The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends". Charles G. Harper

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       Charles G. Harper

      The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"

      Published by Good Press, 2021

       [email protected]

      EAN 4064066202828

Table of Contents

       CHAPTER I

       CHAPTER II

       CHAPTER III

       CHAPTER IV

       CHAPTER V

       CHAPTER VI

       CHAPTER VII

       CHAPTER VIII

       CHAPTER IX

       CHAPTER X

       CHAPTER XI

       CHAPTER XII

       CHAPTER XIII

       CHAPTER XIV

       CHAPTER XV

       CHAPTER XVI

       CHAPTER XVII

       CHAPTER XVIII

       INDEX

CHAPTER I

       Table of Contents

      INTRODUCTORY

      The present writer foregathered a little while since with a man who had been to the uttermost parts of the earth. He had just returned from Australia, and was casually met on what the vulgar call the "Tuppenny Tube," travelling from the Bank to Shepherd's Bush. It was a humorous anti-climax to all those other journeys, but that is not the point here to be made. He was full, as might have been expected, of tales strange and curious of those outposts of civilisation he had visited, and of legends of places—whose names generally ended with two gulps and a click—where civilisation was an unknown quantity. But to this man, who had been everywhere and elsewhere, who had crossed the Dark Continent when it was still dark, England, his native land, was largely a sealed book. Even as one spoke with him it could be perceived how perfect an exemplar he was of many globe-trotting Britons who roam the world and can talk to you at first hand of Bulawayo or the Australian bush, but are instantly nonplussed if the subject of rural England be broached.

      When he was done talking of places with savage and infinitely-repetitive names, composed of fantastically-arranged vowels, with never a consonant to consort with them, he was asked if he knew Kent. "Kent?" he repeated, in Jingle-like fashion, "why, yes. Canterbury Cathedral, hop-gardens, Charles Dickens, Rochester, Dover, and—and all that," he concluded, with a vague sweep of his arm. "Run through it on y'r way to Paris," he added, in an explanatory way. And that was all he knew of Kent: a place you run through, on the way to somewhere else! a country observed from fleeting and not very attentive glances obtained from a railway-carriage window! Such glances furnished him fully forth in all he had cared to know of the Garden of England!

      Not that one fully subscribes to that familiar epithet of praise, which must have originally been given by a Cockney who knew no better. Who that ever has sojourned in the west, and has known lovely Devon, would for a moment give Kent that pride of place? Now, if it were called the "Market Garden of England——!" What?

      But this is not to say that Kent is not very beautiful; only it is not Devon. I do not pillory Kent because it is not something else, and would by no means contemn its chalky soil because of any affection for the good red earth of that other shire. Kent has its lovable qualities, and when you have eliminated the thronging tramps, the paper and other factories, the objectionable hop-pickers, the beanfeasters, and the multitudinous yahoos who people its nearer Cockneyfied districts, there is a very considerable residuum of exquisite country. The elimination of all those items would be what the slangy term a "big order"; but the tourist who knows, and even the tourist who does not actually know, but can infer and deduce, need never lose himself in the Kent of commerce and blackguardism. He seeks out, and by instinct finds, the best; and, having found the best that Kent affords, is ready to declare that it is hard to beat. It is, for example, impossible to match, even in Devon, the beauty of that fertile fruit and hop-bearing belt of country which begins at Newington, a few miles below Chatham, and continues beside the Dover Road, past Teynham and Faversham, and on to Canterbury. It is a beauty that appeals alike and at once to the artist and the man with carnal appetites and fleshly longings; for, once off the dusty high-road, it is a constant succession of orchards and hop-gardens, wherein it is pleasant to lie on sunny afternoons in the dappled shade of the apple, pear, or cherry-trees, with the swede-eating sheep for sole companions, and the noise of the toilsome world coming restfully over the hedgerows.

      It is a noisy and a toilsome world. There goes the roar of the big guns down at the Medway forts; the clear note of the bugles sings up faintly—like an anthem from amid a naughty nest of vipers—out of Chatham and New Brompton (we are being duly taken care of!); the whistling and rushing of the railway trains are never still, and you can hear that holiday world which takes its vacation strenuously, "pip-pipping" on cycles, "poop-pooping" on motor-cars, and playing the yearnful concertina on the passing break like anything, t'other side of the merciful hedge. Even if you could not hear them, the signs of their passing would be evident in the cloud of chalk-dust which, like the pillar of cloud by day that guided the Children of Israel, marks their route. But the Land of Promise sought by those pilgrims, at such speed, is not ours. How should it be? Theirs is ever the Next Place; ours is Here. Theirs is the Promise without fruition; ours is granted to the full, and Now, wherever we be. That is if we be indeed wise in our generation, and content with the happy moment. One understands that same happy moment, here and now, to be passed in the consumption of ripe cherries out of a cool cabbage-leaf, in the shade of the boughs that bore them. This is one way in which beauteous Kent appeals, as we have said, to the carnal man, who perceives that if indeed Devonshire cream be good, equally good are the kindly fruits of Kent.

      If Kent be essentially the Market Garden of England,