The Perdition Score. Richard Kadrey

      

      

       Copyright

      HarperVoyager

      An imprint of HarperCollinsPublishers Ltd

      1 London Bridge Street

      London SE1 9GF

       www.harpervoyagerbooks.co.uk

      First published in Great Britain by HarperVoyager 2016

      Copyright © Richard Kadrey 2016

      Cover designed by Crush Creative (www.crushed.co.uk)

      Cover layout design © HarperCollinsPublishers Ltd 2016

      Richard Kadrey asserts the moral right to be identified as the author of this work.

      A catalogue copy of this book is available from the British Library.

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Source ISBN: 9780008121037

      Ebook Edition © June 2016 ISBN: 9780008121044

      Version: 2016-06-03

       Dedication

       For David Bowie and Lemmy, both gone too soon.

       Acknowledgments

      Thanks to my agent, Ginger Clark, and my editor, David Pomerico. Thanks also to Pamela Spengler-Jaffe, Jennifer Brehl, Rebecca Lucash, Kelly O’Connor, Caroline Perny, Shawn Nicholls, Dana Trombley, Jessie Edwards, and the rest of the team at Harper Voyager. Thanks also to Jonathan Lyons, Sarah Perillo, and Holly Frederick. Big thanks to Martha and Lorenzo in L.A. and Diana Gill in New York. As always, thanks to Nicola for everything else.

       Epigraph

       If I die, I forgive you. If I live, we shall see.

       —Spanish Proverb

       I don’t want to go to heaven. None of my friends are there.

       —Oscar Wilde

      Contents

       Cover

       Title Page

      Copyright

      Dedication

      Acknowledgments

      Epigraph

       The Perdition Score

      About the Author

      By Richard Kadrey

       About the Publisher

      THOMAS ABBOT IS talking about the end of the world, but I can’t keep my eyes open. The inside of my head is all Disney dancing hippos and gators going at each other with knives like candy-colored Droogs.

      Ever notice how the more pain you’re in, the funnier the world gets? Sometimes it’s peculiar funny. Sometimes it’s “ha ha” funny, but it’s always funny. I remember almost bleeding to death in Hellion arenas and all I could do was laugh. I understand if that seems a little strange. That’s what I mean about peculiar funny versus ha-ha funny. It’s all a matter of perspective. The more totally fucked you are, the funnier everything gets. Right now the world is hilarious.

      What was I talking about? Right. Abbot. The end of the world. At least, I think it’s the end of the world he’s going on about. Maybe someone just keyed his Ferrari. Whatever it is, I’m not listening. It’s not that I’m bored. I’m tired, my head aches, and my eyes hurt like someone’s tunneling out with dynamite. It’s been a month since I’ve slept right. At night, my dreams keep me awake. Awake, the daylight feels like someone scouring my skin off with steel wool. I laugh once and everybody looks at me because they’re not in on the joke. I’m squinting at the light too hard to explain it to them.

      “You have something to add, Stark?” says Abbot.

      “Not a thing. I’m hanging on every word. But I might have missed some of the last part.”

      “I was saying the meeting was over. We’ve voted on everything on the agenda. I had to put you down as an abstention on, well, everything since you didn’t feel like joining in.”

      The other ten members of the Sub Rosa council—the den of thieves, high rollers, and important families that run most of our little world—stare or shake their heads in my direction.

      “I was with you in spirit, boss.”

      “That’s what makes it all worthwhile.”

      He turns from me and back to the room. People are getting up, gathering briefcases, purses, and jackets. You could feed every refugee in Europe with what these people have in their pockets.

      “Thank you all for coming. It was a good meeting. I’ll see you next week,” says Abbot.

      Good-byes to Abbot and general chitchat in the room. It’s like my brain is an open sore and their voices are salt. I don’t ever remember feeling this way, even Downtown.

      “Hang around for a few minutes, Stark.”

      I nod to Abbot. With my head like this, I wasn’t planning on going anywhere soon anyway.

      When everyone leaves, Abbot comes over and sits down next to me. He’s a handsome fucker and that’s always bugged me. All-American boyish looks with all the power of the Sub Rosa at his disposal. We’re on his houseboat in Marina del Rey. The meeting room is trimmed in gold and exotic woods. There’s enough video monitors and other electronic gear along the back wall to launch a nuclear war. Abbot’s floating pad is like a comic-book supervillain’s orbiting death lair. Yet I kind of like the prick. He seems honest. He gave me a seat on the Sub Rosa council. And he hasn’t thrown me out for doing a lousy job. But I can’t help wondering if I’m about to get a Dear John letter. Things aren’t working out. It’s not you. It’s me. You know the routine.

      Abbot laces his fingers together and leans back in his chair.

      “You don’t look so good,” he says. “Please don’t tell me you’re missing meetings because you’re hungover.”

      I