Название | Seven Keys to Baldpate |
---|---|
Автор произведения | Earl Derr Biggers |
Жанр | Зарубежная классика |
Серия | |
Издательство | Зарубежная классика |
Год выпуска | 0 |
isbn |
"And still the denunciations of me poured in; still women's clubs held meetings resolving against me; still a steady stream of reporters flowed through my life, urging me to state my views further, to name the ten greatest blondes in history, to – heaven knows what. Yesterday I resolved I Could stand it no longer. I determined to go away until the whole thing was forgotten. 'But', they said to me, 'there is no place, on land or sea, where the reporters will not find you'. I talked the matter over with my old friend, John Bentley, owner of Baldpate Inn, and he in his kindness gave me the key to this hostelry."
The old man paused and passed a silk handkerchief over his bald head.
"That, sirs," he said, "is my story. That is why you see me on Baldpate Mountain this chill December morning. That is why loneliness can have no terrors, exile no sorrows, for me. That is why I bravely faced your revolver-shots. Again let me repeat, I bear no malice on that score. You have ruined a new derby hat, and the honorarium of professor even at a leading university is not such as to permit of many purchases in that line. But I forgive you freely. Even at the cannon's mouth I would have fled from reputation, to paraphrase the poet."
Wisely Professor Bolton blinked about him. Mr. Bland was half asleep in his chair, but Mr. Magee was quick with sympathy.
"Professor," he said, "you are a much suffering man. I feel for you. Here, I am sure, you are safe from reporters, and the yellow journals will soon forget you in their discovery of the next distorted wonder. Briefly, Mr. Bland and myself will outline the tangle of events that brought us to the inn – "
"Briefly is right," broke in Bland. "And then it's me for that mountainous mattress of mine. I can rattle my story off in short order, and give you the fine points to-morrow. Up to a short time ago – "
But Billy Magee interrupted. An idea, magnificent delicious, mirthful, had come to him. Why not? He chuckled inwardly, but his face was most serious.
"I should like to tell my story first, if you please," he said.
The haberdasher grunted. The professor nodded. Mr. Magee looked Bland squarely in the eye, strangled the laugh inside him, and began:
"Up to a short time ago I was a haberdasher in the city of Reuton. My name, let me state, is Magee – William Magee. I fitted the gay shoulder-blades of Reuton with clothing from the back pages of the magazines, and as for neckties – "
Mr. Bland's sly eyes had opened wide. He rose to a majestic height – majestic considering the bed quilt.
"See here – " he began.
"Please don't interrupt," requested Mr. Magee sweetly. "I was, as I have said, a happy carefree haberdasher. And then – she entered my life. Arabella was her name. Ah, Professor, you lady of the yellow locks, crisped liken golden wire – even she must never in my presence be compared with Arabella. She – she had – a – face – Noah Webster couldn't have found words to describe it. And her heart was true to yours truly – at least I thought that it was."
Mr. Magee rattled on. The haberdasher, his calling and his tragedy snatched from him by the humorous Magee, retired with sullen face into his bed quilt. Carefully Mr. Magee led up to the coming of the man from Jersey City; in detail he laid bare the duel of haberdashery fought in the name of the fair Arabella. As he proceeded, his enthusiasm grew. He added fine bits that had escaped Mr. Bland. He painted with free hand the picture of tragedy's dark hour; the note hinting at suicide he gave in full. Then he told of how his courage grew again, of how he put the cowardice of death behind him, resolved to dare all – and live. He finished at last, his voice husky with emotion. Out of the corner of his eye he glanced triumphantly at Bland. That gentleman was gazing thoughtfully at the blazing logs.
"You did quite right," commented Professor Bolton, "in making up your mind to live. I congratulate you on your common sense. And perhaps, as the years go by, you will realize that had you married your Arabella, you would not have found life all honey and roses. She was fickle, unworthy of you. Soon you will forget. Youth – ah, youth throws off its sorrow like a cloak. A figure not original with me. And now – the gentleman in the – er – the bed quilt. Has he, too, a story?"
"Yes," laughed Mr. Magee, "let's hear now from the gentleman in the bed quilt. Has he, too, a story? And if so, what is it?"
He smiled delightedly into the eyes of Bland. What would the ex-haberdasher do, shorn of his fictional explanation? Would he rise in his wrath and denounce the man who had stolen his Arabella? Mr. Bland smiled back. He stood up. And a contingency that had not entered Mr. Magee's mind came to be.
Mr. Bland walked calmly to the table, and picked up a popular novel that lay thereon. On its cover was the picture of a very beautiful maiden.
"See that dame?" he inquired of the professor. "Sort of makes a man sit up and take notice, doesn't she? Even the frost-bitten haberdasher here has got to admit that in some ways she has this Arabella person looking like a faded chromo in your grandmother's parlor on a rainy afternoon. Ever get any notion, Professor, the way a picture like that boosts a novel in the busy marts of trade? No? Well – "
Mr. Bland continued. Mr. Magee leaned back, overjoyed, in his chair. Here was a man not to be annoyed by the mere filching of his story. Here was a man with a sense of humor – an opponent worthy his foe's best efforts. In his rôle of a haberdasher overcome with woe, Mr. Magee listened.
"I used to paint dames like that," Bland was saying to the dazed professor. He explained how his pictures had enabled many a novelist to "eat up the highway in a buzz-wagon." As he approached the time when the novelists besieged him, he gave full play to his imagination. One, he said, sought out his apartments in an aeroplane.
"Say, Professor," he finished, "we're in the same boat. Both hiding from writers. A fellow that's spent his life selling neckties – well, he can't exactly appreciate our situation. There's what you might call a bond between you and me. D'ye know, I felt drawn to you, just after I fired that first shot. That's why I didn't blaze away again. We're going to be great friends – I can read it in the stars."
He took the older man's hand feelingly, shook it, and walked away, casting a covert glance of triumph at Mr. Magee.
The face of the holder of the Crandall Chair of Comparative Literature was a study. He looked first at one young man, then at the other. Again he applied the handkerchief to his shining head.
"All this is very odd," he said thoughtfully. "A man of sixty-two – particularly one who has long lived in the uninspired circle surrounding a university – has not the quick wit of youth. I'm afraid I don't – but no matter. It's very odd, though."
He permitted Mr. Magee to escort him into the hall, and to direct his search for a bed that should serve him through the scant remainder of the night. Overcoats and rugs were pressed into service as cover. Mr. Bland blithely assisted.
"If I see any newspaper reporters," he assured the professor on parting, "I'll damage more than their derbies."
"Thank you," replied the old man heartily. "You are very kind. To-morrow we shall become better acquainted. Good night."
The two young men came out and stood in the hallway. Mr. Magee spoke in a low tone.
"Forgive me," he said, "for stealing your Arabella."
"Take her and welcome," said Bland. "She was beginning to bore me, anyhow. And I'm not in your class as an actor." He came close to Magee. In the dim light that streamed out from number seven the latter saw the look on his face, and knew that, underneath all, this was a very much worried young man.
"For God's sake," cried Bland, "tell me who you are and what you're doing here. In three