The Films of Samuel Fuller. Lisa Dombrowski

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      THE FILMS OF SAMUEL FULLER

      A series from Wesleyan University Press

      Edited by Jeanine Basinger

      The new Wesleyan Film series takes a back-to-basics approach to the art of cinema. Books in the series will deal with the formal, the historical, and the cultural—putting a premium on visual analysis, close readings, and an understanding of the history of Hollywood and international cinema, both artistically and industrially. The volumes will be rigorous, critical, and accessible both to academics and to lay readers with a serious interest in film.

      Series editor Jeanine Basinger, Corwin-Fuller Professor of Film Studies at Wesleyan University and Founder/Curator of the Wesleyan Cinema Archives, is the author of such landmark books as The World War II Combat Film: Anatomy of a Genre, A Woman’s View: How Hollywood Spoke to Women, 1930–1960, Silent Stars, and The Star Machine.

       Anthony Mann

      by Jeanine Basinger

       The Films of Samuel Fuller

       If You Die, I’ll Kill You!

      by Lisa Dombrowski

       Physical Evidence

       Selected Film Criticism

      by Kent Jones

       Action Speaks Louder

       Violence, Spectacle, and the American Action Movie

      Revised and Expanded Edition

      by Eric Lichtenfeld

       Hollywood Ambitions

       Celebrity in the Movie Age

      by Marsha Orgeron

      The Films of

      SAMUEL

      FULLER

      If You Die, I’ll Kill You!

      Lisa Dombrowski

      WESLEYAN UNIVERSITY PRESS

      MIDDLETOWN, CONNECTICUT

      Published by Wesleyan University Press, Middletown, CT 06459

       www.wesleyan.edu/wespress

      © 2008 by Lisa Dombrowski

      All rights reserved

      Printed in the United States of America

      5 4 3 2 1

      Library of Congress Cataloging-in-Publication Data

      Dombrowski, Lisa.

      The films of Samuel Fuller : if you die, I’ll kill you! / Lisa Dombrowski.

      p. cm.

      Includes bibliographical references and index.

      ISBN-13: 978–0–8195–6866–3 (cloth : alk. paper)

      ISBN-10: 0–8195–6866–X (cloth : alk. paper)

      1. Fuller, Samuel, 1912–1997—Criticism and interpretation. I. Title.

      PN1998.3.F85D66 2008

      791.4302′33092—dc22 2007037126

      Cover illustration: Samuel Fuller on location. Chrisam Films, Inc.

       For the kids in the screening room

      Contents

List of Illustrations	ix
Acknowledgments	xi
Introduction	1
The Fuller Biographical Legend 4
Fuller as Storyteller 10
Movement and Conflict 17
Chapter One: The Lippert Years, 1948–1951	24
The Marketplace for Low-Budget Films 25
Early Experiments: I Shot Jesse James and The Baron of Arizona 28
Establishing a Voice: The Steel Helmet 39
Chapter Two: The Fox Years, 1951–1956	52
The Trade-offs of Studio Filmmaking 54
Return to War: Fixed Bayonets 56
Complete Independence: Park Row 62
Brutality: Pickup on South Street 67
Classical Style: Hell and High Water and House of Bamboo 77
Chapter Three: The Globe Years, 1956–1961	93
The Challenges of Independence 94
No Holds Barred: Run of the Arrow, China Gate, Forty Guns, and Verboten! 97
Sensational Style: The Crimson Kimono and Underworld, U.S.A. 121
Chapter Four: The Freelance Years, 1961–1964	141
Return to War: Merrill’s Marauders 142
Adult Exploitation: Shock Corridor and The Naked Kiss 148
Fuller Goes to Vietnam: The Rifle 168
Chapter Five: The Final Battles, 1965–1997	171
Critical Recognition, Professional Frustration 171
Loose Ends: Shark! and Dead Pigeon on Beethoven Street 177
A Personal Journey: The Big Red One 184
Inciting Controversy: White Dog 191
In Exile: Thieves After Dark and Street of No Return 196
Conclusion	203
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