Название | White River Burning |
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Автор произведения | John Verdon |
Жанр | Ужасы и Мистика |
Серия | A Dave Gurney Novel |
Издательство | Ужасы и Мистика |
Год выпуска | 0 |
isbn | 9781640090644 |
An article in the Times, emphasizing the ongoing nature of the problem: “Police Officer’s Death Deepens Upstate Racial Divide.”
A shorter, punchier Post article: “Cop Gunned Down at BDA Rally.”
A muted approach in the White River Observer: “Mayor Shucker Calls for Calm.”
And then there was the all-out RAM promotional screamer: FIRST BLOOD DRAWN IN RACE WAR? COP SHOT DEAD AS ACTIVIST INCITES CROWD. SEE IT ALL ON BATTLEGROUND TONIGHT—STREAMING LIVE AT RAM-TV.ORG.
After skimming the articles attached to these headlines and finding nothing that he didn’t know already, he scrolled on. When he came to a link to the official White River municipal website, he clicked on it. It was a predictable presentation of city departments, budget data, upcoming events, area attractions, and local history. A section on “Career Opportunities” listed a job opening for a part-time waitress at the Happy Cow Ice Cream Shoppe. A section titled “Community Renewal” described the conversion of the defunct Willard Woolen Socks Factory into the Winter Goose Artisanal Brewery.
There were pictures of clean but deserted streets, redbrick buildings, and a tree-shaded park named after Colonel Ezra Willard, of the sock-manufacturing family. The first of the two Willard Park photos showed a statue of the eponymous colonel dressed in a Civil War uniform astride a fierce-looking horse. A biographical note below the photo described him as “a White River hero who gave his life in the great war to preserve the Union.”
The second park photo showed two smiling mothers, one white and one brown, pushing their giddy toddlers on adjacent swings. Nowhere on the website was there any reference to the fatal shooting or the hate-driven violence tearing the city apart. Nor was there any mention of the correctional facility that provided the area with its main source of employment.
The next item that attracted Gurney’s attention was a section devoted to White River on a site called Citizen Comments Unfiltered. The site seemed to be a magnet for racial attacks posted by individuals with IDs like Truth Teller, White Rights, American Defender, and End Black Lies. The posts went back several years, suggesting that the city’s overt racial animosities were nothing new. They brought to mind a wise man’s comment that few things on earth were worse than ignorance armed and eager for battle.
He returned for a moment to the section of the White River website that showed the park and the statue of Colonel Willard, wondering if that might be the statue that Madeleine had told him was one of the objects of the current protests. Finding nothing there that answered the question, he decided to do an internet search—trying various combinations of terms: “Ezra Willard,” “Civil War,” “statue,” “New York State,” “White River,” “racial controversy,” “Correctional Facility,” “Willard Park,” “Union,” “Confederacy.” Finally, when he added the term “slavery” to the mix, he was led to the answer in the journal of one of the Civil War historical societies.
The article was about the federal fugitive slave laws that legalized the capture in the North of slaves fleeing from slave owners in the South. Among the examples given of this practice was the “establishment in 1830 by the mercantile Willard family of upstate New York of a detention facility to house captured runaway slaves while payments were negotiated for their return to their Southern owners.”
A footnote indicated that this lucrative practice ended when the war began; that at least one family member, Ezra, ended up fighting and dying on the Union side; and that after the war the former detention site became the core of what was gradually rebuilt and expanded into a state prison, now the White River Correctional Facility.
Pondering the ugly nature of the seed from which the institution had grown, Gurney could understand the impulse to protest the memorialization of a Willard family member. He searched the internet for more information about Ezra but could find nothing beyond brief news references to BDA demands for the removal of his statue.
Putting the historical issue aside, he decided to return his focus to getting as up to date as he could on the current turmoil. He revisited the RAM website in the hope that he might be able to extract some useful information from the opinionated noise they retailed as “news and analysis.”
The site was slow in loading, giving him time to consider the irony of the internet: the world’s largest repository of knowledge having become a megaphone for idiots. Once it appeared, he clicked his way through a series of options until he reached the page titled “Battleground Tonight—Live Stream.”
He was puzzled at first by what he saw on the screen—a close aerial view of a police car with siren blaring and lights flashing, speeding along a thoroughfare. The angle of the shot indicated that the camera was above and behind the cruiser; when the cruiser made a fast right at an intersection, so did the camera. When it came to a stop in a narrow street behind three other cruisers, the camera slowed and stopped, descending slightly. The effect was similar to a tracking shot in a movie chase scene.
He realized that the equipment involved must be a sophisticated drone equipped with video and audio transmitters. As the drone maintained its position, its camera slowly zoomed in on the scene the cruiser had been racing to. Helmeted cops were standing in a semicircle around a black man who was leaning forward with his open hands against the wall of a building. As the two cops from the cruiser joined the others, the man was handcuffed. A few moments later, after he was pushed into the back of one of the original cruisers, a line of text crawled across the bottom of the screen: 10:07 PM . . . DUNSTER STREET, GRINTON SECTION, WHITE RIVER . . . CURFEW VIOLATOR TAKEN INTO CUSTODY . . . SEE DETAILS ON NEXT RAM NEWS SUMMARY.
As the cruiser pulled away, the video switched to a new scene—a fire engine in front of a smoldering brick building, two firemen in protective gear holding a hose and directing its powerful stream through a shattered ground-floor store window. A worn sign above the window identified the burned-out remains as Betty Bee’s BBQ.
The camera’s elevated point of view was similar to that of the first camera, indicating that its source was a similar high-end drone. It would seem, Gurney noted with interest, that RAM was applying significant resources to its coverage of White River.
The next video segment was a street interview between a mic-wielding female reporter and a large fireman whose black helmet displayed in gold letters the word CAPTAIN. The reporter was a slim dark-haired woman whose expression and voice projected great concern. “I’m Marilyn Maze, and I’m talking to Fire Captain James Pelt, the man in charge of the chaotic scene here on Bardle Boulevard.” She turned toward the big man, and the camera zoomed in on his jowly, ruddy-skinned face. “Tell me, Captain, have you ever seen anything like this before?”
He shook his head. “We’ve had worse fires, Marilyn, worse in terms of the heat and the combustion of toxic materials, but never in conditions like this, never this wantonness of destruction. That’s the difference here, the wantonness of it.”
She nodded with professional concern. “It sounds like you’ve concluded that these fires are the intentional work of arsonists.”
“That’s my preliminary conclusion, Marilyn—subject to analysis by our arson investigator. But that’s what I would say the conclusion would be.”
She looked appropriately appalled. “So what you’re telling us, Captain, is that these people—some of these people, I should make that clear right now, that we’re talking about just a percentage, the law-breaking percentage of the population—some of these people are burning down their own neighborhood, their own stores, their own homes?”
“Doesn’t make a darn bit of sense, does it? Maybe the whole idea of sense isn’t part of the thinking here. It is a tragedy. Sad day for White River.”
“All right, Captain, we thank you for taking the time to talk to us.” She turned to the camera. “Interesting comments