The Lost Children. Mary MacCracken
Читать онлайн.| Название | The Lost Children |
|---|---|
| Автор произведения | Mary MacCracken |
| Жанр | Биографии и Мемуары |
| Серия | |
| Издательство | Биографии и Мемуары |
| Год выпуска | 0 |
| isbn | 9780007555130 |
Contents
For my mother and first teacher:
Florence Ferguson Burnham
He drew a circle that shut me out –
Heretic, rebel, a thing to flout.
But Love and I had the wit to win:
We drew a circle that took him in!
– Edwin Markham
I encountered the school without warning, sandwiching the appointment between one at the Young Women’s Christian Association (YWCA) and another at the Cerebral Palsy Clinic, where I had been many times before. It was to be a routine visit; my tennis racket was packed in the back seat of the car in case we finished early enough for a set before our children arrived home from school.
And now, nothing can erase that room, that school. In the slide file of my mind it has a perfect print: each line and shadow as clear now as it was on that first morning. Sunlight slanted across the blue-painted floor surrounding the woman at the piano dressed in a flowered blouse, rose and green, and a green cotton skirt. Small chairs were placed in a semicircle around the piano, and in them sat perhaps twenty children and six or seven adults. The adults, particularly the man, had their knees bunched up to their chins, and yet they seemed comfortable, smiling, calling back and forth across the room to each other.
But there was something strange about the children. It was not their bodies; no one was deformed. In fact, most were beautifully made. There was a translucent quality in their faces, but there was also something more, or perhaps less: a stillness in their expression. These children did not call to each other or playfully poke or tease; instead they sat silently, turned inward.
Suddenly the room became filled with noise and motion. Chairs were shoved to the edge of the room while the Director thumped loudly on the piano. The children galloped in pairs around and around until suddenly one tiny girl broke away and flung herself to the floor, screaming high-pitched, indecipherable screams. Her small legs, clad in red tights, were rigid, spread-eagled against the blue floor. She pulled her plaid skirt over her head and beneath it screamed:
“Vacuum cleaner. Look! Aaaaahhh. Aaaahhhh. Get it! Oooohhh. Aaaaahhhh. Get it! Here it comes! Aaaa. Aaaa.” She sat up, pointing toward the door. Her terror was real: I felt it inside me, and I turned towards the door, expecting to see a monster vacuum cleaner rolling in, motor running, upright, unstoppable, sucking us all into its giant bag.
But there was nothing, and gradually the terror in the room dissolved. The piano quietened and moved to the smoother rhythm of a waltz, and the children changed from galloping to a skating motion, pushing their feet across the blue floor. No one had stopped to look at the small girl in the middle of the floor or for the vacuum cleaner: they skated on, stepping over her arm or leg if they were jostled and pushed too close to her.
Only her