Любимые повести на английском / Best Short Novels. Оскар Уайльд

parapets, the chiselled wonder of a thousand yellow windows with their oblongs and hectagons and triangles of golden light, the shattered softness of the intersecting planes of star-shine and blue shade, all trembled on John’s spirit like a chord of music. On one of the towers, the tallest, the blackest at its base, an arrangement of exterior lights at the top made a sort of floating fairyland – and as John gazed up in warm enchantment the faint acciaccare[16] sound of violins drifted down in a rococo[17] harmony that was like nothing he had ever heard before. Then in a moment the car stopped before wide, high marble steps around which the night air was fragrant with a host of flowers. At the top of the steps two great doors swung silently open and amber light flooded out upon the darkness, silhouetting the figure of an exquisite lady with black, high-piled hair, who held out her arms toward them.

      ‘Mother,’ Percy was saying, ‘this is my friend, John Unger, from Hades.’

      Afterward John remembered that first night as a daze of many colors, of quick sensory impressions, of music soft as a voice in love, and of the beauty of things, lights and shadows, and motions and faces. There was a white-haired man who stood drinking a many-hued cordial from a crystal thimble set on a golden stem. There was a girl with a flowery face, dressed like Titania[18] with braided sapphires in her hair. There was a room where the solid, soft gold of the walls yielded to the pressure of his hand, and a room that was like a platonic[19] conception of the ultimate prism – ceiling, floor, and all, it was lined with an unbroken mass of diamonds, diamonds of every size and shape, until, lit with tall violet lamps in the corners, it dazzled the eyes with a whiteness that could be compared only with itself, beyond human wish or dream.

      Through a maze of these rooms the two boys wandered. Sometimes the floor under their feet would flame in brilliant patterns from lighting below, patterns of barbaric clashing colors, of pastel delicacy, of sheer whiteness, or of subtle and intricate mosaic, surely from some mosque on the Adriatic Sea.[20] Sometimes beneath layers of thick crystal he would see blue or green water swirling, inhabited by vivid fish and growths of rainbow foliage. Then they would be treading on furs of every texture and color or along corridors of palest ivory, unbroken as though carved complete from the gigantic tusks of dinosaurs extinct before the age of man…

      Then a hazily remembered transition, and they were at dinner – where each plate was of two almost imperceptible layers of solid diamond between which was curiously worked a filigree of emerald design, a shaving sliced from green air. Music, plangent and unobtrusive, drifted down through far corridors – his chair, feathered and curved insidiously to his back, seemed to engulf and overpower him as he drank his first glass of port. He tried drowsily to answer a question that had been asked him, but the honeyed luxury that clasped his body added to the illusion of sleep – jewels, fabrics, wines, and metals blurred before his eyes into a sweet mist…

      ‘Yes,’ he replied with a polite effort, ‘it certainly is hot enough for me down there.’

      He managed to add a ghostly laugh; then, without movement, without resistance, he seemed to float off and away, leaving an iced dessert that was pink as a dream… He fell asleep.

      When he awoke he knew that several hours had passed. He was in a great quiet room with ebony walls and a dull illumination that was too faint, too subtle, to be called a light. His young host was standing over him.

      ‘You fell asleep at dinner,’ Percy was saying. ‘I nearly did, too – it was such a treat to be comfortable again after this year of school. Servants undressed and bathed you while you were sleeping.’

      ‘Is this a bed or a cloud?’ sighed John. ‘Percy, Percy – before you go, I want to apologize.’

      ‘For what?’

      ‘For doubting you when you said you had a diamond as big as the Ritz-Carlton Hotel.’

      Percy smiled.

      ‘I thought you didn’t believe me. It’s that mountain, you know.’

      ‘What mountain?’

      ‘The mountain the château rests on. It’s not very big, for a mountain. But except about fifty feet of sod and gravel on top it’s solid diamond. One diamond, one cubic mile without a flaw. Aren’t you listening? Say – ’

      But John T. Unger had again fallen asleep.

      III

      Morning. As he awoke he perceived drowsily that the room had at the same moment become dense with sunlight. The ebony panels of one wall had slid aside on a sort of track, leaving his chamber half open to the day. A large negro in a white uniform stood beside his bed.

      ‘Good evening,’ muttered John, summoning his brains from the wild places.

      ‘Good morning, sir. Are you ready for your bath, sir? Oh, don’t get up – I’ll put you in, if you’ll just unbutton your pajamas – there. Thank you, sir.’

      John lay quietly as his pajamas were removed – he was amused and delighted; he expected to be lifted like a child by this black Gargantua who was tending him, but nothing of the sort happened; instead he felt the bed tilt up slowly on its side – he began to roll, startled at first, in the direction of the wall, but when he reached the wall its drapery gave way, and sliding two yards farther down a fleecy incline he plumped gently into water the same temperature as his body.

      He looked about him. The runway or rollway on which he had arrived had folded gently back into place. He had been projected into another chamber and was sitting in a sunken bath with his head just above the level of the floor. All about him, lining the walls of the room and the sides and bottom of the bath itself, was a blue aquarium, and gazing through the crystal surface on which he sat, he could see fish swimming among amber lights and even gliding without curiosity past his outstretched toes, which were separated from them only by the thickness of the crystal. From overhead, sunlight came down through sea-green glass.

      ‘I suppose, sir, that you’d like hot rosewater and soapsuds this morning, sir – and perhaps cold salt water to finish.’

      The negro was standing beside him.

      ‘Yes,’ agreed John, smiling inanely, ‘as you please.’ Any idea of ordering this bath according to his own meager standards of living would have been priggish and not a little wicked.

      The negro pressed a button and a warm rain began to fall, apparently from overhead, but really, so John discovered after a moment, from a fountain arrangement near by. The water turned to a pale rose color and jets of liquid soap spurted into it from four miniature walrus heads at the corners of the bath. In a moment a dozen little paddle-wheels, fixed to the sides, had churned the mixture into a radiant rainbow of pink foam which enveloped him softly with its delicious lightness, and burst in shining, rosy bubbles here and there about him.

      ‘Shall I turn on the moving-picture machine, sir?’ suggested the negro deferentially. ‘There’s a good one-reel comedy in this machine to-day, or can put in a serious piece in a moment, if you prefer it.’

      ‘No, thanks,’ answered John, politely but firmly. He was enjoying his bath too much to desire any distraction. But distraction came. In a moment he was listening intently to the sound of flutes from just outside, flutes ripping a melody that was like a waterfall, cool and green as the room itself, accompanying a frothy piccolo,[21] in play more fragile than the lace of suds that covered and charmed him.

      After a cold salt-water bracer and a cold fresh finish, he stepped out and into a fleecy robe, and upon a couch covered with the same material he was rubbed with oil, alcohol, and spice. Later he sat in a voluptuous chair while he was shaved and his hair was trimmed.

      ‘Mr. Percy is waiting in your sitting-room,’ said the negro, when these operations were finished. ‘My name is Gygsum, Mr. Unger, sir. I am to see to Mr. Unger every morning.’

      John walked out into the brisk sunshine of his living-room,

16

Acciaccare – музыкальный термин, обозначающий короткий, сжатый, форсированный звук.

17

Rococo – изысканный стиль в искусстве и архитектуре XVIII в.

18

Titania – Титания, персонаж комедии У. Шекспира «Сон в летнюю ночь»; напоминает Геру, верховную богиню в греческой мифологии.

19

Platonic – имеющий отношение к Платону (428 до н. э.–348 до н. э.), одному из величайших древнегреческих философов, или к его учению.

20

The Adriatic Sea – Адриатическое море, часть Средиземного моря между Италией и Балканским полуостровом.

21

Piccolo – маленькая флейта, издающая нежный звук.