Night and Morning, Volume 4. Эдвард Бульвер-Литтон

Morning, Volume 4

      Book IV

      CHAPTER I

      "O that sweet gleam of sunshine on the lake!"

WILSON'S City of the Plague

      If, reader, you have ever looked through a solar microscope at the monsters in a drop of water, perhaps you have wondered to yourself how things so terrible have been hitherto unknown to you—you have felt a loathing at the limpid element you hitherto deemed so pure—you have half fancied that you would cease to be a water-drinker; yet, the next day you have forgotten the grim life that started before you, with its countless shapes, in that teeming globule; and, if so tempted by your thirst, you have not shrunk from the lying crystal, although myriads of the horrible Unseen are mangling, devouring, gorging each other in the liquid you so tranquilly imbibe; so is it with that ancestral and master element called Life. Lapped in your sleek comforts, and lolling on the sofa of your patent conscience—when, perhaps for the first time, you look through the glass of science upon one ghastly globule in the waters that heave around, that fill up, with their succulence, the pores of earth, that moisten every atom subject to your eyes or handled by your touch—you are startled and dismayed; you say, mentally, "Can such things be? I never dreamed of this before! I thought what was invisible to me was non- existent in itself—I will remember this dread experiment." The next day the experiment is forgotten.—The Chemist may purify the Globule—can Science make pure the World?

      Turn we now to the pleasant surface, seen in the whole, broad and fair to the common eye. Who would judge well of God's great designs, if he could look on no drop pendent from the rose-tree, or sparkling in the sun, without the help of his solar microscope?

      It is ten years after the night on which William Gawtrey perished:—I transport you, reader, to the fairest scenes in England,—scenes consecrated by the only true pastoral poetry we have known to Contemplation and Repose.

      Autumn had begun to tinge the foliage on the banks of Winandermere. It had been a summer of unusual warmth and beauty; and if that year you had visited the English lakes, you might, from time to time, amidst the groups of happy idlers you encountered, have singled out two persons for interest, or, perhaps, for envy. Two who might have seemed to you in peculiar harmony with those serene and soft retreats, both young—both beautiful. Lovers you would have guessed them to be; but such lovers as Fletcher might have placed under the care of his "Holy Shepherdess"– forms that might have reclined by

                "The virtuous well, about whose flowery banks

                The nimble-footed fairies dance their rounds

                By the pale moonshine."

      For in the love of those persons there seemed a purity and innocence that suited well their youth and the character of their beauty. Perhaps, indeed, on the girl's side, love sprung rather from those affections which the spring of life throws upward to the surface, as the spring of earth does its flowers, than from that concentrated and deep absorption of self in self, which alone promises endurance and devotion, and of which first love, or rather the first fancy, is often less susceptible than that which grows out of the more thoughtful fondness of maturer years. Yet he, the lover, was of so rare and singular a beauty, that he might well seem calculated to awake, to the utmost, the love which wins the heart through the eyes.

      But to begin at the beginning. A lady of fashion had, in the autumn previous to the year in which our narrative re-opens, taken, with her daughter, a girl then of about eighteen, the tour of the English lakes. Charmed by the beauty of Winandermere, and finding one of the most commodious villas on its banks to be let, they had remained there all the winter. In the early spring a severe illness had seized the elder lady, and finding herself, as she slowly recovered, unfit for the gaieties of a London season, nor unwilling, perhaps,—for she had been a beauty in her day—to postpone for another year the debut of her daughter, she had continued her sojourn, with short intervals of absence, for a whole year. Her husband, a busy man of the world, with occupation in London, and fine estates in the country, joined them only occasionally, glad to escape the still beauty of landscapes which brought him no rental, and therefore afforded no charm to his eye.

      In the first month of their arrival at Winandermere, the mother and daughter had made an eventful acquaintance in the following manner.

      One evening, as they were walking on their lawn, which sloped to the lake, they heard the sound of a flute, played with a skill so exquisite as to draw them, surprised and spellbound, to the banks. The musician was a young man, in a boat, which he had moored beneath the trees of their demesne. He was alone, or, rather, he had one companion, in a large Newfoundland dog, that sat watchful at the helm of the boat, and appeared to enjoy the music as much as his master. As the ladies approached the spot, the dog growled, and the young man ceased, though without seeing the fair causes of his companion's displeasure. The sun, then setting, shone full on his countenance as he looked round; and that countenance was one that might have haunted the nymphs of Delos; the face of Apollo, not as the hero, but the shepherd—not of the bow, but of the lute—not the Python-slayer, but the young dreamer by shady places—he whom the sculptor has portrayed leaning idly against the tree—the boy- god whose home is yet on earth, and to whom the Oracle and the Spheres are still unknown.

      At that moment the dog leaped from the boat, and the elder lady uttered a faint cry of alarm, which, directing the attention of the musician, brought him also ashore. He called off his dog, and apologised, with a not ungraceful mixture of diffidence and ease, for his intrusion. He was not aware the place was inhabited—it was a favourite haunt of his—he lived near. The elder lady was pleased with his address, and struck with his appearance. There was, indeed, in his manner that indefinable charm, which is more attractive than mere personal appearance, and which can never be imitated or acquired. They parted, however, without establishing any formal acquaintance. A few days after, they met at dinner at a neighbouring house, and were introduced by name. That of the young man seemed strange to the ladies; not so theirs to him. He turned pale when he heard it, and remained silent and aloof the rest of the evening. They met again and often; and for some weeks—nay, even for months—he appeared to avoid, as much as possible, the acquaintance so auspiciously begun; but, by little and little, the beauty of the younger lady seemed to gain ground on his diffidence or repugnance. Excursions among the neighbouring mountains threw them together, and at last he fairly surrendered himself to the charm he had at first determined to resist.

      This young man lived on the opposite side of the lake, in a quiet household, of which he was the idol. His life had been one of almost monastic purity and repose; his tastes were accomplished, his character seemed soft and gentle; but beneath that calm exterior, flashes of passion—the nature of the poet, ardent and sensitive—would break forth at times. He had scarcely ever, since his earliest childhood, quitted those retreats; he knew nothing of the world, except in books—books of poetry and romance. Those with whom he lived—his relations, an old bachelor, and the cold bachelor's sisters, old maids—seemed equally innocent and inexperienced. It was a family whom the rich respected and the poor loved—inoffensive, charitable, and well off. To whatever their easy fortune might be, he appeared the heir. The name of this young man was Charles Spencer; the ladies were Mrs. Beaufort, and Camilla her daughter.

      Mrs. Beaufort, though a shrewd woman, did not at first perceive any danger in the growing intimacy between Camilla and the younger Spencer. Her daughter was not her favourite—not the object of her one thought or ambition. Her whole heart and soul were wrapped in her son Arthur, who lived principally abroad. Clever enough to be considered capable, when he pleased, of achieving distinction, good-looking enough to be thought handsome by all who were on the qui vive for an advantageous match, good-natured enough to be popular with the society in which he lived, scattering to and fro money without limit,—Arthur Beaufort, at the age of thirty, had established one of those brilliant and evanescent reputations, which, for a few years, reward the ambition of the fine gentleman. It was precisely the reputation that the mother could appreciate, and which even the more saving father secretly admired, while, ever respectable in phrase, Mr. Robert Beaufort seemed openly to regret it. This son was, I say, everything to them; they cared little, in comparison, for their daughter. How could a daughter keep up the proud name of Beaufort? However well she might