The Chrestomanci Series: Entire Collection Books 1-7. Diana Wynne Jones

leaning his back against it. The moon was going down by now. The carpet was in darkness. The bars of moonlight from the far-off windows only touched the tops of armchairs, or picked out the gold on the sofa backs, or the glitter from a shelf of coloured glass vases. It would be quite dark soon.

      “There’s an Angel over there,” Angelica said wearily.

      She was right. Tonino could just see it, as coloured flickers on wood, lit by moonlight reflected off the shelf of glass vases. There was another door under the Angel, or rather a dark space, because that door was wide open. Too tired even to speak, Tonino set off again, across another mile of tufty carpet, past beetling cliffs of furniture, to the other side of the room.

      By the time they reached that open door, they were so tired that nothing seemed real any more. There were four steps down beyond the door. Very well. They went down them somehow. At the bottom was an even more brutally tufted carpet. It was quite dark.

      Angelica sniffed the darkness. “Cigars.”

      It could have been scillas for all Tonino cared. All he wanted was the next door. He set off, feeling round the walls for it, with Angelica stumbling after. They bumped into one huge piece of furniture, felt their way round it, and banged into another, which stuck even further into the room. And so they went, stumbling and banging, climbing across two rounded metal bars, wading in carpet, until they arrived at the four steps again. It was quite a small room – for the Palace – and it had only one door. Tonino felt for the first step, as high as his head, and did not think he had the strength to get up them again. The Angel had not been a guide after all.

      “That part that stuck out,” said Angelica. “I don’t know what it was, but it was hollow, like a box. Shall we risk hiding in it?”

      “Let’s find it,” said Tonino.

      They found it, or something like it, by walking into it. It was a steep-sided box which came up to their armpits. There was a large piece of metal, like a very wide doorknocker, hung on the front of it. When they felt inside, they felt sheets of stiff leather, and crisper stuff that was possibly paper.

      “I think it’s an open drawer,” said Tonino.

      Angelica did not answer. She simply climbed in. Tonino heard her flapping and crackling among the paper – if it was paper. Well! he thought. And it was Angelica who said they smelt of magic. But he was so tired that he climbed in too, and fell into a warm crumply nest where Angelica was already asleep. Tonino was almost too tired by now to care if they were found or not. But he had the sense to drag a piece of parchment over them both before he went to sleep too.

      

      Tonino woke up feeling chilly and puzzled. The light was pale and yellow because his sheet seemed to be over his face. Tonino gazed up at it, thinking it was a surprisingly flat, stiff sheet. It had large black letters on it too. His eyes travelled along the letters. DECLARATION OF WAR (Duplicate Copy), he read.

      Then he knew, with a jump, that he was nine inches high and lying in a drawer in the Palace. And it was light! Someone would find them. In fact, someone nearly had. That was what had woken him. He could hear someone moving about the room, making obscure thumps and shuffles, and occasionally whistling a snatch of the Angel of Caprona.

      Whoever it was had reached the drawer now. Tonino could hear the floor creak under him and a dress rustling, loud and near. He moved his head, gently and stiffly, and found Angelica’s frightened face resting on crumpled paper an inch or so away. The rustling dress proved the person was a woman. It must be the Duchess looking for them.

      “That Duke!” said the person, in a voice no Duchess would use. “There never was such an untidy man!” Her breathing came suddenly nearer. Before either Tonino or Angelica could think what to do, the drawer moved. Helplessly, they were shunted inwards, feet first into darkness, and the drawer shut with a bang behind their heads.

      “Help!” whispered Angelica.

      “Ssh!”

      The maid was still in the room. They could hear her move something, and then a tinkle of notes as she dusted a piano. Then a bump. And finally nothing. When they were quite sure she was gone, Angelica whispered, “What do we do now?”

      There was room to sit up in the drawer, but not much else. Above their heads was a slit of light where the drawer met the desk, or whatever it was, and no way of opening it. But they could see quite well. Light was coming in at the back, beyond their feet. They tried bracing their hands against the wood overhead and heaving, but the drawer was made of solid, spicy-smelling wood and they could not budge it.

      “We keep being shut in places without doors!” Angelica cried out. And she went floundering through the papers to the back of the drawer, where the light came in. Tonino crawled after her.

      As soon as they got there, they realised this was the way out. The end of the drawer was lower than the front, and it did not reach the back of the wooden desk it was part of. There was quite a big gap there. When they put their heads into the space, they could see the ends of the other drawers above theirs going up like a ladder, and a slit of daylight at the top.

      They squeezed through into the gap and climbed, side by side. It was as easy as climbing a ladder. They were one drawer away from the slit of daylight – which was going to be a tight squeeze – when they heard someone else in the room.

      “They came down here, madam,” said a lady’s voice.

      “Then we’ve caught them,” replied the Duchess. “Look very carefully.”

      Tonino and Angelica hung from the back of the drawers by their fingers and toes, not daring to move. Silk dresses rustled as the Duchess and her lady moved round the room. “There’s nothing this end at all, madam.”

      “And I swear this window hasn’t been opened,” said the Duchess. “Open all the drawers in the desk.”

      There was a sharp rumble above Tonino’s head. Dusty white light flooded down from the open top drawer. Papers were loudly tossed over. “Nothing,” said the lady. The top drawer slammed in again. Tonino and Angelica had been hanging on to the second drawer. They climbed down to the next as fast and quietly as they could. The second drawer rumbled open, and slammed shut, nearly deafening them. The drawer they were on jerked. Luckily, it was stiff. The lady tugged and rattled at it, and that gave Tonino and Angelica just time to climb frantically up to the second drawer again and cling there. And there they hung, in the dark narrow space, while the lady opened the third drawer, slammed it shut, and pulled out the bottom drawer. They craned over their arms and watched the white light flood in from below.

      “Look at this!” cried the lady. “They’ve been here! It’s like a mouse-nest!”

      Silks rustled as the Duchess hurried over. “Curse it!” she said. “Not long ago too! I can smell them even through the cigars. Quick! They can’t be far away. They must have got out before the room was cleaned.”

      The drawer rumbled in, bringing dusty darkness with it. There was a flurry of silks as the two women hurried away up the steps to the room with the armchairs, and the quiet, firm clap of the door closing.

      “Do you think it’s a trap?” Angelica whispered.

      “No,” said Tonino. He was sure the Duchess had not guessed where they were. But they were shut in this room now, by the sound, and he had no idea how they would get the door open.

      All the same, even a shut room was great open spaces compared with the narrow slit at the back of the drawers. Angelica and Tonino pushed and squeezed and forced themselves through the narrow daylight slit, and finally crawled out on the top of a writing-desk. Before their eyes had got used to the light, Tonino stubbed his toe on a vast pen like a telegraph pole and then tripped over a paper-knife like an ivory plank. Angelica bumped into a china ornament