Homo Sum. Complete. Georg Ebers

      Homo Sum – Complete

PREFACE

      In the course of my labors preparatory to writing a history of the Sinaitic peninsula, the study of the first centuries of Christianity for a long time claimed my attention; and in the mass of martyrology, of ascetic writings, and of histories of saints and monks, which it was necessary to work through and sift for my strictly limited object, I came upon a narrative (in Cotelerius Ecclesiae Grecae Monumenta) which seemed to me peculiar and touching notwithstanding its improbability. Sinai and the oasis of Pharan which lies at its foot were the scene of action.

      When, in my journey through Arabia Petraea, I saw the caves of the anchorites of Sinai with my own eyes and trod their soil with my own feet, that story recurred to my mind and did not cease to haunt me while I travelled on farther in the desert.

      A soul’s problem of the most exceptional type seemed to me to be offered by the simple course of this little history.

      An anchorite, falsely accused instead of another, takes his punishment of expulsion on himself without exculpating himself, and his innocence becomes known only through the confession of the real culprit.

      There was a peculiar fascination in imagining what the emotions of a soul might be which could lead to such apathy, to such an annihilation of all sensibility; and while the very deeds and thoughts of the strange cave-dweller grew more and more vivid in my mind the figure of Paulus took form, as it were as an example, and soon a crowd of ideas gathered round it, growing at last to a distinct entity, which excited and urged me on till I ventured to give it artistic expression in the form of a narrative. I was prompted to elaborate this subject—which had long been shaping itself to perfect conception in my mind as ripe material for a romance—by my readings in Coptic monkish annals, to which I was led by Abel’s Coptic studies; and I afterwards received a further stimulus from the small but weighty essay by H. Weingarten on the origin of monasticism, in which I still study the early centuries of Christianity, especially in Egypt.

      This is not the place in which to indicate the points on which I feel myself obliged to differ from Weingarten. My acute fellow-laborer at Breslau clears away much which does not deserve to remain, but in many parts of his book he seems to me to sweep with too hard a broom.

      Easy as it would have been to lay the date of my story in the beginning of the fortieth year of the fourth century instead of the thirtieth, I have forborne from doing so because I feel able to prove with certainty that at the time which I have chosen there were not only heathen recluses in the temples of Serapis but also Christian anchorites; I fully agree with him that the beginnings of organized Christian monasticism can in no case be dated earlier than the year 350.

      The Paulus of my story must not be confounded with the “first hermit,” Paulus of Thebes, whom Weingarten has with good reason struck out of the category of historical personages. He, with all the figures in this narrative is a purely fictitious person, the vehicle for an idea, neither more nor less. I selected no particular model for my hero, and I claim for him no attribute but that of his having been possible at the period; least of all did I think of Saint Anthony, who is now deprived even of his distinguished biographer Athanasius, and who is represented as a man of very sound judgment but of so scant an education that he was master only of Egyptian.

      The dogmatic controversies which were already kindled at the time of my story I have, on careful consideration, avoided mentioning. The dwellers on Sinai and in the oasis took an eager part in them at a later date.

      That Mount Sinai to which I desire to transport the reader must not be confounded with the mountain which lies at a long day’s journey to the south of it. It is this that has borne the name, at any rate since the time of Justinian; the celebrated convent of the Transfiguration lies at its foot, and it has been commonly accepted as the Sinai of Scripture. In the description of my journey through Arabia Petraea I have endeavored to bring fresh proof of the view, first introduced by Lepsius, that the giant-mountain, now called Serbal, must be regarded as the mount on which the law was given—and was indeed so regarded before the time of Justinian—and not the Sinai of the monks.

      As regards the stone house of the Senator Petrus, with its windows opening on the street—contrary to eastern custom—I may remark, in anticipation of well founded doubts, that to this day wonderfully well-preserved fire-proof walls stand in the oasis of Pharan, the remains of a pretty large number of similar buildings.

      But these and such external details hold a quite secondary place in this study of a soul. While in my earlier romances the scholar was compelled to make concessions to the poet and the poet to the scholar, in this one I have not attempted to instruct, nor sought to clothe the outcome of my studies in forms of flesh and blood; I have aimed at absolutely nothing but to give artistic expression to the vivid realization of an idea that had deeply stirred my soul. The simple figures whose inmost being I have endeavored to reveal to the reader fill the canvas of a picture where, in the dark background, rolls the flowing ocean of the world’s history.

      The Latin title was suggested to me by an often used motto which exactly agrees with the fundamental view to which I have been led by my meditations on the mind and being of man; even of those men who deem that they have climbed the very highest steps of that stair which leads into the Heavens.

      In the Heautontimorumenos of Terence, Chremes answers his neighbor Menedemus (Act I, SC. I, v. 25) “Homo sum; humani nil a me alienum puto,” which Donner translates literally:

      “I am human, nothing that is human can I regard as alien to me.”

      But Cicero and Seneca already used this line as a proverb, and in a sense which far transcends that which it would seem to convey in context with the passage whence it is taken; and as I coincide with them, I have transferred it to the title-page of this book with this meaning:

      “I am a man; and I feel that I am above all else a man.”

      Leipzig, November 11, 1877.

GEORG EBERS.

      CHAPTER I

      Rocks-naked, hard, red-brown rocks all round; not a bush, not a blade, not a clinging moss such as elsewhere nature has lightly flung on the rocky surface of the heights, as if a breath of her creative life had softly touched the barren stone. Nothing but smooth granite, and above it a sky as bare of cloud as the rocks are of shrubs and herbs.

      And yet in every cave of the mountain wall there moves a human life; two small grey birds too float softly in the pure, light air of the desert that glows in the noonday sun, and then they vanish behind a range of cliffs, which shuts in the deep gorge as though it were a wall built by man.

      There it is pleasant enough, for a spring bedews the stony soil and there, as wherever any moisture touches the desert, aromatic plants thrive, and umbrageous bushes grow. When Osiris embraced the goddess of the desert—so runs the Egyptian myth—he left his green wreath on her couch.

      But at the time and in the sphere where our history moves the old legends are no longer known or are ignored. We must carry the reader back to the beginning of the thirtieth year of the fourth century after the birth of the Saviour, and away to the mountains of Sinai on whose sacred ground solitary anchorites have for some few years been dwelling—men weary of the world, and vowed to penitence, but as yet without connection or rule among themselves.

      Near the spring in the little ravine of which we have spoken grows a many-branched feathery palm, but it does not shelter it from the piercing rays of the sun of those latitudes; it seems only to protect the roots of the tree itself; still the feathered boughs are strong enough to support a small thread-bare blue cloth, which projects like a penthouse, screening the face of a girl who lies dreaming, stretched at full-length on the glowing stones, while a few yellowish mountain-goats spring from stone to stone in search of pasture as gaily as though they found the midday heat pleasant and exhilarating. From time to time the girl seizes the herdsman’s crook that lies beside her, and calls the goats with a hissing cry that is audible at a considerable distance. A young kid comes dancing up to her. Few beasts can give expression to their feelings of delight; but young goats can.

      The girl puts out her bare slim foot, and playfully pushes back the little kid who attacks her in fun, pushes it again and again each time it skips forward, and in so doing the