The House by the Churchyard / Дом у кладбища. Джозеф Шеридан Ле Фаню

with a stout walking-cane in his hand, forward to the door.

      Everything went as Mr. Prosser wished. The besieger of his house, so far from taking fright at their approach, grew more impatient; and the sort of patting which had aroused his attention at first assumed the rhythm and emphasis of a series of double-knocks.

      Mr. Prosser, angry, opened the door with his right arm across, cane in hand. Looking, he saw nothing; but his arm was jerked up oddly, as it might be with the hollow of a hand, and something passed under it, with a kind of gentle squeeze. The servant neither saw nor felt anything, and did not know why his master looked back so hastily, cutting with his cane, and shutting the door with so sudden a slam.

      From that time Mr. Prosser discontinued his angry talk and swearing about it, and seemed nearly as averse from the subject as the rest of his family. He grew, in fact, very uncomfortable, feeling an inward persuasion that when, in answer to the summons, he had opened the hall-door, he had actually given admission to the besieger.

      He said nothing to Mrs. Prosser, but went up earlier to his bed-room, 'where he read a while in his Bible, and said his prayers.' I hope the particular relation of this circumstance does not indicate its singularity. He lay awake a good while, it appears; and, as he supposed, about a quarter past twelve he heard the soft palm of a hand patting on the outside of the bed-room door, and then brushed slowly along it.

      Up bounced Mr. Prosser, very much frightened, and locked the door, crying, 'Who's there?' but receiving no answer but the same brushing sound of a soft hand drawn over the panels, which he knew only too well.

      In the morning the housemaid was terrified by the impression of a hand in the dust of the 'little parlour' table, where they had been unpacking delft and other things the day before. The print of the naked foot in the sea-sand did not frighten Robinson Crusoe half so much. They were by this time all nervous, and some of them half-crazed, about the hand.

      Mr. Prosser went to examine the mark, and made light of it but as he swore afterwards, rather to quiet his servants than from any comfortable feeling about it in his own mind; however, he had them all, one by one, into the room, and made each place his or her hand, palm downward, on the same table, thus taking a similar impression from every person in the house, including himself and his wife; and his 'affidavit' deposed that the formation of the hand so impressed differed altogether from those of the living inhabitants of the house, and corresponded with that of the hand seen by Mrs. Prosser and by the cook.

      Whoever or whatever the owner of that hand might be, they all felt this subtle demonstration to mean that it was declared he was no longer out of doors, but had established himself in the house.

      And now Mrs. Prosser began to be troubled with strange and horrible dreams, some of which as set out in detail, in Aunt Rebecca's long letter, are really very appalling nightmares. But one night, as Mr. Prosser closed his bed-chamber-door, he was struck somewhat by the utter silence of the room, there being no sound of breathing, which seemed unaccountable to him, as he knew his wife was in bed, and his ears were particularly sharp.

      There was a candle burning on a small table at the foot of the bed, beside the one he held in one hand, a heavy ledger, connected with his father-in-law's business being under his arm. He drew the curtain at the side of the bed, and saw Mrs. Prosser lying, as for a few seconds he mortally feared, dead, her face being motionless, white, and covered with a cold dew; and on the pillow, close beside her head, and just within the curtains, was, as he first thought, a toad – but really the same fattish hand, the wrist resting on the pillow, and the fingers extended towards her temple.

      Mr. Prosser, with a horrified jerk, pitched the ledger right at the curtains, behind which the owner of the hand might be supposed to stand. The hand was instantaneously and smoothly snatched away, the curtains made a great wave, and Mr. Prosser got round the bed in time to see the closet-door, which was at the other side, pulled to by the same white, puffy hand, as he believed.

      He drew the door open with a fling, and stared in: but the closet was empty, except for the clothes hanging from the pegs on the wall, and the dressing-table and looking-glass facing the windows. He shut it sharply, and locked it, and felt for a minute, he says, 'as if he were like to lose his wits;' then, ringing at the bell, he brought the servants, and with much ado they recovered Mrs. Prosser from a sort of 'trance,' in which, he says, from her looks, she seemed to have suffered 'the pains of death:' and Aunt Rebecca adds, 'from what she told me of her visions, with her own lips, he might have added, “and of hell also.”'

      But the occurrence which seems to have determined the crisis was the strange sickness of their eldest child, a little boy aged between two and three years. He lay awake, seemingly in paroxysms of terror, and the doctors who were called in, set down the symptoms to incipient water on the brain. Mrs. Prosser used to sit up with the nurse by the nursery fire, much troubled in mind about the condition of her child.

      His bed was placed sideways along the wall, with its head against the door of a press or cupboard, which, however, did not shut quite close. There was a little valance, about a foot deep, round the top of the child's bed, and this descended within some ten or twelve inches of the pillow on which it lay.

      They observed that the little creature was quieter whenever they took it up and held it on their laps. They had just replaced him, as he seemed to have grown quite sleepy and tranquil, but he was not five minutes in his bed when he began to scream in one of his frenzies of terror; at the same moment the nurse, for the first time, detected, and Mrs. Prosser equally plainly saw, following the direction of her eyes, the real cause of the child's sufferings.

      Protruding through the aperture of the press, and shrouded in the shade of the valance, they plainly saw the white fat hand, palm downwards, presented towards the head of the child. The mother uttered a scream, and snatched the child from its little bed, and she and the nurse ran down to the lady's sleeping-room, where Mr. Prosser was in bed, shutting the door as they entered; and they had hardly done so, when a gentle tap came to it from the outside.

      There is a great deal more, but this will suffice. The singularity of the narrative seems to me to be this, that it describes the ghost of a hand, and no more. The person to whom that hand belonged never once appeared: nor was it a hand separated from a body, but only a hand so manifested and introduced that its owner was always, by some crafty accident, hidden from view.

      In the year 1819, at a college breakfast, I met a Mr. Prosser – a thin, grave, but rather chatty old gentleman, with very white hair drawn back into a pigtail – and he told us all, with a concise particularity, a story of his cousin, James Prosser, who, when an infant, had slept for some time in what his mother said was a haunted nursery in an old house near Chapelizod, and who, whenever he was ill, over-fatigued, or in anywise feverish, suffered all through his life as he had done from a time he could scarce remember, from a vision of a certain gentleman, fat and pale, every curl of whose wig, every button and fold of whose laced clothes, and every feature and line of whose sensual, benignant, and unwholesome face, was as minutely engraven upon his memory as the dress and lineaments of his own grandfather's portrait, which hung before him every day at breakfast, dinner, and supper.

      Mr. Prosser mentioned this as an instance of a curiously monotonous, individualised, and persistent nightmare, and hinted the extreme horror and anxiety with which his cousin, of whom he spoke in the past tense as 'poor Jemmie,' was at any time induced to mention it.

      I hope the reader will pardon me for loitering so long in the Tiled House, but this sort of lore has always had a charm for me; and people, you know, especially old people, will talk of what most interests themselves, too often forgetting that others may have had more than enough of it.

      Chapter XIII

      In Which the Rector Visits the Tiled House, And Doctor Toole Looks After the Brass Castle

      Next morning Toole, sauntering along the low road towards the mills, as usual bawling at his dogs, who scampered and nuzzled hither and thither, round and about him, saw two hackney coaches and a 'noddy' arrive at 'the Brass Castle,' a tall old house by the river, with a little bit of a flower-garden, half-a-dozen poplars, and a few old privet hedges about it; and being aware that it had been taken the day before for Mr. Dangerfield, for three months, he slackened his pace, in the hope of seeing that