Moon is a dream play inspired by both the legend of Faust and the testimonies of French, Austrian and German survivors from Camp Dora. It explores the connections between the US space programme, the V1 and V2 bombers, and the slave labour in the Third Reich."Brave, intelligent and desperately moving." The Guardian (Woman In The Moon)

Priestley Plays Four

J.B. Priestley

Two little known Priestley plays, which, while they are quite different, have important features in common. The 31st of June is a comedy set partly in an advertising agency and partly in a medieval castle; Jenny Villiers is a serious play set backstage in an old provincial theatre. But both exploit elements of Time. In the 31st of June scenes switch between modern times and the middle ages, while characters move between both. There are kings, company bosses, princesses, fashion models, dwarves and two rival magicians. causing confusion and romance. Jenny Villiers examines life in the Theatre. The doubts of the present are confronted by players from the past, and a jaded playwright recovers his faith in the Theatre. Both plays were performed on the stage, but later rewritten and published as novels.