McKettricks of Texas: Tate. Linda Miller Lael

      

      Dear Reader,

      Welcome to the first of three books starring a brand-new group of modern-day McKettrick men. Readers who have embraced the irrepressible, larger-than-life McKettrick clan as their own won’t want to miss the stories of Tate, Garrett and Austin—three Texas-bred brothers who meet their matches in the Remington sisters. When eldest brother Tate McKettrick sets his sights on his old high school sweetheart Libby Remington, the town of Blue River, Texas, will never be the same!

      I also wanted to write today to tell you about a special group of people with whom I’ve become involved in the past couple years—the Humane Society of the United States (HSUS), specifically their Pets for Life program.

      The Pets for Life program is one of the best ways to help your local shelter—it helps keep animals out of shelters in the first place. Something as basic as keeping a collar and tag on your pet all the time makes a big difference. If he gets out and gets lost, he can be returned home. Be a responsible pet owner, spay or neuter your pet and don’t give up when things don’t go perfectly. If your dog digs in the yard or your cat scratches the furniture, know that these are problems that can be addressed. You can find all the information about these—and many other common problems—at www.petsforlife.org. This campaign is focused on keeping pets and their people together for a lifetime.

      As many of you know, my own household includes two dogs, two cats and six horses, so this is a cause that is near and dear to my heart. I hope you’ll get involved along with me.

      With love,

      Praise for the novels of

       LINDA LAEL MILLER

      “As hot as the noontime desert.”

      —Publishers Weekly on The Rustler

      “This story creates lasting memories of soul-searing redemption and the belief in goodness and hope.”

      —RT Book Reviews on The Rustler

      “Loaded with hot lead, steamy sex and surprising plot twists.”

      —Publishers Weekly on A Wanted Man

      “Miller’s prose is smart, and her tough Eastwoodian cowboy cuts a sharp, unexpectedly funny figure in a classroom full of rambunctious frontier kids.”

      —Publishers Weekly on The Man from Stone Creek

      “[Miller] paints a brilliant portrait of the good, the bad and the ugly, the lost and the lonely, and the power of love to bring light into the darkest of souls. This is western romance at its finest.”

      —RT Book Reviews on The Man from Stone Creek

      “Sweet, homespun and touched with angelic Christmas magic, this holiday romance reprises characters from Miller’s popular McKettrick series and is a perfect stocking stuffer for her fans.”

      —Library Journal on A McKettrick Christmas

      “An engrossing, contemporary western romance.”

      —Publishers Weekly on McKettrick’s Pride

      “Linda Lael Miller creates vibrant characters and stories I defy you to forget.”

      —New York Times bestselling author Debbie Macomber

      McKettricks of Texas: Tate

      Linda Lael Miller

       www.millsandboon.co.uk

      For Leslee Borger, my fellow cowgirl,

       with love and appreciation.

      CONTENTS

      PROLOGUE

      CHAPTER ONE

      CHAPTER TWO

      CHAPTER THREE

      CHAPTER FOUR

      CHAPTER FIVE

      CHAPTER SIX

      CHAPTER SEVEN

      CHAPTER EIGHT

      CHAPTER NINE

      CHAPTER TEN

      CHAPTER ELEVEN

      CHAPTER TWELVE

      CHAPTER THIRTEEN

      CHAPTER FOURTEEN

      CHAPTER FIFTEEN

      CHAPTER SIXTEEN

      CHAPTER SEVENTEEN

      CHAPTER EIGHTEEN

      PROLOGUE

      Silver Spur Ranch

       Blue River, Texas

      SPRING THUNDER EXPLODED overhead, fit to cleave the roof right down the middle and blow out every window on all three floors.

      Tate McKettrick swore under his breath, while rain pelted the venerable walls like machine-gun fire.

      Like as not, the creek would be over the road by now, and he’d have to travel overland to get to town. He was running late—again. And Cheryl, his ex-wife, would blister his ears with the usual accusations, for sure.

      He didn’t give a damn, she’d say, about their delicate twin daughters, because he’d wanted boys, as rough-and-tumble as he and his brothers had been. That was her favorite dig. She’d never know—because he wasn’t about to let on—how that particular remark never failed to sear a few layers off his heart. He would literally have died for Audrey and Ava—the twins were the only redeeming features of a marriage that should never have taken place in the first place.

      Since one good jab was never enough for Cheryl, she’d most likely go on to say that being late for their daughters’ dance recital was his way of spiting her, their mother. He’d used his own children, she’d insist—he knew she hated it when he was late—yada, yada, yada.

      Blah, blah, blah.

      Tate didn’t have to “use” the twins to get under Cheryl’s hide—he’d done that in spades after the divorce by forcing her to live in Blue River, so they could share custody. Audrey and Ava alternated between their mother’s place in town and the ranch, a week there, a week here, with the occasional scheduling variation. As soon as he picked them up on the prescribed days, Cheryl was off to some hot spot to hobnob with her fancy friends and all but melt her credit cards.

      Tight-jawed with resignation, Tate plunked down on the edge of his bed and reached for the boots he’d polished before shedding his rain-soaked range clothes to take a hasty shower. Clad in stiff new jeans and the requisite long-sleeved white Western shirt, the cowboy version of a tux, he listened with half an ear to the rodeo announcer’s voice, a laconic drone spilling from the speakers of the big flat-screen TV mounted on the wall above the fireplace.

      He was reaching for the remote to shut it off when he caught his brother’s name.

      The hairs on Tate’s nape bristled, and something coiled in the pit of his stomach, snakelike, fixing to spring.

      “…Austin McKettrick up next, riding a bull named Buzzsaw…”

      Tate’s gaze—indeed, the whole of his consciousness—swung to the TV screen. Sure enough, there was his kid brother, in high-definition, living color, standing on the catwalk behind the chute, pacing a little, then shifting from one foot to the other, eager for his turn to ride.

      The shot couldn’t have lasted more than a second or two—another cowboy had just finished a ride and his score was about to be posted on the mega-screen high overhead—but it was long enough to send a chill down Tate’s spine.

      The