The Book of Magic: Part 1. Группа авторов

      

      

       Copyright

      HarperVoyager

      an imprint of HarperCollinsPublishers Ltd

      1 London Bridge Street

      London SE1 9GF

       www.harpercollins.co.uk

      First published in Great Britain by HarperVoyager 2018

      Copyright © 2018 by Gardner Dozois

      Introduction © 2018 by Gardner Dozois

      Individual story copyrights appear here

      Cover design © HarperCollinsPublishers Ltd 2019

      Cover illustration © Stephen Youll

      The author of each individual story asserts their moral rights, including the right to be identified as the author of their work.

      A catalogue copy of this book is available from the British Library.

      These stories are entirely works of fiction. The names, characters and incidents portrayed in them are the work of the authors’ imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Source ISBN: 9780008295837

      Ebook Edition © April 2019 ISBN: 9780008295851

      Version: 2019-01-17

       Copyright Acknowledgements

      “The Return of the Pig” by K.J. Parker. Copyright © 2018 by K.J. Parker.

      “Community Service” by Megan Lindholm. Copyright © 2018 by Megan Lindholm.

      “Flint and Mirror” by John Crowley. Copyright © 2018 by John Crowley.

      “The Friends of Masquelayne the Incomparable” by Matthew Hughes. Copyright © 2018 by Matthew Hughes.

      “Biography of a Bouncing Boy Terror, Chapter II: Jumping Jack in Love” by Ysabeau S. Wilce. Copyright © 2018 by Ysabeau S. Wilce.

      “Song of Fire” by Rachel Pollack. Copyright © 2018 by Rachel Pollack.

      “Loft the Sorcerer” by Eleanor Arnason. Copyright © 2018 by Eleanor Arnason.

      “The Governor” by Tim Powers. Copyright © 2018 by Tim Powers.

       Dedication

       For

       All those who work magic with words,

       the most potent magic there is

       About Gardner Dozois

      Gardner Dozois 1947–2018

      As an editor, Gardner had no peers. He discovered and nurtured more new talents than I could possibly remember or recount, myself included. It’s no exaggeration to say that I would not be where I am today if Gardner had not fished me out of the slush pile in 1970. He found me in his first editorial job, reading submissions at Galaxy, where he came upon my short story ‘The Hero’ and passed it along to the editor with a recommendation to buy. That was my first professional sale.

      He was also the warmest, kindest, gentlest soul you’ll ever meet, larger than life, bawdy, funny … so funny. It was an honour to know him, and to work with him. I miss him so much.

      George R.R. Martin, 2018

      Contents

       Cover

       Title Page

      Copyright

      Copyright Acknowledgements

      Dedication

About Gardner Dozois

      Introduction by Gardner Dozois

      The Return of the Pig by K.J. Parker

      Community Service by Megan Lindholm

       Flint and Mirror by John Crowley

       The Friends of Masquelayne the Incomparable by Matthew Hughes

       Biography of a Bouncing Boy Terror: Chapter II: Jumping Jack in Love by Ysabeau S. Wilce

       Song of Fire by Rachel Pollack

       Loft the Sorcerer by Eleanor Arnason

       The Governor by Tim Powers

       About the Publisher

       Introduction by Gardner Dozois

      Sorcerer, witch, shaman, wizard, seer, root woman, conjure man … the origins of the magic-user, the-one-who-intercedes-with-the-spirits, the one who knows the ancient secrets and can call upon the hidden powers, the one who can see both the spirit world and the physical world, and who can mediate between them, go back to the beginning of human history—and beyond. Fascinating traces of ritual magic have been unearthed at various Neanderthal sites: the ritual burial of the dead, laid to rest with their favorite tools and food, and sometimes covered with flowers; a low-walled stone enclosure containing seven bear heads, all facing forward; a human skull on a stake in a ring of stones … Neanderthal magic.

      A few tens of thousands of years later, in the deep caves of Lascaux and Pech Merle and Rouffignac, the Cro-Magnons were practicing magic too, perhaps learned from their vanishing Neanderthal cousins. Deep in the darkest hidden depths of the caves at La Mouthe and Les Combarelles and Altamira, in the most remote and isolate galleries, the Cro-Magnons filled wall after wall with vivid, emblematic paintings of Ice Age animals. There’s little doubt that these cave paintings—and their associational phenomena: realistic clay sculptures of bison, carved ivory horses, the enigmatic “Venus” figurines, and the abstract and interlacing paint-outlined human handprints known as “Macaronis”—were magic, designed to be used in sorcerous rites, although how they were meant to be employed may remain forever unknown. These ancient walls also give us what may be the very first representation of a wizard