The Atrocity Exhibition. Hari Kunzru

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Название The Atrocity Exhibition
Автор произведения Hari Kunzru
Жанр Классическая проза
Серия
Издательство Классическая проза
Год выпуска 0
isbn 9780007322190



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      Fourth Estate

      An imprint of HarperCollinsPublishers

      1 London Bridge Street

      London SE1 9GF

       www.harpercollins.co.uk

      This edition published by Fourth Estate in 2014

      A revised, expanded, annotated, illustrated edition was first published in the USA by Re/Search Publications in 1990

      Copyright © J. G. Ballard 1990

      The original edition was first published in Great Britain by Jonathan Cape in 1970, and first published in paperback by Panther Books in 1972

      Copyright © J. G. Ballard 1969

      Introduction © Hari Kunzru 2014

      Interview © Travis Elborough 2006

      A catalogue record for this book is available from the British Library.

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

      Source ISBN: 9780007116867

      Ebook Edition © OCTOBER ISBN: 9780007322190

      Version: 2016-01-20

      CONTENTS

       Cover

       Title Page

       3 The Assassination Weapon

       4 You: Coma: Marilyn Monroe

       5 Notes Towards a Mental Breakdown

       6 The Great American Nude

       7 The Summer Cannibals

       8 Tolerances of the Human Face

       9 You and Me and the Continuum

       10 Plan for the Assassination of Jacqueline Kennedy

       11 Love and Napalm: Export U.S.A.

       12 Crash!

       13 The Generations of America

       14 Why I Want to Fuck Ronald Reagan

       15 The Assassination of John Fitzgerald Kennedy Considered as a Downhill Motor Race

       APPENDIX:

       Princess Margaret’s Face Lift

       Mae West’s Reduction Mammoplasty

       J. G. Ballard with Travis Elborough

       About the Author

       Praise

       Also by the Author

       About the Publisher

      Most of the film stars and political figures who appear in The Atrocity Exhibition are still with us, in memory if not in person – John F. Kennedy, Ronald Reagan, Marilyn Monroe and Elizabeth Taylor. Together they helped to form the culture of celebrity that played such a large role in the 1960s, when I wrote The Atrocity Exhibition.

      Other figures, though crucially important to the decades that followed, have begun to sink below the horizon. How many of us remember Abraham Zapruder, who filmed the Kennedy assassination in Dallas? Or Sirhan Sirhan, who murdered Robert Kennedy? At the end of each chapter I have provided a few notes that identify these lesser characters and set out the general background to the book.

      Readers who find themselves daunted by the unfamiliar narrative structure of The Atrocity Exhibition – far simpler than it seems at first glance – might try a different approach. Rather than start at the beginning of each chapter, as in a conventional novel, simply turn the pages until a paragraph catches your eye. If the ideas or images seem interesting, scan the nearby paragraphs for anything that resonates in an intriguing way. Fairly soon, I hope, the fog will clear, and the underlying narrative will reveal itself. In effect, you will be reading the book in the way it was written.

      J. G. Ballard, 2001

      The Atrocity Exhibition is a profound and disquieting book. The nonsexual roots of sexuality are explored with a surgeon’s precision. An auto-crash can be more sexually stimulating than a pornographic picture. (Surveys indicate that wet dreams in many cases have no overt sexual content, whereas dreams with an overt sexual content in many cases do not result in orgasm.) The book opens: ‘A disquieting feature of this annual exhibition … was the marked preoccupation of the paintings with the theme of world cataclysm, as if these long-incarcerated patients had sensed some seismic upheaval within the minds of their doctors and nurses.’