Silver Stars. Майкл Грант

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      The four women have very different ways of dealing with this. Jenou smiles and in a loud, welcoming voice says, “I’ll decide who buys me a drink, and it ain’t you, short stuff. I want handsome and I want rich. If you’re rich enough, I’ll give a pass on the handsome.”

      This confuses most of the men and leaves them temporarily stalled, unsure how to proceed. They might be veterans, these men, but few are over twenty-five and none of them are suave or sophisticated with women.

      Cat Preeling has a different approach. When a rowdy, red-faced buck sergeant comes up demanding a dance—despite the absence of music or room to dance—Cat says, “Aw, fug that. Pull up and tell me a war story, Sarge.” In five minutes Cat has a gaggle of men around her, all competing to come up with the best story, or failing that then the most extravagant complaint about the army. And of course Cat is giving back as good as she gets.

      Jillion is the lost lamb, clinging nervously beside Rio, glancing toward every new sound. Rio manages to push her way up to the bar—actually a section of perforated steel resting at a noticeable angle on a sawhorse and a chest of drawers. The man behind the bar glares at her with naked hostility as she says, “A beer, please, and one for my buddy here.”

      The barman ignores her. So Rio pulls the knife and scabbard from her belt and lays it on the bar, examining her recent purchase. She draws the blade, holds it up to the smoky light and runs her finger carefully along both sharpened edges.

      The beers appear, and the knife is put away.

      “I wish I could do that,” Jillion says ruefully.

      “It’s all bluff,” Rio says. “But don’t tell anyone.” She avoids smiling because she knows her grin, which is slow to arrive but dazzling when it does appear, makes her look even younger than her current just-barely eighteen years.

      “I’ve only ever tasted beer once,” Jillion says. “I didn’t like it then. But now I like anything wet.” She offers Rio a cigarette, which Rio declines, then lights one for herself.

      She’s a fussy person, Jillion, with quick, small movements and an air of alertness that makes Rio think of a squirrel hiding its nuts. She has none of the physical robustness that Rio, Jenou, and Cat all share, and Rio wonders, not for the first time, how Jillion made it through basic training. She can’t picture this nervous squirrel running five miles in full gear, though to be fair she’s always kept up with the rest of the squad. Not much of a fighter, maybe, and a bit of a goldbrick, but there are others in the platoon as useless. Or almost as useless.

      “So, what’s your story, Magraff ?” Rio asks, partly from curiosity, more just to have an excuse to shut out the noise around her.

      “Me?” It comes out almost as a squeak. “Well . . .” She has to think about it while hunching her shoulders around her drink as if afraid it will be snatched out her hands. “I’m from a place called Chapel Hill in North Carolina. It’s where the university is.”

      “Uh-huh.”

      “Small town really, I guess. My father works in a print shop. I was figuring to go to work there maybe someday.”

      “What does he print?”

      “Oh, you know, flyers and church bulletins and diner menus and such. But they do some artwork sometimes and well, I kind of, uh . . .”

      “You like art?”

      Jillion nods and looks away as if admitting something shameful.

      “I see you drawing some times in that notebook you have.”

      “It passes the time.”

      “What do you draw?” Rio asks, and now she’s actually interested. The closest she’s come to knowing anyone with artistic interests is Strand, who enjoys taking pictures. Her hand moves involuntarily to the inner pocket where she keeps her photographs and letters.

      “The squad, mostly. Folks from the rest of the platoon too, whoever is sitting still long enough but won’t notice me. It makes people nervous, but it keeps me from getting nervous.”

      Rio half turns to favor her with a skeptical look. If this is Jillion Magraff not being nervous she’d hate to see her nervous.

      “Would you like to see?” Jillion asks.

      “Sure.”

      Jillion draws her bent, sweat-stained sketch pad from under her blouse. She opens it to a page and shyly holds it for Rio to see.

      “That’s Castain! Hey, Jenou, come here.” But Jenou is busy flirting with a drunk but darkly attractive staff sergeant. “You got one of me?”

      Jillion pales. “Um . . . I have a few of you.”

      “Well, let’s see.”

      “Okay, but, you know, I’m just an amateur,” Jillion says deprecatingly. “This is the first one I did of you.”

      The sketch is of a girl, in partial profile, looking off to one side and smiling. The girl is in uniform, but without a helmet, and she looks just ready to start laughing.

      “Oh man, my freckles,” Rio says. Jillion starts to put it away, but Rio puts her hand on the page, stopping her. “Who was I looking at when you drew this?”

      “I don’t remember,” Jillion says.

      But Jillion blushes, and it’s pretty clear she’s lying. Why, though? Who would she smile at that way? Not Stick. One of the other girls? Certainly not Pang or Tilo. She hopes it wasn’t Cassel, but then the answer slowly dawns: Jack. Of course. She was looking at Jack, ready to laugh.

      “Okay,” Rio says, confused as to how exactly she should be reacting. She wants to compliment Jillion: it’s a very good likeness, but it’s also, maybe . . . revealing. Rio swallows and forces a laugh. “Any others?”

      Jillion, perhaps reading Rio’s uncertainty, shakes her head.

      “Come on, Magraff, you said there were others.” Rio dreads seeing something equally revealing, but dreads more not seeing it.

      Jillion turns through the pages, past a frightened-looking Tilo, past Geer strangely tender in a face-to-face with his kitten, past Sergeant Cole’s gap-toothed grin in an obviously posed picture with his Thompson on his hip. And then, at last, reveals a somber picture of a GI. The GI’s face is partly shaded by the brim of a helmet, so only the mouth is visible. It’s a partly open mouth, showing a hint of upper teeth. It’s a wolfish half-smile, nothing like the laugh-ready grin of the first picture. There’s something predatory in that expression that matches the tension of the body. In the picture she has her M1 leveled, and a wisp of smoke curls from the barrel.

      For a moment Rio can only stare. For some reason she feels the collar of her blouse chafing her neck, distracting, annoying, spreading irritation through her. She searches for something to say, because again, it’s a very good drawing, but she doesn’t like it. It seems connected to the scrape of collar on her neck and connected as well to the vague nakedness she feels not having the weight of her rifle on her shoulder. In the sketch her right hand melts into the trigger housing of the rifle.

      “That’s—” she begins, but suddenly two male hands appear, reaching around Rio to cover and squeeze her breasts. Rio says, “Can I borrow your cigarette?” and without waiting for a reply takes Jillion’s cigarette from her mouth and stabs the lit end into one of the hands.

      “Goddammit!” the man shrieks. “You burned me! You fugging bitch!”

      “Sorry,” Rio says mildly. “I must have slipped.” There’s an angry red-and-black circle on the back of the man’s hand, and he alternately shakes it and massages it.

      “If you weren’t a woman, I’d punch you in the face!”

      This is loud enough and angry enough to cause Jenou and Cat to close in, standing shoulder to shoulder with Rio. Beebee dithers uncertainly before finally deciding