The Mysterious Mr Quin. Agatha Christie

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      Agatha Christie

      The Mysterious Mr Quin

      Copyright

      Published by HarperCollinsPublishers Ltd

      1 London Bridge Street

      London SE1 9GF

       www.harpercollins.co.uk

      First published in Great Britain by

      Collins 1930

      Copyright © 1930 Agatha Christie Ltd.

      All rights reserved.

       www.agathachristie.com

      Ebook Edition 2010 ISBN: 9780007422593

      Version: 2018-03-26

      The moral right of the author is asserted

      All rights reserved. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent. No part of this text may be reproduced, transmitted, downloaded, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks.

      To Harlequin the Invisible

      Contents

      Foreword

      Copyright

      1 The Coming of Mr Quin

      2 The Shadow on the Glass

      3 At the ‘Bells and Motley’

      4 The Sign in the Sky

      5 The Soul of the Croupier

      6 The Man from the Sea

      7 The Voice in the Dark

      8 The Face of Helen

      9 The Dead Harlequin

      10 The Bird with the Broken Wing

      11 The World’s End

      12 Harlequin’s Lane

      About the Author

      Other Books by Agatha Christie

      About the Publisher

      Foreword

      The Mr Quin stories were not written as a series. They were written one at a time at rare intervals. Mr Quin, I consider, is an epicure’s taste.

      A set of Dresden figures on my mother’s mantelpiece fascinated me as a child and afterwards. They represented the Italian commedia dell’arte: Harlequin, Columbine, Pierrot, Pierette, Punchinello, and Punchinella. As a girl I wrote a series of poems about them, and I rather think that one of the poems, Harlequin’s Song, was my first appearance in print. It was in the Poetry Review, and I got a guinea for it!

      After I turned from poetry and ghost stories to crime, Harlequin finally reappeared; a figure invisible except when he chose, not quite human, yet concerned with the affairs of human beings and particularly of lovers. He is also the advocate for the dead.

      Though each story about him is quite separate, yet the collection, written over a considerable period of years, outlines in the end of the story of Harlequin himself.

      With Mr Quin there has been created little Mr Satterthwaite, Mr Quin’s friend in this mortal world: Mr Satterthwaite, the gossip, the looker-on at life, the little man who without ever touching the depths of joy and sorrow himself, recognizes drama when he sees it, and is conscious that he has a part to play.

      Of the Mr Quin stories, my favourite are: World’s End, The Man from the Sea, and Harlequin’s Lane.

      Chapter 1

      The Coming of Mr Quin

      It was New Year’s Eve.

      The elder members of the house party at Royston were assembled in the big hall.

      Mr Satterthwaite was glad that the young people had gone to bed. He was not fond of young people in herds. He thought them uninteresting and crude. They lacked subtlety and as life went on he had become increasingly fond of subtleties.

      Mr Satterthwaite was sixty-two–a little bent, dried-up man with a peering face oddly elflike, and an intense and inordinate interest in other people’s lives. All his life, so to speak, he had sat in the front row of the stalls watching various dramas of human nature unfold before him. His role had always been that of the onlooker. Only now, with old age holding him in its clutch, he found himself increasingly critical of the drama submitted to him. He demanded now something a little out of the common.

      There was no doubt that he had a flair for these things. He knew instinctively when the elements of drama were at hand. Like a war horse, he sniffed the scent. Since his arrival at Royston this afternoon, that strange inner sense of his had stirred and bid him be ready. Something interesting was happening or going to happen.

      The house party was not a large one. There was Tom Evesham, their genial good-humoured host, and his serious political wife who had been before her marriage Lady Laura Keene. There was Sir Richard Conway, soldier, traveller and sportsman, there were six or seven young people whose names Mr Satterthwaite had not grasped and there were the Portals.

      It was the Portals who interested Mr Satterthwaite.

      He had never met Alex Portal before, but he knew all about him. Had known his father and his grandfather. Alex Portal ran pretty true to type. He was a man of close on forty, fair-haired, and blue-eyed like all the Portals, fond of sport, good at games, devoid of imagination. Nothing unusual about Alex Portal. The usual good sound English stock.

      But his wife was different. She was, Mr Satterthwaite knew, an Australian. Portal had been out in Australia two years ago, had met her out there and had married her and brought her home. She had never been to England previous to her marriage. All the same, she wasn’t at all like any other Australian woman Mr Satterthwaite had met.

      He observed her now, covertly. Interesting woman–very. So still, and yet so–alive. Alive! That was just it! Not exactly beautiful–no, you wouldn’t call her beautiful, but there was a kind of calamitous magic about her that you couldn’t miss–that no man could miss. The masculine side of Mr Satterthwaite spoke there, but the feminine side (for Mr Satterthwaite had a large share of femininity) was equally interested in another question. Why did Mrs Portal dye her hair?

      No other man would probably have known that she dyed her hair, but Mr Satterthwaite knew. He knew all those things. And it puzzled him. Many dark women dye their hair blonde; he had never before come across a fair woman who dyed her hair black.

      Everything about her intrigued him. In a queer intuitive way, he felt certain that she was either very happy or very unhappy–but he didn’t know which, and it annoyed him not to know. Furthermore there was the curious effect she had upon her husband.

      ‘He adores her,’ said Mr Satterthwaite to himself, ‘but sometimes he’s–yes, afraid of her! That’s very interesting. That’s uncommonly interesting.’

      Portal drank too much. That was certain. And he had a curious way of watching his wife when she wasn’t looking.

      ‘Nerves,’ said Mr Satterthwaite. ‘The fellow’s all nerves. She knows it too, but she won’t do anything