Towards Zero. Agatha Christie

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Название Towards Zero
Автор произведения Agatha Christie
Жанр Ужасы и Мистика
Серия
Издательство Ужасы и Мистика
Год выпуска 0
isbn 9780007422890



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       The Borough Press

The Borough Press

       Copyright

      Published by HarperCollinsPublishers Ltd

      1 London Bridge Street

      London SE1 9GF

       www.harpercollins.co.uk

      First published in Great Britain by Collins, The Crime Club 1944

      Towards Zero™ is a trade mark of Agatha Christie Limited and Agatha Christie® and the Agatha Christie Signature are registered trade marks of Agatha Christie Limited in the UK and elsewhere.

      Copyright © 1944 Agatha Christie Limited. All rights reserved.

       www.agathachristie.com

      Cover by designedbydavid.co.uk © HarperCollins/Agatha Christie Ltd 2017

      Agatha Christie asserts the moral right to be identified as the author of this work.

      A catalogue copy of this book is available from the British Library.

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Source ISBN: 9780008196318

      Ebook Edition © February 2017 ISBN: 9780007422890

      Version: 2017-04-17

       Dedication

      To Robert Graves

      Dear Robert,

      Since you are kind enough to say you like my stories, I venture to dedicate this book to you. All I ask is that you should sternly restrain your critical faculties (doubtless sharpened by your recent excesses in that line!) when reading it.

      This is a story for your pleasure and not a candidate for Mr Graves’ literary pillory!

      Your friend,

The Borough Press

      Contents

       Cover

       Title Page

       ‘Open the Door and Here are the People’

       Snow White and Red Rose

       A Fine Italian Hand …

       Zero Hour

       Also by Agatha Christie

       About the Publisher

       Map

The Borough Press

       Prologue

       November 19th

      The group round the fireplace was nearly all composed of lawyers or those who had an interest in the law. There was Martindale the solicitor, Rufus Lord, KC, young Daniels who had made a name for himself in the Carstairs case, a sprinkling of other barristers, Mr Justice Cleaver, Lewis of Lewis and Trench and old Mr Treves. Mr Treves was close on eighty, a very ripe and experienced eighty. He was a member of a famous firm of solicitors, and the most famous member of that firm. He had settled innumerable delicate cases out of court, he was said to know more of backstairs history than any man in England and he was a specialist on criminology.

      Unthinking people said Mr Treves ought to write his memoirs. Mr Treves knew better. He knew that he knew too much.

      Though he had long retired from active practice, there was no man in England whose opinion was so respected by the members of his own fraternity. Whenever his thin precise little voice was raised there was always a respectful silence.

      The conversation now was on the subject of a much talked of case which had finished that day at the Old Bailey. It was a murder case and the prisoner had been acquitted. The present company was busy trying the case over again and making technical criticisms.

      The prosecution had made a mistake in relying on one of its witnesses—old Depleach ought to have realized what an opening he was giving to the defence. Young Arthur had made the most of that servant girl’s evidence. Bentmore, in his summing up, had very rightly put the matter in its correct perspective, but the mischief was done by then—the jury had believed the girl. Juries were funny—you never knew what they’d swallow and what they wouldn’t. But let them once get a thing into their heads and no one was ever going to get it out again. They believed that the girl was speaking the truth about the crowbar and that was that. The medical evidence had been a bit above their heads. All those long terms and scientific jargon—damned bad witnesses, these scientific johnnies—always hemmed and hawed and couldn’t say yes or no to a plain question—always ‘in certain circumstances that might take place’—and so on!

      They talked themselves out, little by little, and as the remarks became more spasmodic and disjointed, a general feeling grew of something lacking. One head after another turned in the direction of Mr Treves. For Mr Treves had as yet contributed nothing to the discussion. Gradually it became apparent that