Название | An Unconventional Heiress |
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Автор произведения | Paula Marshall |
Жанр | Историческая литература |
Серия | Mills & Boon Historical |
Издательство | Историческая литература |
Год выпуска | 0 |
isbn | 9781472039880 |
Sarah refused to be drawn. ‘Tedious stuff, Captain Ramsey—and why should you suppose any such thing? For all you know, I might be willing to support one of the aborigines as a magistrate. It might be what the colony deserves.’
Pat gave a shout of laughter that penetrated into the Menzies’s drawing room and turned heads there. ‘Oh, Miss Langley, you quiz me cruelly. You make me realise that Sydney’s gain is London’s loss. Come, take my arm—my stay tonight will be longer than usual for your sake alone, I promise you.’
She took his arm, but her smile for him was cold. ‘For my sake, Captain Ramsey? Pray do not put yourself out for my sake.’
He bowed to her again before they entered to make their salutations to the Major and his wife. ‘If not for you, Miss Langley, then for no one.’
Sarah forbore to tell him how much such idle badinage bored her. She had heard sufficient of it from Charles to sicken her of it forever, but she supposed that it was the usual way in which men spoke to women, and she must endure it or earn the title of a shrew.
The assembled guests chattered and gossiped for a short time before the main event of the evening—which was a short concert—began, and Sarah found herself being compelled to listen to a great deal of the kind of fustian which Pat had been serving up to her. Not only that, much of the gossip was again about the Emancipists and their goings-on. It seemed that one of Sydney’s select gentlemen’s clubs—if not the most select—had actually asked Tom Dilhorne to become a member. Worse than that, he had actually accepted their invitation. It became the evening’s major topic of conversation.
‘I don’t believe it’, ‘It can’t be true’ and ‘Whatever next!’ were only a few of the comments that flew round the room. ‘They’ve only invited him because they want to get a finger in his financial pies,’ said one knowledgeable old fellow who worked at Government House.
‘Ah, but you haven’t heard the best part of the story—which also happens to be true,’ said Frank Wright. ‘You remember Fred Waring?’
Heads nodded. Yes, everyone remembered Fred Waring, the drunken remittance man of good family who had been sacked from his poor post as a Government clerk for drunkenness and incompetence.
‘It seems that when Fred turned up and found Dilhorne present by invitation of the committee he made a great scene and said that if Dilhorne, who was nothing but a rascally Emancipist, had been admitted as a member, he would resign and leave immediately. The chairman told him that it was his choice since Dilhorne was staying, so Waring walked out.’
‘There’s not a decent house in Sydney that will receive him,’ Sarah heard one stout matron say. ‘And now he’s not even got the club to attend. Is his daughter here tonight?’
Frank Wright looked around. ‘I don’t think so. Only the Middletons receive her these days and not very often, I believe.’
‘Do you know his daughter?’ Sarah whispered to Lucy who was, as usual, being squired by Frank.
‘Who? Oh, you mean little Hester Waring. Not that she’s so very little, but she’s a poor shy creature, about my age, quite plain. They say that Fred ill treats her. Mama and Papa came across them, by chance, the other night when they were returning home after visiting Colonel O’Connell. He was quite drunk. Hester was trying to help him along and he was cursing her. Now Mama says that she won’t have her in the house, either. She could be setting a bad example for me to follow. Oh, look, Mama is signalling to me that the concert is about to begin and I am the first performer.’
Poor Hester Waring, indeed, thought Sarah, and then forgot her. Lucy was opening the evening’s bill of fare by singing two old Scots ballads, after which Captain Parker was to delight the audience with some folk songs.
‘He has a pleasant baritone voice,’ Lucy had told Sarah. The next turn was to be Sarah’s: she was to play a short piano piece and then sing some of the songs that had been all the fashion when she had left London.
All in all, once the gossip about the Emancipists had been disposed of, it had been one of the more pleasant evenings that Sarah had spent since setting foot in Sydney. She was flattered by the young officers, and deferred to by most of the matrons and their husbands, even if they did deplore her taste for talking to such undesirables as Tom Dilhorne and Will French. Besides, her brother was a fine figure of a man, and filthy rich, too. Who knows, given a bit of luck he might even decide to take one of their daughters for a wife before he returned home again.
Of course, Sarah soon found that this sense of well-being was too good to last long. Two days after the party she was sitting in the drawing room, readying herself to do some painting, when she heard violent screaming coming from the kitchen.
She put down her unopened portfolio and ran to discover what in the world could be the matter. Before she reached the door, Nellie flung it open.
‘Oh, Mum, it’s poor Sukie, that old bitch Hackett was downright careless with the kettle and managed to pour boiling water all down Sukie’s arm. It’s in a right mess.’
Sarah pushed past the distraught girl into the kitchen to find that she was speaking no less than the truth. Sukie, now sobbing gently, was seated in a Windsor chair while Mrs Hackett, ignoring the scarlet ruin of her forearm, and making no attempt to care for it, was berating her at the top of her voice.
‘You careless fool,’ she was roaring, ‘do you never look where you’re going? Now you won’t be fit to work for a least a week. I’ve a good mind to turn you off immediately.’
Sukie’s sobs redoubled and Nellie shrieked, ‘It weren’t her fault. ’Twas yours, you old cow.’
Sarah banged a fist on the table.
‘Be quiet, all of you. Whose fault it was is of no account, Mrs Hackett. May I also remind you that it is I who turn off servants in this house, not you. At the moment Sukie’s welfare is all that matters. Allow me to look at your arm, Sukie. No, don’t wince, I shan’t touch it.’
Mrs Hackett opened her mouth to defend herself, but Sarah banged the table again, raising her own voice this time. ‘Be silent, Mrs Hackett, while I examine Sukie’s arm.’
This served to quell the housekeeper, but her malevolent glare was now for the mistress and not the maid. Sarah took no notice of her, particularly when she discovered that Sukie’s arm was so badly scalded that she needed the assistance of a doctor.
She looked up at Nellie. ‘Is Carter at home—or did he go out with Mr John?’
‘At home, Mum—doing some carpentry in the shed at the back.’
‘Good, go and tell him what has happened and ask him to run round to Dr Kerr and see if he is able to visit us immediately. I understand that he has returned from Paramatta.’
‘Yes, Mum,’ and Nellie lumbered off to find Carter, who, she told herself fiercely, wouldn’t be best pleased to hear that the old bitch had hurt the girl he had been sparking at recently. Divested of her weird clothing and attired in one of Sarah’s old cotton dresses, Sukie had begun to blossom—until this latest mishap had occurred.
‘Make yourself useful, Mrs Hackett,’ Sarah said sharply, ‘and brew us some tea. Drinking it might help poor Sukie to feel a little better.’
She had never felt herself to be so helpless before. She had not the slightest notion of how to treat the dreadful burn, which was beginning to weep gently, so that when the kitchen door opened and Alan Kerr, followed by Carter, came in, carrying his bag, she sprang to her feet to greet him.
‘Oh, I am so happy to learn that Carter found you so quickly. Poor Sukie really does need some instant attention. There has been an accident in the kitchen,