The Ocean House. Mary-Beth Hughes

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      THE

      OCEAN HOUSE

      Also by Mary-Beth Hughes

      The Loved Ones

      Double Happiness

      Wavemaker II

      THE

      OCEAN HOUSE

      Stories

      Mary-Beth Hughes

      Atlantic Monthly Press

      New York

      Copyright © 2021 by Mary-Beth Hughes

      All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Scanning, uploading, and electronic distribution of this book or the facilitation of such without the permission of the publisher is prohibited. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated. Any member of educational institutions wishing to photocopy part or all of the work for classroom use, or anthology, should send inquiries to Grove Atlantic, 154 West 14th Street, New York, NY 10011 or [email protected].

      FIRST EDITION

      Published simultaneously in Canada

      Printed in the Canada

      First Grove Atlantic hardcover edition: January 2021

      This book is set in 1.5-pt. Scala LF by Alpha Design and Composition of Pittsfield, NH.

      Library of Congress Cataloging-in-Publication data available for this title.

      ISBN 978-0-8021-5753-9

      eISBN 978-0-8021-5754-6

      Atlantic Monthly Press

      an imprint of Grove Atlantic

      154 West 14th Street

      New York, NY 10011

      Distributed by Publishers Group West

       groveatlantic.com

      For Duke,

      and for Pod,

      all my love.

      Contents

       The Ocean House

       Outcast

       The Healing Zone

       Here You Are

       The Elixir

       Dove

       The Pitch

       Summerspace

       Fragile X

       How the Poets Learned to Love Her

       California

       Acknowledgments

      The Ocean House

      They were tiny girls lying on their bellies by the wide windows of the playroom, spying on their mother far below. She tiptoed along the seawall, holding steady on puddled dips and sharp edges of the black jetty. Waves burst and sprayed at her feet. The girls pressed in close, touching clouds and crabs etched in the glass along the lower rims. Their fingers worked into the grooves as they watched their mother—so light-footed, her bathing suit beneath a sundress—climb over the fence between the neighboring beach club property and their own. She’s a fish! their father liked to declare, but she didn’t like to be inside the ocean. She preferred salt water in a swimming pool where she could see the beginning and end.

      Midmorning, Mrs. Hoving, despite her bad hip, walked all the way down the back stairs to retrieve milk and peaches. Their playroom was a round attic room on the turret end. But directly below, the grandest room of the house was empty. In the master bedroom a plinth raised the bed so high that, waking, their mother might see the waves first thing. Above the bed, a built-in carved canopy of shells and rosebuds lifted by four columns all painted white. The vista windows had ribbons of more rosebuds in pale-pink stained glass; the thorns were blunt and blue. A sleeping place for a sea queen. But their mother didn’t care for it. Thought it corny, trite. The window shade manufacturer’s silly dream for a wife who left him anyway. Then he went bankrupt. Why would she want to sleep there?

      Their mother was content in a regular rectangular bedroom with cross breezes. Besides, the grand circular bedroom with the plinth, the canopy, the flat pink glass roses and stubby thorns was haunted by a small boy who swung by his feet and made slurping noises nibbling at the sleeper’s nose. Their mother said he liked to be left alone.

      Of course they wanted to know how old he was, but she couldn’t say, which was frustrating because age was crucial to them at the time. Courtney was five, nearly five. Paige was three. Their mother was twenty-seven, so an old woman she said. Their father twenty-eight. But they were a year and a half apart, like Courtney and Paige. Mrs. Hoving claimed to be 103.

      On the turret side of the house, below the haunted bedroom, was the circular dining room. Lower still, a cellar of sand and rock, entirely off-limits. But in the bright round dining room, where they were free to come and go, their mother hung a new wallpaper. She’d imported the white herons standing in the lime-colored reeds from Japan. The house made me do it, she said. And that made sense because it looked, when she was finished, as if it had been here from the start. Something to appease the fleeing wife, the broken husband, the hungry boy. All of them.

      Don’t be flip, said their father, as if she’d said something cruel. Mrs. Hoving didn’t allow cruelty. Nor did their mother. Their father could be changeable on this point.

      The year was 1962. The house except for the newly arrived Japanese herons—and their bending inquiring white necks—was ninety years old at the time but seemed much older. It was the last of the great oceanfront houses left in Long Branch.

      Built in the same exuberant era, the Beach Club aimed for grandeur, too, with its herringbone boardwalk and a vast saltwater pool, the cunning trellised card room, the vaulted seaside dining terrace, the clubhouse itself, like a vast white Victorian wedding cake. A cliché, said their mother. It was meant to seduce those living in the houses who had plenty to keep them at home. But later, with the towers, business improved.

      The Beach Club stood directly north of their house. Its property continued for about an eighth of a mile until it petered out—their mother shrugged—at the tennis courts, then the high jagged jetty wall picked up again and continued along the Ocean Avenue for a while before crossing the town line into Sea Bright, which was filled with newer