Three Act Tragedy. Agatha Christie

sunlight streaming down on him, the hands half clenched, the easy gait and a voice—the easy pleasant voice of an English sailor and gentleman, a great deal magnified in tone.

      ‘No, sir,’ Charles Cartwright was saying, ‘I’m afraid I can’t give you any answer to that question.’

      And swish fell the heavy curtains, up sprang the lights, an orchestra plunged into the latest syncopated measure, girls with exaggerated bows in their hair said, ‘Chocolates? Lemonade?’ The first act of The Call of the Sea, with Charles Cartwright as Commander Vanstone, was over.

      From his post of vantage, looking down, Mr Satterthwaite smiled.

      A dried-up little pipkin of a man, Mr Satterthwaite, a patron of art and the drama, a determined but pleasant snob, always included in the more important house-parties and social functions (the words ‘and Mr Satterthwaite’ appeared invariably at the tail of a list of guests). Withal a man of considerable intelligence and a very shrewd observer of people and things.

      He murmured now, shaking his head, ‘I wouldn’t have thought it. No, really, I wouldn’t have thought it.’

      A step sounded on the terrace and he turned his head. The big grey-haired man who drew a chair forward and sat down had his profession clearly stamped on his keen, kindly, middle-aged face. ‘Doctor’ and ‘Harley Street’. Sir Bartholomew Strange had succeeded in his profession. He was a well-known specialist in nervous disorders, and had recently received a knighthood in the Birthday Honours list.

      He drew his chair forward beside that of Mr Satterthwaite and said:

      ‘What wouldn’t you have thought? Eh? Let’s have it.’

      With a smile Mr Satterthwaite drew attention to the figure below rapidly ascending the path.

      ‘I shouldn’t have thought Sir Charles would have remained contented so long in—er—exile.’

      ‘By Jove, no more should I!’ The other laughed, throwing back his head. ‘I’ve known Charles since he was a boy. We were at Oxford together. He’s always been the same—a better actor in private life than on the stage! Charles is always acting. He can’t help it—it’s second nature to him. Charles doesn’t go out of a room—he “makes an exit”—and he usually has to have a good line to make it on. All the same, he likes a change of part—none better. Two years ago he retired from the stage—said he wanted to live a simple country life, out of the world, and indulge his old fancy for the sea. He comes down here and builds this place. His idea of a simple country cottage. Three bathrooms and all the latest gadgets! I was like you, Satterthwaite, I didn’t think it would last. After all, Charles is human—he needs his audience. Two or three retired captains, a bunch of old women and a parson—that’s not much of a house to play to. I thought the “simple fellow, with his love of the sea,” would run for six months. Then, frankly, I thought he’d tire of the part. I thought the next thing to fill the bill would be the weary man of the world at Monte Carlo, or possibly a laird in the Highlands—he’s versatile, Charles is.’

      The doctor stopped. It had been a long speech. His eyes were full of affection and amusement as he watched the unconscious man below. In a couple of minutes he would be with them.

      ‘However,’ Sir Bartholomew went on, ‘it seems we were wrong. The attraction of the simple life holds.’

      ‘A man who dramatises himself is sometimes misjudged,’ pointed out Mr Satterthwaite. ‘One does not take his sincerities seriously.’

      The doctor nodded.

      ‘Yes,’ he said thoughtfully. ‘That’s true.’

      With a cheerful halloo Charles Cartwright ran up the steps on to the terrace.

      ‘Mirabelle surpassed herself,’ he said. ‘You ought to have come, Satterthwaite.’

      Mr Satterthwaite shook his head. He had suffered too often crossing the Channel to have any illusions about the strength of his stomach afloat. He had observed the Mirabelle from his bedroom window that morning. There had been a stiff sailing breeze and Mr Satterthwaite had thanked heaven devoutly for dry land.

      Sir Charles went to the drawing-room window and called for drinks.

      ‘You ought to have come, Tollie,’ he said to his friend. ‘Don’t you spend half your life sitting in Harley Street telling your patients how good life on the ocean wave would be for them?’

      ‘The great merit of being a doctor,’ said Sir Bartholomew, ‘is that you are not obliged to follow your own advice.’

      Sir Charles laughed. He was still unconsciously playing his part—the bluff breezy Naval man. He was an extraordinarily good-looking man, beautifully-proportioned, with a lean humorous face, and the touch of grey at his temples gave him a kind of added distinction. He looked what he was—a gentleman first and an actor second.

      ‘Did you go alone?’ asked the doctor.

      ‘No,’ Sir Charles turned to take his drink from a smart parlourmaid who was holding a tray. ‘I had a “hand”. The girl Egg, to be exact.’

      There was something, some faint trace of self-consciousness in his voice which made Mr Satterthwaite look up sharply.

      ‘Miss Lytton Gore? She knows something about sailing, doesn’t she?’

      Sir Charles laughed rather ruefully.

      ‘She succeeds in making me feel a complete land-lubber; but I’m coming on—thanks to her.’

      Thoughts slipped quickly in and out of Mr Satterthwaite’s mind.

      ‘I wonder—Egg Lytton Gore—perhaps that’s why he hasn’t tired—the age—a dangerous age—it’s always a young girl at that time of life …’

      Sir Charles went on: ‘The sea—there’s nothing like it—sun and wind and sea—and a simple shanty to come home to.’

      And he looked with pleasure at the white building behind him, equipped with three bathrooms, hot and cold water in all the bedrooms, the latest system of central heating, the newest electrical fittings and a staff of parlourmaid, housemaid, chef, and kitchen-maid. Sir Charles’s interpretation of simple living was, perhaps, a trifle exaggerated.

      A tall and exceedingly ugly woman issued from the house and bore down upon them.

      ‘Good morning, Miss Milray.’

      ‘Good morning, Sir Charles. Good morning.’ (A slight inclination of the head towards the other two). ‘This is the menu for dinner. I don’t know whether you would like it altered in any way?’

      Sir Charles took it and murmured:

      ‘Let’s see. Melon Cantaloupe, Bortsch Soup, Fresh Mackerel, Grouse, Soufflé Surprise, Canapé Diane … No, I think that will do excellently, Miss Milray. Everyone is coming by the four-thirty train.’

      ‘I have already given Holgate his orders. By the way, Sir Charles, if you will excuse me, it would be better if I dined with you tonight.’

      Sir Charles looked startled, but said courteously:

      ‘Delighted, I am sure, Miss Milray—but—er—’

      Miss Milray proceeded calmly to explain.

      ‘Otherwise, Sir Charles, it would make thirteen at table; and so many people are superstitious.’

      From her tone it could be gathered that Miss Milray would have sat down thirteen to dinner every night of her life without the slightest qualm. She went on:

      ‘I think everything is arranged. I have told Holgate the car is to fetch Lady Mary and the Babbingtons. Is that right?’

      ‘Absolutely. Just what I was going to ask you to do.’

      With a slightly superior smile on her rugged countenance, Miss Milray withdrew.

      ‘That,’ said Sir Charles