Название | The Man-Wolf and Other Tales |
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Автор произведения | Erckmann-Chatrian |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4057664614940 |
"We have got Marcobrunner sixty years in bottle," added the major-domo, "for it is a mistake of Madame Offenloch's to suppose that the French drank it all. And you had better order, while you are about it, now and then, a good bottle of Johannisberg. That is the best wine to set a man up again."
"Time was," remarked the master of the hounds in a dismal voice—"time was when monseigneur hunted twice a week; then he was well; when he left off hunting, then he fell ill."
"Of course it could not be otherwise," observed Marie Lagoutte. "The open air gives you an appetite. The doctor had better order him to hunt three times a week to make up for lost time."
"Two would be enough," replied the man of dogs with the same gravity; "quite enough. The hounds must have their rest. Dogs have just as much right to rest as we have."
There was a few moments' silence, during which I could hear the wind beating against the window-panes, and rush, sighing and wailing, through the loopholes into the towers.
Sébalt sat with legs across, and his elbow resting on his knee, gazing into the fire with unspeakable dolefulness. Marie Lagoutte, after having refreshed herself with a fresh pinch, was settling her snuff into shape in its box, while I sat thinking on the strange habit people indulge in of pressing their advice upon those who don't want it.
At this moment the major-domo rose.
"Will you have a glass of wine, doctor?" said he, leaning over the back of my arm-chair.
"Thank you, but I never drink before seeing a patient."
"What! not even one little glass?"
"Not the smallest glass you could offer me."
He opened his eyes wide and looked with astonishment at his wife.
"The doctor is right," she said. "I am quite of his opinion. I prefer to drink with my meat, and to take a glass of cognac afterwards. That is what the ladies do in France. Cognac is more fashionable than kirschwasser!"
Marie Lagoutte had hardly finished with her dissertation when Sperver opened the door quietly and beckoned me to follow him.
I bowed to the "honourable company," and as I was entering the passage I could hear that lady saying to her husband—
"That is a nice young man. He would have made a good-looking soldier."
Sperver looked uneasy, but said nothing. I was full of my own thoughts.
A few steps under the darkling vaults of Nideck completely effaced from my memory the queer figures of Tobias and Marie Lagoutte, poor harmless creatures, existing like bats under the mighty wing of the vulture.
Soon Gideon brought me into a sumptuous apartment hung with violet-coloured velvet, relieved with gold. A bronze lamp stood in a corner, its brightness toned down by a globe of ground crystal; thick carpets, soft as the turf on the hills, made our steps noiseless. It seemed a fit abode for silence and meditation.
On entering Sperver lifted the heavy draperies which fell around an ogee window. I observed him straining his eyes to discover something in the darkened distance; he was trying to make out whether the witch still lay there crouching down upon the snow in the midst of the plain; but he could see nothing, for there was deep darkness over all.
But I had gone on a few steps, and came in sight, by the faint rays of the lamp, of a pale, delicate figure seated in a Gothic chair not far from the sick man. It was Odile of Nideck. Her long black silk dress, her gentle expression of calm self-devotion and complete resignation, the ideal angel-like cast of her sweet features, recalled to one's mind those mysterious creations of the pencil in the Middle Ages when painting was pursued as a true art, but which modern imitators have found themselves obliged to give up in despair, while at the same time they never can forget them.
I cannot say what thoughts passed rapidly through my mind at the sight of this fair creature, but certainly much of devotion mingled with my sentiments. A sense of music and harmony swept sadly through by soul, with faint impressions of the old ballads of my childhood—of those pious songs with which the kind nurses of the Black Forest rock to peaceful sleep our infant sorrows.
At my approach Odile rose.
"You are very welcome, monsieur le docteur," she said with touching kindness and simplicity; then, pointing with her finger to a recess where lay the count, she added, "There is my father."
I bowed respectfully and without answering, for I felt deeply affected, and drew near to my patient.
Sperver, standing at the head of the bed, held up the lamp with one hand, holding his far cap in the other. Odile stood at my left hand. The light, softened by the subdued light of the globe of ground crystal, fell softly on the face of the count.
At once I was struck with a strangeness in the physiognomy of the Count of Nideck, and in spite of all the admiration which his lovely daughter had at once obtained from me, my first conclusion was, "What an old wolf!"
And such he seemed to be indeed. A grey head, covered with short, close hair, strangely full behind the ears, and drawn out in the face to a portentous length, the narrowness of his forehead up to its summit widening over the eyebrows, which were shaggy and met, pointing downwards over the bridge of the nose, imperfectly shading with their sable outline the cold and inexpressive eyes; the short, rough beard, irregularly spread over the angular and bony outline of the mouth—every feature of this man's dreadful countenance made me shudder, and strange notions crossed my mind about the mysterious affinities between man and the lower creation.
But I resisted my first impressions and took the sick man's hand. It was dry and wiry, yet small and strong; I found the pulse quick, feverish, and denoting great irritability.
What was I to do?
I stood considering; on the one side stood the young lady, anxiously trying to read a little hope in my face; on the other Sperver, equally anxious and watching my every movement. A painful constraint lay, therefore, upon me, yet I saw that there was nothing definite that could be attempted yet.
I dropped the arm and listened to the breathing. From time to time a convulsive sob heaved the sick man's heart, after which followed a succession of quick, short respirations. A kind of nightmare was evidently weighing him down—epilepsy, perhaps, or tetanus. But what could be the cause or origin?
I turned round full of painful thoughts.
"Is there any hope, sir?" asked the young countess.
"Yesterday's crisis is drawing to its close," I answered; "we must see if we can prevent its recurrence."
"Is there any possibility of it, sir?"
I was about to answer in general medical terms, not daring to venture any positive assertions, when the distant sound of the bell at the gate fell upon our ears.
"Visitors," said Sperver.
There was a moment's silence.
"Go and see who it is," said Odile, whose brow was for a minute shaded with anxiety. "How can one be hospitable to strangers at such a time? It is hardly possible!"
But the door opened, and a rosy face, with golden hair, appeared in the shadow, and said in a whisper—
"It is the Baron of Zimmer-Bluderich, with a servant, and he asks for shelter in the Nideck. He has lost his way among the mountains."
"Very well, Gretchen," answered the young countess, kindly; "go and tell the steward to attend to the Baron de Zimmer. Inform him that the count is very ill, and that this alone prevents him from doing the honours as he would wish. Wake up some of our people to wait on him, and let everything be done properly."
Nothing could exceed the sweet and noble simplicity of the young châtelaine in giving her orders. If an air of distinction seems hereditary in some families it is surely because the exercise of the duties conferred by the possession of wealth has a natural