The Game. Vanessa Fewings

      

      Can she outwit the ultimate master in a timeless game of seduction?

      Chasing Icon, the world’s slickest art thief, was the most seductive thrill of London art investigator Zara Leighton’s career...until the clues led her to the man who holds command of her body and heart, Tobias Wilder, an American billionaire with charisma to spare. Her duty to capture him is complicated by the intensity of their passion. Her will to end their connection is tinted with red-hot need to never let him go.

      Tobias’s heists are about more than money and ego. His plot to orchestrate the perfect deception in Los Angeles is destiny. No one—not even Zara—knows the depths of his motivation. And no one suspects the truth behind a single artifact that holds the secrets to an entire civilization. Forced to deny one calling to satisfy another, he knows something must be sacrificed: his code of honor or his loyalty to Zara.

      The Game

      Vanessa Fewings

       www.millsandboon.co.uk

      MILLS & BOON

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      To all creators of art past and present, both professional and personal. This story is for you.

      Contents

       Cover

       Back Cover Text

       Title Page

       Dedication

       Chapter 1

       Chapter 2

       Chapter 3

       Chapter 4

       Chapter 5

       Chapter 6

       Chapter 7

       Chapter 8

       Chapter 9

       Chapter 10

       Chapter 11

       Chapter 12

       Chapter 13

       Chapter 14

       Chapter 15

       Chapter 16

       Chapter 17

       Chapter 18

       Chapter 19

       Chapter 20

       Chapter 21

       Chapter 22

       Chapter 23

       Chapter 24

       Chapter 25

       Chapter 26

       Extract

       Copyright

       1

      This way through The Wilder Museum promised to lead to one of the most significant paintings of French Impressionism, a masterpiece renowned for igniting a sensation in the late nineteenth century for its stunning realism. A work also famed for altering your experience of art irrevocably.

      My stilettos carried me across the white marble floor of one of Los Angeles’s most distinguished museums, and my heart beat faster as I made my way toward the room showcasing Jean-Jacques Henner’s 1879 Madame Paul Duchesne-Fournet.

      More than this, these sprawling hallways would lead me back to him.

      Tobias William Wilder, the owner of this grand palace of art, and the reason I’d traveled all the way from London.

      I’d flown in to LAX just this morning, arriving on this balmy Monday with my heart heavy with what lay ahead. By the time I’d checked into my hotel in Beverly Hills, I’d rallied my courage to see him again.

      Amongst Wilder’s