Название | Family In The Making |
---|---|
Автор произведения | Jo Ann Brown |
Жанр | Исторические любовные романы |
Серия | Mills & Boon Love Inspired Historical |
Издательство | Исторические любовные романы |
Год выпуска | 0 |
isbn | 9781474038201 |
She watched Lord Trelawney’s eyelids grow heavier. Yet he was listening closely, because he chuckled over some of the youngsters’ more mischievous antics. She kept talking until Goodwin returned. A single glance from him told her that Lord Trelawney’s valet believed it was time for the viscount to rest, as the doctor had ordered.
She stood, asking the viscount to excuse her to return to her duties. Lord Trelawney caught her hand as she walked past his chair. When she looked down into his ice-blue eyes, that sweet warmth glided through her anew.
“Thank you, Miss Oliver,” he said, trying to fight his obvious exhaustion. “I appreciate you telling me about your charges. Please bring them to the garden an hour or so before tea tomorrow afternoon.”
“Of course, my lord.” She drew her fingers away from his, her skin aquiver where his had touched it. “I know the children will be eager to race about after being inside this afternoon.”
“Good.”
It took every bit of Maris’s will for her to tear her gaze from his and walk toward the door. As she passed Goodwin, he gave her a silent nod. He opened the door so she could leave. She was glad he did, because her fingers trembled, and she was not sure she could have managed the latch.
She rushed toward the stairs leading up to the nursery floor. Tonight, the children needed to rest after their eventful day. But in the morning, once they finished breakfast and were clean and dressed, she would let them know about the outing with Lord Trelawney. They would be excited to have their tea al fresco. While they played, she would sit with the viscount for what she hoped would be another comfortable coze.
She halted in the middle of the staircase and clutched the banister. Oh, sweet heavens! Was she looking forward to seeing Lord Trelawney again on the morrow? She had no idea which version of him would be there: the quiet, almost forbidding man who had gone with them to the cove or the genial man whom she had spoken with minutes ago.
But it should not matter. The abrupt change should be alarming rather than appealing, a signal to remind her that becoming involved even a tiny bit in the viscount’s life could lead her into a desperate situation. As when Lord Litchfield had chanced upon her alone in the book room. Had she completely lost every bit of her good sense? It would seem so, and she must recover it fast.
Very fast, before she ruined everything again, including herself.
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