The Complete Stories of Edgar Allan Poe. Edgar Allan Poe

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Название The Complete Stories of Edgar Allan Poe
Автор произведения Edgar Allan Poe
Жанр Классическая проза
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Издательство Классическая проза
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library. But, uplifting my eyes, I saw that Berenice stood before me.

      Was it my own excited imagination – or the misty influence of the atmosphere – or the uncertain twilight of the chamber – or the gray draperies which fell around her figure – that caused in it so vacillating and indistinct an outline? I could not tell. She spoke no word; and I – not for worlds could I have uttered a syllable. An icy chill ran through my frame; a sense of insufferable anxiety oppressed me; a consuming curiosity pervaded my soul; and, sinking back upon the chair, I remained for some time breathless and motionless, with my eyes riveted upon her person. Alas! its emaciation was excessive, and not one vestige of the former being lurked in any single line of the contour. My burning glances at length fell upon the face.

      The forehead was high, and very pale, and singularly placid; and the once jetty hair fell partially over it, and overshadowed the hollow temples with innumerable ringlets, now of a vivid yellow, and jarring discordantly, in their fantastic character, with the reigning melancholy of the countenance. The eyes were lifeless, and lustreless, and seemingly pupilless, and I shrank involuntarily from their glassy stare to he contemplation of the thin and shrunken lips. They parted; and in a smile of peculiar meaning, the teeth of the changed Berenice disclosed themselves slowly to my view. Would to God that I had never beheld them, or that, having done so, I had died!

      The shutting of a door disturbed me, and, looking up, I found that my cousin had departed from the chamber. But from the disordered chamber of my brain, had not, alas! departed, and would not be driven away, the white and ghastly spectrum of the teeth. Not a speck on their surface – not a shade on their enamel – not an indenture in their edges – but what that brief period of her smile had sufficed to brand in upon my memory. I saw them now even more unequivocally than I beheld them then. The teeth! – the teeth! – they were here, and there, and everywhere, and visibly and palpably before me; long, narrow, and excessively white, with the pale lips writhing about them, as in the very moment of their first terrible development. Then came the full fury of my monomania, and I struggled in vain against its strange and irresistible influence. In the multiplied objects of the external world I had no thoughts but for the teeth. For these I longed with a frenzied desire. All other matters and all different interests became absorbed in their single contemplation. They – they alone were present to the mental eye, and they, in their sole individuality, became the essence of my mental life. I held them in every light. I turned them in every attitude. I surveyed their characteristics. I dwelt upon their peculiarities. I pondered upon their conformation. I mused upon the alteration in their nature. I shuddered as I assigned to them, in imagination, a sensitive and sentient power, and, even when unassisted by the lips, a capability of moral expression. Of Mademoiselle Salle it has been well said, “Que tous ses pas etaient des sentiments,” and of Berenice I more seriously believed que tous ses dents etaient des idees. Des idees! – ah, here was the idiotic thought that destroyed me! Des idees! – ah, therefore it was that I coveted them so madly! I felt that their possession could alone ever restore me to peace, in giving me back to reason.

      And the evening closed in upon me thus – and then the darkness came, and tarried, and went – and the day again dawned – and the mists of a second night were now gathering around – and still I sat motionless in that solitary room – and still I sat buried in meditation – and still the phantasma of the teeth maintained its terrible ascendancy, as, with the most vivid hideous distinctness, it floated about amid the changing lights and shadows of the chamber. At length there broke in upon my dreams a cry as of horror and dismay; and thereunto, after a pause, succeeded the sound of troubled voices, intermingled with many low moanings of sorrow or of pain. I arose from my seat, and throwing open one of the doors of the library, saw standing out in the ante-chamber a servant maiden, all in tears, who told me that Berenice was – no more! She had been seized with epilepsy in the early morning, and now, at the closing in of the night, the grave was ready for its tenant, and all the preparations for the burial were completed.

      I found myself sitting in the library, and again sitting there alone. It seemed that I had newly awakened from a confused and exciting dream. I knew that it was now midnight, and I was well aware, that since the setting of the sun, Berenice had been interred. But of that dreary period which intervened I had no positive, at least no definite comprehension. Yet its memory was replete with horror – horror more horrible from being vague, and terror more terrible from ambiguity. It was a fearful page in the record my existence, written all over with dim, and hideous, and unintelligible recollections. I strived to decypher them, but in vain; while ever and anon, like the spirit of a departed sound, the shrill and piercing shriek of a female voice seemed to be ringing in my ears. I had done a deed – what was it? I asked myself the question aloud, and the whispering echoes of the chamber answered me, – “what was it? “

      On the table beside me burned a lamp, and near it lay a little box. It was of no remarkable character, and I had seen it frequently before, for it was the property of the family physician; but how came it there, upon my table, and why did I shudder in regarding it? These things were in no manner to be accounted for, and my eyes at length dropped to the open pages of a book, and to a sentence underscored therein. The words were the singular but simple ones of the poet Ebn Zaiat: – “Dicebant mihi sodales si sepulchrum amicae visitarem, curas meas aliquantulum fore levatas.” Why then, as I perused them, did the hairs of my head erect themselves on end, and the blood of my body become congealed within my veins?

      There came a light tap at the library door – and, pale as the tenant of a tomb, a menial entered upon tiptoe. His looks were wild with terror, and he spoke to me in a voice tremulous, husky, and very low. What said he? – some broken sentences I heard. He told of a wild cry disturbing the silence of the night – of the gathering together of the household – of a search in the direction of the sound; and then his tones grew thrillingly distinct as he whispered me of a violated grave – of a disfigured body enshrouded, yet still breathing – still palpitating – still alive!

      He pointed to garments; they were muddy and clotted with gore. I spoke not, and he took me gently by the hand: it was indented with the impress of human nails. He directed my attention to some object against the wall. I looked at it for some minutes: it was a spade. With a shriek I bounded to the table, and grasped the box that lay upon it. But I could not force it open; and, in my tremor, it slipped from my hands, and fell heavily, and burst into pieces; and from it, with a rattling sound, there rolled out some instruments of dental surgery, intermingled with thirty-two small, white, and ivory-looking substances that were scattered to and fro about the floor.

      THE END

      Bon-Bon (1835)

      Quand un bon vin meuble mon estomac,

      Je suis plus savant que Balzac —

      Plus sage que Pibrac;

      Mon bras seul faisant l’attaque

      De la nation Cossaque,

      La mettroit au sac;

      De Charon Je passerois le lac

      En dormant dans son bac;

      J’irois au fier Eac,

      Sans que mon cœur fit tic ni tac,

      Presenter du tabac.

      – French Vaudeville.

      That Pierre Bon-Bon was a restaurateur of uncommon qualifications, no man who, during the reign of —, frequented the little Câfé in the cul-de-sac Le Febvre at Rouen, will, I imagine, feel himself at liberty to dispute. That Pierre Bon-Bon was, in an equal degree, skilled in the philosophy of that period is, I presume, still more especially undeniable. His patés à la fois were beyond doubt immaculate; but what pen can do justice to his essays sur la Nature – his thoughts sur l’Ame – his observations sur l’Esprit? If his omelettes – if his fricandeaux were inestimable, what littérateur of that day would not have given twice as much for an “Idée de Bon-Bon” as for all the trash of “Idées” of all the rest of the savants? Bon-Bon had ransacked libraries which no other man had ransacked – had read more than any other would have entertained a notion of reading – had understood more than any other would have conceived the possibility of understanding; and although, while he flourished, there were not wanting