The Murder Pit. Mick Finlay

Chapter Nine

Chapter Ten

Chapter Eleven

       Chapter Twelve

       Chapter Thirteen

       Chapter Fourteen

       Chapter Fifteen

       Chapter Sixteen

       Chapter Seventeen

       Chapter Eighteen

       Chapter Nineteen

       Chapter Twenty

       Chapter Twenty-One

       Chapter Twenty-Two

       Chapter Twenty-Three

       Chapter Twenty-Four

       Chapter Twenty-Five

       Chapter Twenty-Six

       Chapter Twenty-Seven

       Chapter Twenty-Eight

       Chapter Twenty-Nine

       Chapter Thirty

       Chapter Thirty-One

       Chapter Thirty-Two

       Chapter Thirty-Three

       Chapter Thirty-Four

       Chapter Thirty-Five

       Chapter Thirty-Six

       Chapter Thirty-Seven

       Chapter Thirty-Eight

       Chapter Thirty-Nine

       Chapter Forty

       Chapter Forty-One

       Chapter Forty-Two

       Chapter Forty-Three

       Chapter Forty-Four

       Chapter Forty-Five

       Chapter Forty-Six

       Chapter Forty-Seven

       Chapter Forty-Eight

       Historical Notes and Sources

       Acknowledgements

       Extract

       About the Publisher

Chapter One

       South London, 1896

      Horror sometimes arrives with a smile upon her face, and so it was with the case of Birdie Barclay. It was early New Year, the mud frozen in the streets, smuts drifting like black snow in the fog. Shuddering horses trudged past, driven on to places they didn’t want to go by sullen, red-faced men. Crossing sweepers stood by waiting for punters to drop them a coin, while old folk clutched walls and railings lest they should slip on the slick cobbles, sighing, muttering, hacking up big gobs of germs and firing them into the piles of horse dung as collected at every corner.

      We hadn’t had a case for five weeks, so the letter from Mr Barclay inviting us to call that afternoon was welcome. He lived on Saville Place, a row of two-bedroom cottages under the train lines between the Lambeth Palace and Bethlem. When we reached the house we could hear a lady inside singing over a piano. I was about to knock when the guvnor touched my arm.

      ‘Wait, Barnett,’ he whispered.

      We stood on the doorstep listening, the fog bunched thick around us. It was a song you’d often hear in the pubs near closing time, but never had I heard it sang so very fine and sad, so full of loneliness: ‘In the gloaming, oh my darling, when the lights are dim and low, and the quiet shadows falling, softly come and softly go.’ As it built to the refrain, the guvnor shut his eyes and swayed with the chords, his face like a hog at stool. Then, when the last line came, he started singing himself, flat and out of time, drowning out the lady’s mournful voice: ‘When the winds are sobbing faintly, with a gentle unknown woe, will you think of me and love me, as you did once long ago?’

      I think it was the only line he knew, the line that spoke most direct to his own battered heart, and he ended in a choke and a tremble. I reached out to squeeze his fat arm. Finally, he opened his eyes and nodded for me to knock.

      A broad, pink-faced fellow opened the door. The first thing you noticed was his Malmsey nose, round at the end and coated in fine