The Complete Stories of Edgar Allan Poe. Edgar Allan Poe

vini habet nemo

      Quantum sanguinis effudit!

      Which may be thus paraphrased:

      A thousand, a thousand, a thousand,

      A thousand, a thousand, a thousand,

      We, with one warrior, have slain!

      A thousand, a thousand, a thousand, a thousand,

      Sing a thousand over again!

      Soho! – let us sing

      Long life to our king,

      Who knocked over a thousand so fine!

      Soho! – let us roar,

      He has given us more

      Red gallons of gore

      Than all Syria can furnish of wine!

      “Do you hear that flourish of trumpets?”

      Yes – the king is coming! See! the people are aghast with admiration, and lift up their eyes to the heavens in reverence! He comes! – he is coming! – there he is!

      “Who? – where? – the king? – I do not behold him; – cannot say that I perceive him.”

      Then you must be blind.

      “Very possible. Still I see nothing but a tumultuous mob of idiots and madmen, who are busy in prostrating themselves before a gigantic cameleopard, and endeavoring to obtain a kiss of the animal’s hoofs. See! the beast has very justly kicked one of the rabble over – and another – and another – and another. Indeed, I cannot help admiring the animal for the excellent use he is making of his feet.”

      Rabble, indeed! – why these are the noble and free citizens of Epidaphne! Beast, did you say? – take care that you are not overheard. Do you not perceive that the animal has the visage of a man? Why, my dear sir, that cameleopard is no other than Antiochus Epiphanes, Antiochus the Illustrious, King of Syria, and the most potent of all the autocrats of the East! It is true, that he is entitled, at times, Antiochus Epimanes – Antiochus the madman – but that is because all people have not the capacity to appreciate his merits. It is also certain that he is at present ensconced in the hide of a beast, and is doing his best to play the part of a cameleopard; but this is done for the better sustaining his dignity as king. Besides, the monarch is of gigantic stature, and the dress is therefore neither unbecoming nor over large. We may, however, presume he would not have adopted it but for some occasion of especial state. Such, you will allow, is the massacre of a thousand Jews. With how superior a dignity the monarch perambulates on all fours! His tail, you perceive, is held aloft by his two principal concubines, Elline and Argelais; and his whole appearance would be infinitely prepossessing, were it not for the protuberance of his eyes, which will certainly start out of his head, and the queer color of his face, which has become nondescript from the quantity of wine he has swallowed. Let us follow him to the hippodrome, whither he is proceeding, and listen to the song of triumph which he is commencing:

      Who is king but Epiphanes?

      Say – do you know?

      Who is king but Epiphanes?

      Bravo! – bravo!

      There is none but Epiphanes,

      No – there is none:

      So tear down the temples,

      And put out the sun!

      Well and strenuously sung! The populace are hailing him “Prince of Poets,” as well as “Glory of the East,” “Delight of the Universe,” and “most temarkable of Cameleopards.” They have encored his effusion, and – do you hear? – he is singing it over again. When he arrives at the hippodrome, he will be crowned with the poetic wreath, in anticipation of his victory at the approaching Olympics.

      “But, good Jupiter! what is the matter in the crowd behind us?”

      Behind us, did you say? – oh! ah! – I perceive. My friend, it is well that you spoke in time. Let us get into a place of safety as soon as possible. Here! – let us conceal ourselves in the arch of this aqueduct, and I will inform you presently of the origin of the commotion. It has turned out as I have been anticipating. The singular appearance of the cameleopard with the head of a man, has, it seems, given offence to the notions of propriety entertained in general, by the wild animals domesticated in the city. A mutiny has been the result; and, as is usual upon such occasions, all human efforts will be of no avail in quelling the mob. Several of the Syrians have already been devoured; but the general voice of the four-footed patriots seems to be for eating up the cameleopard. “The Prince of Poets,” therefore, is upon his hinder legs, running for his life. His courtiers have left him in the lurch, and his concubines have followed so excellent an example. “Delight of the Universe,” thou art in a sad predicament! “Glory of the East,” thou art in danger of mastication! Therefore never regard so piteously thy tail; it will undoubtedly be draggled in the mud, and for this there is no help. Look not behind thee, then, at its unavoidable degradation; but take courage, ply thy legs with vigor, and scud for the hippodrome! Remember that thou art Antiochus Epiphanes. Antiochus the Illustrious! – also “Prince of Poets,” “Glory of the East,” “Delight of the Universe,” and “most Remarkable of Cameleopards!” Heavens! what a power of speed thou art displaying! What a capacity for leg-bail thou art developing! Run, Prince! – Bravo, Epiphanes! Well done, Cameleopard! – Glorious Antiochus! – He runs! – he leaps! – he flies! Like an arrow from a catapult he approaches the hippodrome! He leaps! – he shrieks! – he is there! This is well; for hadst thou, ‘Glory of the East,’ been half a second longer in reaching the gates of the Amphitheatre, there is not a bear’s cub in Epidaphne that would not have had a nibble at thy carcase. Let us be off – let us take our departure! – for we shall find our delicate modern ears unable to endure the vast uproar which is about to commence in celebration of the king’s escape! Listen! it has already commenced. See! – the whole town is topsy-turvy.

      “Surely this is the most populous city of the East! What a wilderness of people! what a jumble of all ranks and ages! what a multiplicity of sects and nations! what a variety of costumes! what a Babel of languages! what a screaming of beasts! what a tinkling of instruments! what a parcel of philosophers!”

      Come let us be off!

      “Stay a moment! I see a vast hubbub in the hippodrome; what is the meaning of it I beseech you?”

      That? – oh, nothing! The noble and free citizens of Epidaphne being, as they declare, well satisfied of the faith, valor, wisdom, and divinity of their king, and having, moreover, been eyewitnesses of his late superhuman agility, do think it no more than their duty to invest his brows (in addition to the poetic crown) with the wreath of victory in the foot-race – a wreath which it is evident he must obtain at the celebration of the next Olympiad, and which, therefore, they now give him in advance.

      THE END

      Manuscript Found in a Bottle (1833)

      Qui n’a plus qu’un moment a vivre

      N’a plus rien a dissimuler.

Quinault – Atys.

      Of my country and of my family I have little to say. Ill usage and length of years have driven me from the one, and estranged me from the other. Hereditary wealth afforded me an education of no common order, and a contemplative turn of mind enabled me to methodise the stores which early study very diligently garnered up. Beyond all things, the works of the German moralists gave me great delight; not from any ill-advised admiration of their eloquent madness, but from the ease with which my habits of rigid thought enabled me to detect their falsities. I have often been reproached with the aridity of my genius; a deficiency of imagination has been imputed to me as a crime; and the Pyrrhonism of my opinions has at all times rendered me notorious. Indeed, a strong relish for physical philosophy has, I fear, tinctured my mind with a very common error of this age – I mean the habit of referring occurrences, even the least susceptible of such reference, to the principles of that science. Upon the whole, no person could be less liable than myself to be led away from the severe precincts of truth by the ignes fatui