Название | The Earl's Forbidden Ward |
---|---|
Автор произведения | Bronwyn Scott |
Жанр | Историческая литература |
Серия | Mills & Boon Historical |
Издательство | Историческая литература |
Год выпуска | 0 |
isbn | 9781408908365 |
Tessa stood up. ‘Do not mistake one kiss in an alcove for more than it was.
‘It does not grant you permission to pry into my life. My business is mine alone. I am capable of taking care of myself and my sisters.’
Peyton Ramsden rose to meet her, his own temper rising with her. Lord, the woman was stubborn beyond all good sense. He knew instinctively that she would argue ad nauseam. He could think of nothing else to do except take his friend’s advice and kiss her.
‘One kiss might not qualify, but perhaps two will.’ Tension sparked between them. Thank providence the Ramsden brothers counted kissing among their many accomplishments…
Author Note
I hope you enjoy THE EARL’S FORBIDDEN WARD and watching Peyton fall in love. It was great fun designing a heroine who would challenge him. This story was the perfect chance to do something with Russian history. I had the opportunity to study in Russia, right outside St Petersburg, a few years ago, and I’ve been wanting to do a story with some Russian history in it ever since. Giving Tessa the background of being a diplomat’s daughter was a great opportunity to do that.
It was also interesting and a bit tricky doing some of the research about the location of the Russian embassy in London at that time, since the embassy moved from its original location to Kensington and even went through a non-active period during the Napoleonic wars.
A third point of interest is the scene set at the Academy. The recollection Peyton has about the John Turner painting is all true. I found a short but great article that talked about the Academy art show that year and I just had to use it.
The final challenge with this book was stepping out of the regular tonnish neighbourhoods. I knew Tessa wouldn’t have a home in Mayfair, so it was fun researching the Bloomsbury population of the 1830s. I had a chance to walk through Bloomsbury on a recent research trip to London, which helped me describe Tessa’s neighbourhood more thoroughly.
For more about Bloomsbury, the Academy art show or embassies, check out my website at www.bronwynnscott.com and keep reading!
Bronwyn Scott is a communications instructor at Pierce College in the United States, and is the proud mother of three wonderful children (one boy and two girls). When she’s not teaching or writing, she enjoys playing the piano, travelling—especially to Florence, Italy—and studying history and foreign languages.
Readers can stay in touch on Bronwyn’s website, www.bronwynnscott.com, or at her blog, www.bronwynswriting.blogspot.com. She loves to hear from readers.
Recent novels from Bronwyn Scott:
PICKPOCKET COUNTESS
NOTORIOUS RAKE, INNOCENT LADY
THE VISCOUNT CLAIMS HIS BRIDE
THE EARL’S FORBIDDEN WARD
Bronwyn Scott
MILLS & BOON
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For my niece, Rachel, who wanted to know how wars got started and actually listened when I explained it to her.
Chapter One
London—Spring 1832
Peyton Ramsden, fourth Earl of Dursley, was doing what he did best—technically superior, emotionally removed sex with his mistress of two years. Certain of her fulfilment, he gave a final thrust and efficiently withdrew to make a gentleman’s finish in the sheets.
His mistress, the elegant Lydia Staunton, raised herself up on one arm, letting the white satin of the sheet slide provocatively down her hip. ‘So, you’re giving me my congé,’ she said matter-of-factly.
‘Yes, I am,’ Peyton answered evenly. There was no need to dress up the conversation, although he’d planned to bring up the issue after he’d got out of bed. For a man who liked to keep his life organised into neat compartments, there was something inherently wrong about discussing business so soon after coupling, even if it was the business of sex.
‘How did you know?’ He hadn’t spoken of it or dropped the slightest hint at ending their arrangement since he’d come up to town three days ago, although he’d made it plain at the beginning of their association that he had no intentions of sustaining their relationship beyond two years.
‘It was worse than usual tonight.’ Lydia could always be counted on to speak her mind.
Peyton fixed her with an arrogant stare, one eyebrow raised in challenge. ‘I highly doubt that, madame.’ If there was one area the Ramsden brothers excelled at, it was in the bedroom arts. They’d been schooled at an early age about how to please a woman, part of their father’s training regimen for a gentleman.
Lydia fell back on the pillows, ennui punctuating her words. ‘It’s not that. It’s never that. You know you’re exquisite in the bedroom, Dursley. You don’t need me to tell you your skills are unsurpassed.’
Dursley. He hated being a title to everyone, especially someone he’d shared conjugal relations with. Peyton rolled out of bed in a single fluid motion and strode across the room to the chair where his clothes waited. He picked up his shirt to put on. Perhaps he’d demand his next mistress call him ‘Peyton’. And perhaps not. Forced intimacy wasn’t true intimacy and he required honesty above all else.
‘Well, thank goodness. For a moment I was starting to doubt.’ His tone conveyed the exact opposite. There was no misunderstanding the real message. The Earl of Dursley did not doubt himself in the least, in any aspect of his life.
Lydia sighed. ‘Skills aren’t everything, Dursley. It takes more than prowess in bed to be a good lover. Some day, you’re going to have to feel something.’
This was an old discussion. Lydia had accused him of being detached more than once during their association. Tonight, Peyton chose to ignore the comment. Arguing at the end of their association would resolve nothing. He pulled on his trousers and shrugged into his coat. He walked to Lydia’s dressing table and pulled a slim box from the inside pocket of his coat. He didn’t need to tell Lydia what it was. She was experienced enough in these dealings to know the box contained an expensive parting gift; something she could choose to flaunt or sell, depending on her circumstances. He placed a calling card on top of the box.
‘Peter Pennington, Viscount Wyndham, has suggested he is in the market. I offered him the lease to this house if you’re amenable.’ Lydia would know exactly what that meant. He’d found her another protector. Her financial security would not lapse in the wake of his exit.
‘Bravo, very nice, Dursley. You’ve wrapped up all the loose ends in two sentences.’ Lydia got out of bed