Dover Music for Piano
Скачать книги из серии Dover Music for PianoA First Book of Tchaikovsky
This collection of effortless arrangements allows beginning pianists to experience the pleasure of playing favorite Tchaikovsky compositions. Offering an inspiring mix of tempos and moods, the twenty-one simplified compositions include themes from The Nutcracker, Romeo and Juliet, Swan Lake, Sleeping Beauty, and other popular works. My First Book of Tchaikovsky is a wonderful introduction to the nineteenth-century master — and a unique way for novices to expand their repertoires! Additional Tchaikovsky treasures include 1812 Overture, Symphonies Nos. 5 and 6, March Slav, and Hurdy-Gurdy.
Beethoven Symphonies Nos. 6-9 Transcribed for Solo Piano
The greatest piano virtuoso of the 19th century, Franz Liszt possessed an astonishing ability to recreate orchestral fabric at the keyboard, enabling pianists to reproduce the texture and grandeur of symphonic works. This volume is the second of Dover's two-part set of Liszt’s piano transcriptions of Beethoven's nine symphonies, reproduced from the edition authorized by Liszt himself. Its contents include Symphony No. 6 in F major, Op. 68, «Pastorale»; Symphony No. 7 in A major, Op. 92; Symphony No. 8 in F major, Op. 93; and Symphony No. 9 in D minor, Op. 125, «Choral.»The collection also contains engrossing pieces of background information, including a facsimile of Liszt's handwritten French preface to his Beethoven transcriptions (along with its English translation), as well as an introduction by Dr. Alan Walker, author of the definitive three volume Liszt biography.A memorable tribute from one musical genius to another, these beautiful transcriptions will delight pianists and music lovers alike.
A First Book of Schumann
This beginner's piano book spotlights the music of one of the Romantic movement's most influential composers, Robert Schumann. Its easy-to-play renditions of Schumann's beloved works progressively increase in difficulty and are accessible to novices of all ages. Contents include selections from Forest Scenes, Scenes from Childhood, Album for the Young, and Carnaval, a collection of short pieces representing revelers at a masked ball. Selections include «Traumerei,» «Happy Farmer,» «Papillons,» and other melodies for solo piano.
Complete Keyboard Works, Series One
"His melodic imagination displays admirable freshness. He possesses a delicate harmonic sense. His themes show the inspirations of an impassioned musician: perfectly created, firm in line, vivid, and enduring in color. His art never wavers; it consistently exhibits a magnificent technique." — John Gillespie, Five Centuries of Keyboard MusicThis famous edition, prepared a century ago by Johannes Brahms and Friedrich Chrysander, presents all of the 27 keyboard suites, or Ordres, by the great French composer François Couperin (1668–1733). Also included are the Allemande and 8 Preludes from Couperin's famous harpsichord treatise, L'Art de Toucher le Clavecin.In these magnificent works (there are over 200 compositions in the two volumes) lies the supreme achievement of French keyboard music, a rich source of subtle, sometimes startling, always pleasurable music for keyboard artists and students at every level of expertise. The moods, rhythms, and melodies of these distinctive compositions range across a broad musical spectrum, from crisp gavottes to noble sarabandes, from flowing allemandes to lively gigues. Some of the pieces suggest carnival merriment, others tender reflection; most have colorful and mysterious names. Couperin's virtuoso command of harpsichord style, his magnificent technique, and ever-fresh melodic imagination pervade them all.Witty, graceful, and tuneful, the keyboard works of Couperin represent a wonderful legacy of late-baroque masterpieces. Beautifully reproduced in this inexpensive edition, they make abundantly clear the justice of Bach's intense admiration for Couperin's music and the aptness of the French master's surname — «le grand.»
A First Book of Christmas Songs
Beginning pianists will love playing the music of Christmas with this new volume of holiday songs in musically attractive, pedagogically sound, and fun-to-play arrangements. These expert settings explore a full and satisfying piano sound within the natural capabilities of the novice performer. Twenty holiday favorites include Silent Night; O, Come All Ye Faithful; O Little Town of Bethlehem; Jingle Bells; Deck the Halls; O Christmas Tree; and more.Delightful illustrations add a festive note to this modestly priced collection, which will be welcomed by beginning pianists of all ages.
A First Book of Bach
These special arrangements offer beginning pianists the pleasure and satisfaction of playing Bach. Students of all ages will delight in these easy, pedagogical piano arrangements of familiar melodies such as «Jesu, Joy of Man's Desiring,» «Sheep May Safely Graze,» and the haunting opening from the «Toccata and Fugue in D Minor.»Arranged in order of approximate difficulty, 26 selections include «Air on a G String,» «Wachet Auf,» and highlights from the Brandenburg Concertos, the Goldberg Variations, and the Inventions. Additional features include a generous assortment of menuets, gavottes, bourrées, and other fun-to-play pieces.
A First Book of American Folk Songs
Young pianists and their teachers will welcome this treasury of favorites in musically attractive and pedagogically sound arrangements for beginners. Bergerac has written exclusively for young pianists since 1967, including original music and many easy arrangements of folk materials. His expert settings explore a full and satisfying piano sound within the natural capabilities of the beginning performer.The songs in this varied collection — arranged in their approximate order of difficulty — are presented in large, clear, easy-to-read musical notation, and are accompanied by delightful illustrations suggested by this charming music. The songs included are Amazing Grace (in two arrangements); I've Been Working on the Railroad; As We Go 'Round the Mulberry Bush; Maryland, My Maryland!; Aura Lea; The Old Chisholm Trail; Billy Boy; Polly-Wolly-Doodle; Black Is the Color of My True Love's Hair; Pop Goes the Weasel!; Blow the Man Down!; Short'nin' Bread; Blue-Tail Fly (Jimmy Crack Corn); Skip to My Lou; Buffalo Gals; Sweet Betsy from Pike; Deep River; Thanksgiving Prayer; Down by the Riverside (We Gather Together); The Farmer in the Dell; Turkey in the Straw; The Gift to Be Simple; Yankee Doodle Dandy; Go Down, Moses (Let My People Go); and The Yellow Rose of Texas.
Complete Keyboard Works, Series Two
"His melodic imagination displays admirable freshness. He possesses a delicate harmonic sense. His themes show the inspirations of an impassioned musician: perfectly created, firm in line, vivid, and enduring in color. His art never wavers; it consistently exhibits a magnificent technique." — John Gillespie, Five Centuries of Keyboard MusicThis famous edition, prepared a century ago by Johannes Brahms and Friedrich Chrysander, presents all of the 27 keyboard suites, or Ordres, by the great French composer François Couperin (1668–1733). Also included are the Allemande and 8 Preludes from Couperin's famous harpsichord treatise, L'Art de Toucher le Clavecin.In these magnificent works (there are over 200 compositions in the two volumes) lies the supreme achievement of French keyboard music, a rich source of subtle, sometimes startling, always pleasurable music for keyboard artists and students at every level of expertise. The moods, rhythms, and melodies of these distinctive compositions range across a broad musical spectrum, from crisp gavottes to noble sarabandes, from flowing allemandes to lively gigues. Some of the pieces suggest carnival merriment, others tender reflection; most have colorful and mysterious names. Couperin's virtuoso command of harpsichord style, his magnificent technique, and ever-fresh melodic imagination pervade them all.Witty, graceful, and tuneful, the keyboard works of Couperin represent a wonderful legacy of late-baroque masterpieces. Beautifully reproduced in this inexpensive edition, they make abundantly clear the justice of Bach's intense admiration for Couperin's music and the aptness of the French master's surname — «le grand.»Note: Series Two contains Ordres 14–27 plus 8 Preludes and Allemande from L'Art de Toucher le Clavecin.
The Fitzwilliam Virginal Book, Volume Two
The Fitzwilliam Virginal Book is «the most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music,» according to Grove's Dictionary of Music and Musicians. Of unknown origins, the previously scarce collector's item is now available at popular prices for the first time. The pieces herein, while composed for the virginal, can be played without difficulty on piano or any other keyboard instrument.The nearly 300 airs, variations, fantasies, toccatas, pavanes, galliards, allemandes, and courantes in these two volumes include some of the finest examples of Elizabethan and Jacobean music: compositions by Thomas Morley, Orlando Gibbons, Giles Farnaby, Thomas Warrock, Ferdinando Richardson, Peter Phillips, Thomas Tompkins, and practically every other composer of the virginalistic school. John Bull and William Byrd, two of England's greatest composers, are represented by over 100 works.J. A. Fuller Maitland and W. Barclay Squire set the music into modern notation, preserving faithfully the intent of the composers. The peculiarities of the original notation, time signatures, fingering, and the like as well as the ecclesiastical modes and accidentals employed by the composers are explained in a lucid introduction, which also discusses the history of the manuscript, the individuals connected with it, the composers, and the structure of the virginal.For this extensively revised and corrected Dover edition, Blanche Winogron, noted musicologist and performer, undertook a thorough critical reexamination of the 1899 Maitland Squire edition by closely comparing it to a copy of the original manuscript (the original is in the Fitzwilliam Museum in Cambridge, England) from which it was transcribed. Numerous minor errors, misprints, and misinterpretations in the Maitland/Squire transcription have been corrected, resulting in a new edition closer to the original than ever before.The period of this music was one of transition from the older principles and systems of notation to modern theories. This, then, is a most important document for musicologists and others interested in the history of music. But it is also a source of delight, allowing for countless hours at the keyboard for all lovers of good music.
Complete Etudes for Solo Piano, Series II
Liszt's reputation as perhaps the greatest pianist of all time is powerfully supported by his dazzling body of work for solo piano. The undiminished popularity of his etudes with pianists and audiences alike have made them among the most performed and recorded works for solo piano in the romantic repertoire.This superbly produced yet inexpensive two-volume edition presents all of Liszt's etudes as edited by the great pianist, composer, and musical scholar Ferruccio Busoni for the Franz Liszt Society and published by Breitkopf and Härtel in Leipzig in 1910–11.This second volume, Series II, includes many of Liszt's most important piano works. Liszt's creative method can be observed in his reworking of the Etudes d' Exécution Transcendante d'après Paganini into the Grande Etudes de Paganini (better known as simply the Paganini Etudes), and the similar revision of the «Morceau de Salon» into «Ab Irato.» The separate etudes cover a wide stylistic range, from the dazzling technical display of the most popular of the Paganini Etudes, «La Campanella,» to the graceful, restrained lyricism of «Waldesrauschen.» Each will bring to pianists and their listeners a moving encounter with the genius of this towering musical personality.