1984. Джордж Оруэлл

time the magnitude of what he had undertaken came home to him[7]. How could you communicate with the future? It seemed impossible. Either the future would resemble the present, in which case it would not listen to him: or it would be different from it, and this would be meaningless.

      For some time he sat gazing stupidly at the paper. The telescreen had changed over to military music. He seemed to have forgotten what it was that he had originally intended to say. For weeks he had been preparing for this moment, and it had never crossed his mind that anything would be needed except courage. The actual writing would be easy. All he had to do was to transfer the restless monologue that had been running inside his head for years to paper. At this moment, however, even the monologue had dried up.

      Suddenly he began writing in sheer panic, only imperfectly aware of what he was setting down. His small handwriting straggled up and down the page, shedding first its capital letters and finally even its full stops:

      April 4th, 1984. Last night to the flicks. All war films. One very good one of a ship full of refugees being bombed somewhere in the Mediterranean. Audience much amused by shots of a great huge fat man trying to swim away with a helicopter after him, first you saw him wallowing along in the water like a porpoise, then you saw him through the helicopters gunsights, then he was full of holes and the sea round him turned pink and he sank as suddenly as though the holes had let in the water, audience shouting with laughter when he sank. then you saw a lifeboat full of children with a helicopter hovering over it. there was a middle-aged woman might have been a jewess sitting up in the bow with a little boy about three years old in her arms. little boy screaming with fright and hiding his head between her breasts as if he was trying to burrow right into her and the woman putting her arms round him and comforting him although she was blue with fright herself, all the time covering him up as much as possible as if she thought her arms could keep the bullets off him. then the helicopter planted a 20 kilo bomb in among them terrific flash and the boat went all to matchwood. then there was a wonderful shot of a child’s arm going up up up right up into the air a helicopter with a camera in its nose must have followed it up and there was a lot of applause from the party seats but a woman down in the prole part of the house suddenly started kicking up a fuss and shouting they didnt oughter of showed it not in front of kids they didnt it aint right not in front of kids it aint until the police turned her turned her out i dont suppose anything happened to her nobody cares what the proles say typical prole reaction they never—

      Winston stopped writing, partly because he was suffering from a cramp. He did not know what had made him pour out this stream of rubbish. But the curious thing was that while he was doing so a totally different memory had clarified itself in his mind. He almost wanted to write it down.

      It had happened that morning at the Ministry, if anything so nebulous could be said to happen.

      It was nearly eleven hundred, and in the Records Department, where Winston worked, they were dragging the chairs out of the cubicles and grouping them in the centre of the hall opposite the big telescreen, in preparation for the Two Minutes Hate. Winston was just taking his place in one of the middle rows when two people whom he knew by sight, but had never spoken to, came unexpectedly into the room. One of them was a girl whom he often passed in the corridors. He did not know her name, but he knew that she worked in the Fiction Department. She was a bold-looking girl, of about twenty-seven, with thick hair, a freckled face, and swift, athletic movements. A scarlet sash, emblem of the Junior Anti-Sex League, was wound several times round the waist of her overalls. Winston had disliked her from the very first moment of seeing her. He knew the reason. It was because of the atmosphere she managed to carry about with her. He disliked nearly all women, and especially the young and pretty ones. It was always the women, and above all the young ones, who were the most bigoted adherents of the Party, the swallowers of slogans, the amateur spies. But this particular girl gave him the impression of being more dangerous than most. Once when they passed in the corridor she gave him a quick sidelong glance which seemed to pierce right into him and for a moment had filled him with black terror. The idea had even crossed his mind that she might be an agent of the Thought Police. It was very unlikely, but still, he continued to feel a peculiar uneasiness whenever she was anywhere near him.

      The other person was a man named O’Brien, a member of the Inner Party. He was a large, burly man with a thick neck and a coarse, humorous, brutal face. In spite of his formidable appearance he had a certain charm of manner. Winston had seen O’Brien perhaps a dozen times in almost as many years. He felt deeply drawn to him. It was because of a secretly held belief—or perhaps a hope—that O’Brien’s political orthodoxy was not perfect. Something in his face suggested it irresistibly. Winston had never made the smallest effort to verify this guess: indeed, there was no way of doing so. At this moment O’Brien glanced at his wrist-watch, saw that it was nearly eleven hundred, and evidently decided to stay in the Records Department until the Two Minutes Hate was over. He took a chair in the same row as Winston, a couple of places away. The girl with dark hair was sitting immediately behind.

      The next moment a hideous, grinding speech, as of some monstrous machine running without oil, burst from the big telescreen at the end of the room. It was a noise that set one’s teeth on edge and bristled the hair at the back of one’s neck. The Hate had started.

      As usual, the face of Emmanuel Goldstein, the Enemy of the People, had flashed on to the screen. There were hisses here and there among the audience. Goldstein was the renegade who once, long ago (how long ago, nobody quite remembered), had been one of the leading figures of the Party, almost on a level with Big Brother himself. He had engaged in counter-revolutionary activities, had been condemned to death, and had mysteriously escaped and disappeared. The programmes of the Two Minutes Hate varied from day to day, but there was none in which Goldstein was not the main figure.

      Winston could never see the face of Goldstein without a painful mixture of emotions. It was a lean Jewish face—a clever face, and yet somehow inherently despicable. Goldstein was delivering his usual venomous attack on the Party—an attack so exaggerated and perverse that a child should have been able to see through it, and yet just plausible enough. He was abusing Big Brother, he was denouncing the dictatorship of the Party, he was demanding the immediate conclusion of peace with Eurasia, he was advocating freedom of speech, freedom of the Press, freedom of assembly, freedom of thought. Behind his head on the telescreen marched the endless columns of the Eurasian army—row after row of solid-looking men with expressionless faces.

      In the first thirty seconds, uncontrollable exclamations of rage started breaking out from half the people in the room. The face on the screen, and the terrifying power of the Eurasian army behind it, were too much. What was strange was that although Goldstein was hated and despised by everybody, his influence never seemed to grow less. Always there were fresh dupes waiting to be seduced by him. A day never passed when his spies and saboteurs were not unmasked by the Thought Police. He was the commander of a vast shadowy army. The Brotherhood, its name was supposed to be. There were also whispered stories of a terrible book, filled with heresies, of which Goldstein was the author. People referred to it, if at all, simply as THE BOOK.

      In its second minute the Hate rose to a frenzy. People were leaping up and down in their places and shouting at the tops of their voices in an effort to drown the maddening voice that came from the screen. The dark-haired girl behind Winston had begun crying out “Swine! Swine! Swine!”. In a lucid moment Winston found that he was shouting with the others. The horrible thing about the Two Minutes Hate was not that one was obliged to act a part, but, on the contrary, that it was impossible to avoid joining in. That rage that one felt was an abstract, undirected emotion which could be switched from one object to another. Thus, at one moment Winston’s hatred was not turned against Goldstein at all, but, on the contrary, against Big Brother, the Party, and the Thought Police. Then, suddenly, Winston succeeded in transferring his hatred from the face on the screen to the dark-haired girl behind him. Vivid, beautiful hallucinations flashed through his mind. He would flog her to death with a rubber truncheon. He would tie her naked to a stake and shoot her full of arrows. He would ravish her and cut her throat at the moment of climax. Moreover, he realized WHY he hated her. He hated her because she was young and pretty and sexless, because he wanted to go to bed with her and would never do so, because round her waist was the scarlet sash,

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came home to him – снизошло на него