Time Machine, The The. H. G. Wells

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Название Time Machine, The The
Автор произведения H. G. Wells
Жанр Классическая проза
Серия
Издательство Классическая проза
Год выпуска 0
isbn 9781974995561



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      THE TIME MACHINE

      By

      H. G. WELLS

      This edition published by Dreamscape Media LLC, 2017

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       About H. G. Wells:

      Herbert George "H. G." Wells (21 September 1866 – 13 August 1946) was an English writer. He was prolific in many genres, including the novel, history, politics, social commentary, and textbooks and rules for war games. Wells is now best remembered for his science fiction novels and is called a "father of science fiction", along with Jules Verne and Hugo Gernsback. His most notable science fiction works include The Time Machine (1895), The Island of Doctor Moreau (1896), The Invisible Man (1897), and The War of the Worlds (1898). He was nominated for the Nobel Prize in Literature four times.

      Wells's earliest specialised training was in biology, and his thinking on ethical matters took place in a specifically and fundamentally Darwinian context. He was also from an early date an outspoken socialist, often (but not always, as at the beginning of the First World War) sympathising with pacifist views. His later works became increasingly political and didactic, and he wrote little science fiction, while he sometimes indicated on official documents that his profession was that of journalist. Novels like Kipps and The History of Mr Polly, which describe lower-middle-class life, led to the suggestion that he was a worthy successor to Charles Dickens, but Wells described a range of social strata and even attempted, in Tono-Bungay (1909), a diagnosis of English society as a whole. A diabetic, in 1934, Wells co-founded the charity The Diabetic Association (known today as Diabetes UK).

      Source: Wikipedia

      TABLE OF CONTENTS

       1

       2

       3

       4

       5

       6

       7

       8

       9

       10

       11

       12

       Epilogue

       1

      The Time Traveller (for so it will be convenient to speak of him) was expounding a recondite matter to us. His grey eyes shone and twinkled, and his usually pale face was flushed and animated. The fire burned brightly, and the soft radiance of the incandescent lights in the lilies of silver caught the bubbles that flashed and passed in our glasses. Our chairs, being his patents, embraced and caressed us rather than submitted to be sat upon, and there was that luxurious after-dinner atmosphere when thought roams gracefully free of the trammels of precision. And he put it to us in this way—marking the points with a lean forefinger—as we sat and lazily admired his earnestness over this new paradox (as we thought it) and his fecundity.

      'You must follow me carefully. I shall have to controvert one or two ideas that are almost universally accepted. The geometry, for instance, they taught you at school is founded on a misconception.'

      'Is not that rather a large thing to expect us to begin upon?' said Filby, an argumentative person with red hair.

      'I do not mean to ask you to accept anything without reasonable ground for it. You will soon admit as much as I need from you. You know of course that a mathematical line, a line of thickness nil, has no real existence. They taught you that? Neither has a mathematical plane. These things are mere abstractions.'

      'That is all right,' said the Psychologist.

      'Nor, having only length, breadth, and thickness, can a cube have a real existence.'

      'There I object,' said Filby. 'Of course a solid body may exist. All real things—'

      'So most people think. But wait a moment. Can an instantaneous cube exist?'

      'Don't follow you,' said Filby.

      'Can a cube that does not last for any time at all, have a real existence?'

      Filby became pensive. 'Clearly,' the Time Traveller proceeded, 'any real body must have extension in four directions: it must have Length, Breadth, Thickness, and—Duration. But through a natural infirmity of the flesh, which I will explain to you in a moment, we incline to overlook this fact. There are really four dimensions, three which we call the three planes of Space, and a fourth, Time. There is, however, a tendency to draw an unreal distinction between the former three dimensions and the latter, because it happens that our consciousness moves intermittently in one direction along the latter from the beginning to the end of our lives.'

      'That,' said a very young man, making spasmodic efforts to relight his cigar over the lamp; 'that … very clear indeed.'

      'Now, it is very remarkable that this is so extensively overlooked,' continued the Time Traveller, with a slight accession of cheerfulness. 'Really this is what is meant by the Fourth Dimension, though some people who talk about the Fourth Dimension do not know they mean it. It is only another way of looking at Time. There is no difference between Time and any of the three dimensions of Space except that our consciousness moves along it. But some foolish people have got hold of the wrong side of that idea. You have all heard what they have to say about this Fourth Dimension?'

      'I have not,' said the Provincial Mayor.

      'It is simply this. That Space, as our mathematicians have it, is spoken of as having three dimensions, which one may call Length, Breadth, and Thickness, and is always definable by reference to three planes, each at right angles to the others. But some philosophical people have been asking why three dimensions particularly—why not another direction at right angles to the other three?—and have even tried to construct a Four-Dimension geometry. Professor Simon Newcomb was expounding this to the New York Mathematical Society only a month or so ago. You know how on a flat surface, which has only two dimensions, we can represent a figure of a three-dimensional solid, and similarly they think that by models of three dimensions they could represent one of four—if they could master the perspective of the thing. See?'

      'I