Keystone Books
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Twilight of the Hemlocks and Beeches
In this magnificently illustrated book, conservationist and celebrated outdoors photographer Tim Palmer launches us on a revealing journey among the hemlock and beech trees that have for millennia towered over America’s eastern woodlands. The eastern hemlock and North American beech once thrived from Maine to Georgia, casting shade on trout streams, nourishing wildlife large and small, and gracing uncounted valleys, mountainsides, parks, and backyards. These trees now face tragic decimation by exotic insects and pathogens. Palmer’s photos record the splendor of the cherished hemlock and beech in the same way that pictures of iconic, historic buildings commemorate classic landmarks gone the way of the wrecking ball. And yet, as Palmer underscores in his final chapter, the lessons learned as we address the fate of these trees can help us chart a better course for all wooded landscapes in the years ahead. This story of loss, scientific inquiry, and prospective recovery is vital to understanding nature in our time. As an act of artistic preservation, a report on the science vital to the survival of these trees, and a call to acti on, Twilight of the Hemlocks and Beeches assures a lasting legacy for this irreplaceable forest community. With more than one hundred exquisite full-color photographs, this book is a must-have for outdoor enthusiasts, natural historians, ecologists, and all lovers of nat ure.
Wood Hicks and Bark Peelers
In Wood Hicks and Bark Peelers , Ronald E. Ostman and Harry Littell draw on the stunning documentary photography of William T. Clarke to tell the story of Pennsylvania’s lumber heyday, a time when loggers serving the needs of a rapidly growing and globalizing country forever altered the dense forests of the state’s northern tier. Discovered in a shed in upstate New York and a barn in Pennsylvania after decades of obscurity, Clarke’s photographs offer an unprecedented view of the logging, lumbering, and wood industries during the late nineteenth and early twentieth centuries. They show the great forests in the process of coming down and the trains that hauled away the felled trees and trimmed logs. And they show the workers—cruisers, jobbers, skidders, teamsters, carpenters, swampers, wood hicks, and bark peelers—their camps and workplaces, their families, their communities. The work was demanding and dangerous; the work sites and housing were unsanitary and unsavory. The changes the newly industrialized logging business wrought were immensely important to the nation’s growth at the same time that they were fantastically—and tragically—transformative of the landscape. An extraordinary look at a little-known photographer’s work and the people and industry he documented, this book reveals, in sharp detail, the history of the third phase of lumber in America.
Valley Forge
More than four million people a year visit Valley Forge, one of America's most celebrated historic sites. Here, amid the rolling hills of southeastern Pennsylvania, visitors can pass through the house which served as Washington's Headquarters during the famous winter encampment of 1777–1778. Others picnic and jog in the huge park, complete with monuments, recreated log huts, and modern visitor center, all built to pay tribute to the Valley Forge story. In this lively book, Lorett Treese shows how Valley Forge evolved into the tourist mecca that it is today. In the process, she uses Valley Forge as a means for understanding how Americans view their own past. Treese explores the origins of popular images associated with Valley Forge, such as George Washington kneeling in the snow to seek divine assistance. She places Valley Forge in the context of the historic preservation movement as the site became Pennsylvania's first state park in 1893. She studies its "Era of Monuments" and the movement to "restore" Valley Forge in the spirit of Rockefeller's enormously popular colonial Williamsburg. Treese describes a Valley Forge fraught with controversy over the appropriate appearance and use of a place so revered. One such controversy, the "hot dog war," a brief but intense battle over concession stands, was spawned by Americans' changing perceptions of how a national park was to be used. The volatile Vietnam era prompted the state park commission to establish its "Subcommittee on Sex, Hippies, and Whiskey Swillers" to investigate park regulation infractions. Even today, people differ over exactly what happened at Valley Forge during the winter of 1777–1778. The modern visitor sees the remains of over a century of commemoration, competition, and contention. The result, Treese shows, is a historic site that may reveal more about succeeding history than about Washington's army. This book will give its readers a new way to look at Valley Forge—and all historic sites.
September Swoon
Everything seemed to be going the Phillies’ way. Up by 6 1/2 games with just 12 left to play in the 1964 season, they appeared to have clinched their first pennant in more than a decade. Outfielder Johnny Callison narrowly missed being the National League MVP. Third baseman Richie Allen was Rookie of the Year. But the "Fightin’ Phils" didn’t make it to the postseason—they lost 10 straight and finished a game behind the St. Louis Cardinals. Besides engineering the greatest collapse of any team in major league baseball history, the ’64 Phillies had another, more important distinction: they were Philadelphia’s first truly integrated baseball team. In September Swoon William Kashatus tells the dramatic story—both on the field and off the field—of the Phillies’ bittersweet season of 1964. More than any other team in Philadelphia’s sports history, the ’64 Phillies saddled the city with a reputation for being a "loser." Even when victory seemed assured, Philadelphia found a way to lose. Unfortunately, the collapse, dubbed the "September swoon," was the beginning of a self-destructive skid in both team play and racial integration, for the very things that made the players unique threatened to tear the team apart. An antagonistic press and contentious fans blamed Richie Allen, the Phillies’ first black superstar, for the team’s losing ways, accusing him of dividing the team along racial lines. Allen manipulated the resulting controversy in the hopes that he would be traded, but in the process he managed to further fray already tenuous race relations. Based on personal interviews, player biographies, and newspaper accounts, September Swoon brings to life a season and a team that got so many Philadelphians, both black and white, to care deeply and passionately about the game at a turbulent period in the city’s—and our nation’s—history. The hometown fans reveled in their triumphs and cried in their defeat, because they saw in them a reflection of themselves. The ’64 Phillies not only won over the loyalties of a racially divided city, but gave Philadelphians a reason to dream—of a pennant, of a contender, and of a City of Brotherly Love.
Common Nymphs of Eastern North America
Although the concept of “matching the hatch” has been central to flyfishing for 150 years, it has been used almost exclusively for dry flyfishing. With Common Nymphs of Eastern North America: A Primer for Flyfishers and Flytiers , Caleb Tzilkowski and Jay Stauffer Jr. take trout enthusiasts in another hatch-matching direction—to the year-round underwater nymph “hatch,” which, in most cases, constitutes 90 percent of trout diets. Successful flyfishers have at least rudimentary knowledge of the organisms that artificial flies imitate. The relatively few and very best anglers are expert at identifying and imitating nymph appearances and habits. A major hurdle to becoming expert at nymph matching is overcoming two major limitations that make these animals difficult to locate, capture, and identify: first, nymphs live underwater, sometimes burrowed into the stream bottom, and second, many nymphs are nearly microscopic in size. Common Nymphs addresses those challenges by including habitat and life history information regarding the nymphs, tips for their identification, and representative high-resolution photographs of more than thirty types of aquatic organisms and their imitations.
In the seemingly saturated flyfishing literature, this book offers something truly groundbreaking. With state-of-the-art microscopy and their years of scientific and practical experience, Tzilkowski and Stauffer provide readers an innovative close-up look at identifying and imitating nymphs that have been historically underrepresented in the flyfishing and flytying literature.
David Franks
David Franks, a colonial businessman in Philadelphia, was one of the most important figures in American Jewish history in the eighteenth century. This extensively researched biography illuminates not only Franks's personal dealings, but also his business life. Franks was involved with Indian trade, ship design and building, manufacturing, international trade, land speculation, westward exploration, and military provisioning. This volume follows Franks from his beginnings in a prominent Jewish family to his trials for treason and his exile in the postrevolutionary period, offering a unique portrait of a forgotten American.
Staging Ground
In this poignant and personal history of one of America’s oldest theaters, Leslie Stainton captures the story not just of an extraordinary building but of a nation’s tumultuous struggle to invent itself. Built in 1852 and in use ever since, the Fulton Theatre in Lancaster, Pennsylvania, is uniquely ghosted. Its foundations were once the walls of a colonial jail that in 1763 witnessed the massacre of the last surviving Conestoga Indians. Those same walls later served to incarcerate fugitive slaves. Staging Ground explores these tragic events and their enduring resonance in a building that later became a town hall, theater, and movie house—the site of minstrel shows, productions of Uncle Tom’s Cabin , oratory by the likes of Thaddeus Stevens and Mark Twain, performances by Buffalo Bill and his troupe of “Wild Indians,” Hollywood Westerns, and twenty-first-century musicals. Interweaving past and present, private anecdote and public record, Stainton unfolds the story of this emblematic space, where for more than 250 years Americans scripted and rescripted their history. Staging Ground sheds light on issues that continue to form us as a people: the evolution of American culture and faith, the immigrant experience, the growth of cities, the emergence of women in art and society, the spread of advertising, the flowering of transportation and technology, and the abiding paradox of a nation founded on the principle of equality for “all men,” yet engaged in the slave trade and in the systematic oppression of the American Indian.
