Мертвая комната. Уровень 2 / The Dead Secret. Уилки Коллинз

the terms of the solemn engagement.

      What did she actually bind herself to do? Not to destroy the letter, and not to take it away with her if she left the house. Beyond that, Mrs. Treverton's desire was to give the letter to her husband. But did Sarah take an oath? No.

      As she arrived at that conclusion, she looked up. A faint flush of color flew into her cheeks, and she hastily advanced closer to the wall of the house.

      The panes of the large window were yellow with dust and dirt. Below it was a heap of rubbish. Sarah glanced at the letter in her hand, and said to herself abruptly-

      “I'll risk it!”

      As the words fell from her lips, she hastened back to the inhabited part of the house. She followed the passage on the kitchen-floor which led to the housekeeper's room. She entered it, and took a bunch of keys. She read “Keys of the North Rooms.”

      She placed the keys on a writing-table near her, took up a pen, and rapidly added these lines on the blank side of the letter -

      “If somebody finds this paper, I wish to say that I decided to hide it, because I dare not show this to my master, to whom it is addressed. Though I am acting against my mistress's last wishes, I am not breaking the solemn engagement which she obliged me to make before her on her death-bed. That engagement forbids me to destroy this letter, or to take it away with me if I leave the house. I shall do neither – my purpose is to conceal it. Any hardship or misfortune will fall on myself. Others, I believe, will be happy not to know the dreadful Secret which this letter contains.”

      She signed those lines with her name, took the note in her hand, and then left the room. She ascended a back staircase, and unlocked a door at the top of it. Then she came upon a row of doors, all leading into rooms on the first floor of the north side of the house.

      She knelt down opposite the key-hole of the fourth door, peered in distrustfully for an instant, then began to try the different keys till she found one that fitted the lock. Her hands trembled. At length she opened the door. Then she entered the room.

      She did not remain in it more than two or three minutes. When she came out again her face was white with fear. Her hand held nothing now but a small rusty key.

      She examined the large bunch of keys. The particular key which she used had a label “The Myrtle Room.”

      She took the scissors and cut the label from the key. Was it enough? She cut off the other labels, too. Then she retraced her steps to the housekeeper's room, entered it, and hung up the bunch of keys again on the nail in the wall.

      After that Sarah hastened back to her bedroom. The candle was still burning feebly in the fresh daylight. She opened the window.

      Whether for good or for evil, the fatal Secret was hidden now. She will think more composedly, after that, of herself, and of the uncertain future that lay before her.

      The connection between herself and her mistress was severed by death. She knew that Mrs. Treverton, in the last days of her illness, earnestly recommended her maid to Captain Treverton's kindness and protection. But will she accept protection and kindness at the hand of the master whom she was deceiving? The bare idea of such baseness was so revolting, that she decided to leave the house immediately.

      And how to leave it? Can she face her master again? His first inquiries will refer to her mistress. Sarah listened at her door in sudden suspicion and fear. Did she hear footsteps? Was it her master?

      No; all was silent outside. A few tears rolled over her cheeks as she put on her bonnet. She must leave Porthgenna Tower, and leave it secretly.

      Secretly – as a thief? Without a word to her master? Without a letter to thank him for his kindness and to ask his pardon? “Shall I write?” she asked herself, “and leave the letter here?”

      Yes. She wrote a few lines addressed to Captain Treverton, in which she wrote that she was hiding a secret from his knowledge. She honestly believes no harm will come to him, or to anyone in whom he is interested. She is asking his pardon for leaving the house secretly. Then she sealed this short note, and left it on her table. She listened again at the door; and began to descend the stairs at Porthgenna Tower for the last time.

      At the entrance of the nursery she stopped. The tears began to flow again. She ran to the stairs, reached the kitchen-floor in safety, and left the house.

      She diverged to the church; but stopped before she came to it, at the public well. She dropped into the well the little rusty key, the key from the Myrtle Room. Then she hurried on, and entered the church-yard. She came to one of the graves, situated a little apart from the rest. On the head-stone were inscribed these words:

      SACRED TO THE MEMORY OF HUGH POLWHEAL, AGED 26 YEARS. HE MET WITH HIS DEATH THROUGH THE FALL OF A ROCK IN PORTHGENNA MINE, DECEMBER 17TH, 1823.

      Sarah gathered a few leaves of grass from the grave. Then she said,

      “God help and forgive me – it is all done and over now![9]”

      With those words she turned her back on the old house, and followed the moorland path.

      Four hours afterward Captain Treverton desired one of the servants at Porthgenna Tower to inform Sarah Leeson that he wished to hear everything about the dying moments of her mistress. The messenger returned with the letter in his hand.

      Captain Treverton read the letter, and ordered an immediate search after the missing woman. She was so easy to describe and to recognize, by the premature grayness of her hair, by the odd, scared look in her eyes, that she was traced as far as Truro. In that large town the track of her was lost, and never recovered again.

      Nothing explained the nature of the secret at which she hinted in her letter. Her master never saw her again, never heard of her again, after the morning of the twenty-third of August, eighteen hundred and twenty-nine.

      Chapter IV

      The church of Long Beckley is not very remarkable. The large open space around the church can be approached in three different directions. There is a road from the village, there is a broad gravel walk, which begins at the vicarage gates, and there is a footpath over the fields.

      One day three conspirators were advancing along the footpath. The leader of this party was an elderly gentleman, with a weather-beaten[10] face and a bluff, hearty manner. His two followers were a young gentleman and a young lady. They were talking together in whispers. They were dressed in the morning costume. The faces of both were rather pale.

      The young man was blind. Soon the blind man and the young lady were standing together before the altar rails. They were ready to marry.

      Soon the ceremony was concluded. Doctor Chennery went to the vicarage breakfast-table. The persons assembled at the breakfast were, first, Mr. Phippen, a guest; secondly, Miss Sturch, a governess; thirdly, fourthly, and fifthly, Miss Louisa Chennery (aged eleven years), Miss Amelia Chennery (aged nine years), and Master Robert Chennery (aged eight years). There was no mother; Doctor Chennery was a widower.

      The guest was an old college acquaintance of the vicar's. He was staying at Long Beckley for the benefit of his health. He was not a handsome man. His eyes were watery, large, and light gray. They were always rolling from side to side in a state of moist admiration of something or somebody. His nose was long and drooping. His lips had a lachrymose twist; his stature was small; his head large, bald, and loosely set on his shoulders. Such was Mr. Phippen, the Martyr to Dyspepsia, and the guest of the vicar of Long Beckley.

      Miss Sturch, the governess, was a young lady. She was a little, plump, quiet, white-skinned, smiling, neatly dressed girl. Miss Sturch never laughed, and never cried, but she was smiling perpetually.

      Miss Sturch's pupils were not remarkable at all. Miss Louisa's habitual weakness was an inveterate tendency to catch cold[11]. Miss Amelia's principal defect was a disposition to eat supplementary dinners and breakfasts. Master Robert was famous for his obtuseness in learning the Multiplication Table. The virtues of all three were of much the same nature – they were genuine children,

9

it is all done and over now! – теперь всему конец!

10

weather-beaten – обветренный

11

to catch cold – простужаться