Название | Vixen In Velvet |
---|---|
Автор произведения | Loretta Chase |
Жанр | Исторические любовные романы |
Серия | Mills & Boon M&B |
Издательство | Исторические любовные романы |
Год выпуска | 0 |
isbn | 9781472096982 |
Although the Toilet should never be suffered to engross so much of the attention as to interfere with the higher duties of life, yet, as a young lady’s dress, however simple, is considered a criterion of her taste, it is, certainly, worthy of her attention.
—The Young Lady’s Book, 1829
Lord Lisburne carried Leonie up St. James’s Street in the sweltering heat, past a stream of gaping faces. A couple of vehicles got their wheels tangled, and a gentleman crossing the street walked into a curb post.
Sophy would have seen this as a golden opportunity, Leonie reminded herself. She ignored the headache and throbbing ankle and made her face serene, as though this were an everyday occurrence, being carried to the shop. By a Roman god. Who didn’t even breathe hard.
Darting a glance upward, she discerned a hint of a smile on his perfectly sculpted mouth.
“This is fun,” he said. “Which number did you say? Right, fifty-six. Oh, look. Charming. So French. Does that boy in the breathtaking lilac and gold livery belong to you?”
“Yes,” Leonie said without looking. “That’s Fenwick, our general factotum.”
“Does he open the door or simply stand there looking excessively decorative?”
“One of his jobs is to open the door,” she said.
A stray Sophy had picked up on one of her excursions, Fenwick had been an apprentice pickpocket. Once scrubbed of layers of accumulated street grime, his exterior had proved surprisingly angelic-looking. He was a great success with the ladies. He …
That was when Leonie remembered. Sophy had found Fenwick on the day she’d gone to spy on a business rival. To get into Mrs. Downes’s shop, Sophy had disguised herself as Lady Gladys Fairfax. Or what she imagined Lady Gladys looked like, given Lady Clara’s description and Sophy’s lurid powers of invention.
But Leonie hadn’t time to think further about Lady Gladys. Fenwick had opened the door, Lord Lisburne carried Leonie in, and all the shopgirls promptly went to pieces.
There were cries of “Madame!” and little shrieks, and they ran out from behind counters and crowded about her and Lord Lisburne, then cried, “No, no, give her air!” and dashed off the other way, then came back again. They told one another to fetch water and doctors and smelling salts, and argued about it. Meanwhile, no one was paying attention to the customers, who might have walked away with half the shop, including the mannequins, while everybody else was having hysterics.
Luckily, Selina Jeffreys, their forewoman, hurried out into the showroom, sparing Leonie the need to discipline the troops through an aching head. Jeffreys briskly called them to order and directed Lord Lisburne through the door into the back of the shop. Thence Leonie directed him to her office.
He set her down in a chair. He found a footstool and, ignoring her assurance that she was capable of moving her own foot, knelt, and gently lifted the injured limb onto it. The touch of his hands traveled like a magnetic current up her leg and spread everywhere, including parts some women didn’t even expose to themselves.
“I believe a restorative is in order,” he said as he rose.
He looked perfectly cool. She needed an ice bath.
“Have you any objections to brandy?” she said.
“I meant for you,” he said. “You’re looking peakish.”
“I made a cake of myself in front of London’s latest craze in poets,” she said. “I tripped twice in the same room, and everybody will say I was drunk. The second time, I tripped so clumsily that I turned my ankle. The Marquess of Lisburne has been carrying me about St. James’s, to the entertainment of the multitudes and the mental derangement of my employees. I ache at top and bottom, and I’m in a sweat despite not having done anything but let myself be carried. Of course I look peakish. And I’m cross besides, or I should have said thank you before launching into the complaints.”
“No thanks required, I assure you. It was the most fun I’ve had since Swanton and I came back to London.” He pulled off his gloves. “Where do you keep the brandy?”
She told him. He poured out a drink for her and a drink for him. Then he walked about the office as though he owned the place. Nothing odd in that. Aristocrats always owned the place, whether, technically, they did or didn’t, since they owned England.
But then he started touching her things.
Lisburne was fascinated.
Along one wall, ledgers stood perfectly straight and exactly aligned on three gleaming shelves. Likewise polished to within an inch of its life, the desk held, in addition to an inkstand, a tray of pencils, all sharpened to lethal points. On the other walls, French fashion prints and a few Parisian scenes hung precisely straight and equidistant from one another. Whatever else the office contained must be secreted in the firmly closed drawers and cupboards.
He tipped his head to read the spines of the ledgers, then pulled one out to look at the front. He flipped through the pages. Scrupulously ruled columns held concise descriptions of transactions. Alongside them marched, in the same rigorous order, columns of numbers.
“Not a blot anywhere,” he said. “Do you do this? How do you write all these numbers and such and never blot?”
“My lord, that is private financial information.” The faintly accented voice climbed a degree in pitch.
“Your secrets couldn’t be safer,” he said. “It’s all hieroglyphs to me. I could read it for days and come away none the wiser. No, that’s not quite true. I do know what the red ink signifies. My agent has pointed it out often enough. That is to say, he did, until I left such matters to Uttridge, my secretary. He warns me when I’m stumbling into red ink territory.”
“Your secretary manages your funds?” she said, her horror plainly audible. “You don’t look at the books at all?”
What entertaining handwriting she had! So precise and orderly yet purely feminine.
“The trouble with looking into the books is, it throws a fellow’s inadequacies in his face,” he said, adroitly sidestepping the boring truth. “I note very little in the way of red here, Miss Noirot. And do you do all this yourself, without any Uttridges or agents or such? Simply write down every accursed item and what it costs, and what somebody pays and what the total is and somehow make everything come out right at the end?”
“That’s my job,” she said. “The Duchess of Clevedon specializes in designing clothes. Lady Longmore is in charge of keeping Maison Noirot in the public eye. I manage the business.”
“You keep track of the money, you mean.”
“That’s part of it. I hire and dismiss the seamstresses, attend to their various crises and hysterias, pay everybody’s wages, and oversee all purchasing.”
He closed the book and looked at her for a time. It was a great deal to take in. Her extraordinary face, for one thing. The immense blue eyes and soft mouth and uncompromising chin.
The chin went with the columns of neat numbers and no blots.
The dress belonged to some fairyland.
White ruffles and lace cascading to her waist like ocean foam. Below the lace swelled sleeves as plump as bed pillows. From her dainty waist a skirt billowed: white embroidered with what seemed like thousands of tiny blue flowers. It was deliciously, madly feminine and it made a man want to rumple her, just to hear the rustling.
Well, not only for that reason.
What a treat to carry all that up St. James’s Street!
He looked at the face and the dress and thought about the neat numbers in their precisely ruled columns.
He put